My love of corded and stuffed quilting runs very deep. I first taught myself the technique about 15 years ago after seeing it used in 1930s couture garments at the V&A when I worked there. I later discovered the Tristan Quilt, a 14th century trapunto quilt, which is in the V&A but it wasn’t on display while I worked there. Over the last few years working as a professional artist / maker / tutor and writer of books, I have continued to explore trapunto / corded quilting as much as possible. I have covered the technique in basics in my first book Sew It Up, and then in much more detail in Fabric Manipulation. I have also taught the basics of the technique to hundreds of people, including for the last 10 years at Festival of Quilts. I’ve continued to research the technique by visiting museums and arranging store visits to see original pieces (mostly 18th century), and collected old quilting books which occasionally mention the technique. I have already created a very brief history of the technique which is online here, and have copies of the two main books on the subject, but there is much they don’t cover which I want to explore.
I’ve now received a small professional development grant from The Textile Society to take this research forward on 2020. I will be visiting museums, exploring online catalogues and reading books to create a list of corded & stuffed quilting in collections in the UK, and start working towards a book which will cover both the history and the contemporary practice of this wonderful, under-appreciated technique. If you have any examples in your personal collections or know of any in museums, please do get in touch.
The two photographs are my own pieces made for publications, inspired by historic examples. I will be teaching the techniques again at Festival of Quilts in 2020 and will be running a masterclass at some point in 2020-21 too. Please join my mailing list to be first to receive workshop and talk information.
I’ve made a colouring book! I created a sort-of colouring book for my library commission earlier this year, and really loved doing it. It reminded me that I wanted to make a patchwork pattern colouring book a few years ago, but never had the time. I’ve made the time and now it’s ready.
My book of patchwork drawings is more than just a colouring book, it is a place to play with creative ideas, to try new colour combinations, patterns and really stretch your creativity. This A5 book (15x21cm 6x8in) has 14 hand-drawn designs inspired by original antique patchwork quilts which I have created meticulously for your enjoyment. I love using patchwork as inspiration for creative drawing and colouring and I am sure you will love these too. The paper is nice and thick, suitable for watercolour as well as pens, chalk makers and pencils. There are also two pages for you to create your own designs with a helpful grid to guide you. I have also included 6 pages of full colour designs with lots of tips and ideas to make this colouring book really special.
The colouring book is £9.50. I can post all over the world too. You can find it in my online shop, along with books, textiles and much more.
My book Fabric Manipulation is now available in paperback. I have a handful of signed copies on my online shop for £15.99. They are of course also available from online retailers but if you buy direct from the writer then the profit comes to me rather than the global online retailer, and helps support my work. I also recommend ordering books from your local book shop to help keep them afloat, along with the writers they support.
Stitch & Slash from Fabric Manipulation
Tuck & Fold
Criminal Quilts book is available for pre-order for another week – the advance copy discount ends 8pm Friday 20th July. The book is just £10 for pre-orders and includes a free bookmark and the chance to be included in the supporters page. Buy now!
Criminal Quilts Book is open for pre-orders now!
Pre-orders are open until 20th July at a discounted price of £10 per copy which includes a signature, free postcard and the chance to include your name as a supporter in the back of the book.
The books will be printed at the end of July and posted out from mid-August. You can also collect at Festival of Quilts.
As well as the discount, your pre-order will help me pay for the massive printing costs for this book. I really appreciate you pre-ordering and will include your name (or another as preferred) in the back of the book. Please include your preferred name in the order.
As I develop new work for my Fragments exhibition in the summer, I am investigating and exploring a lot of old quilts. I am continuing to explore my photographs and notes from the research visit to the Quilt Association’s collections in February and creating new technique ideas based on the structures, designs and history of the quilts. I am also investigating the antique quilts and pieces which I own myself and working out ways of incorporating elements from these pieces into new work.
Quilt Association collection
Quilt Association collection
Quilt Association collection
I have also been investigating my own collections of quilts and bits, engaging in Quilt Archaeology (credit to someone on Instagram but alas I forget who). What interests me is not the fineness of the stitching or the patchwork patterns but the textures, the tactility and the reasons these quilts were made and used (or not). I’ve been using drawing, painting, mark making and print techniques to explore my ideas, some of which are very large scale which will have dramatic impact and some much smaller and more intimate, like the quilts themselves, and invite close consideration.
Meanwhile, my Harefield Hospital Centenary Quilt project has been featured this week on the People’s History of the NHS blog.
Rowan leaves to represent Rowan Ward. Hand embroidery.
This time five years ago I started work on my third book Fabric Manipulation which was published a year or so later. It gives me real pleasure to see these exciting techniques being enjoyed and re-invented.
It is always a pleasure to go back through my boxes of samples from the book and share them anew. Last week’s students at West Dean College produced some amazing pieces, variations and interpretations of the techniques. Shibori work is by Romor Designs.
I hope this course will be repeated at West Dean in a couple of years. In the meantime I have a smocking workshop in London in June and a couple of dates of manipulation techniques with Gillian Cooper Studio in Scotland in August. Next year I hope to launch some online courses exploring manipulation techniques in more detail. There are lots of links and resources on the Fabric Manipulation page too including extensive Pinterest boards and blog posts.