Author: Ruth Singer
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What it means to be an artist in 2020
At the end of May 2020 I was offered the chance to share my images and words via the Instagram account of Contemporary Visual Art Networks – East Midlands. I created a week’s worth of posts exploring my experience of being an artist in 2020, both before and during the time of Covid. I have…
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Criminal Quilts Case Study – Harriet George
Criminal Quilts is my an exhibition, research project and book. The textiles I have created are inspired by the stories of women who were photographed on release from Stafford Prison between 1877 and 1916. I was fascinated when I first saw the photographs from the 1870s where the women have their hands on their chests.…
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Mini Prints
I want my work to be accessible to as many people as possible, so I have started producing mini prints from professional photos of my pieces. These are professionally-printed on high quality archival paper and each print is around 6x8inches (or a little smaller depending on borders) so somewhere between postcard and A5. These three…
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Criminal Quilts Case Study – Caroline Pulley
Criminal Quilts is my an exhibition, research project and book. The textiles I have created are inspired by the stories of women who were photographed on release from Stafford Prison between 1877 and 1916. I was fascinated when I first saw the photographs from the 1870s where the women have their hands on their chests.…
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Criminal Quilts Free Activity Sheets
I’ve recently created an activity pack around Criminal Quilts for community workshop participants who I can’t currently meet up with. I’ve made a couple of the worksheets free for anyone to try. Download the free PDF here. You could use the case study of Fanny & Ada Riddle or Caroline Pulley as your creative inspiration. The full…
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Criminal Quilts Case Study – Fanny and Ada Riddle
Criminal Quilts is my an exhibition, research project and book. The textiles I have created are inspired by the stories of women who were photographed on release from Stafford Prison between 1877 and 1916. I was fascinated when I first saw the photographs from the 1870s where the women have their hands on their chests.…
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Digital Print on Textile
My artist statement says that I prefer to use old cloth in my work, enjoying the history embedded within the textile, and I have tried throughout my 15 years of practice to use sustainable textile techniques. It isn’t the whole story as I do also use digital print on new fabrics for specific projects. I…
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Interview with CVAN East Midlands
There’s an interview with me (done at the end of April) up on the CVAN East Midlands website. I’ll be taking over CVAN EM Instagram from 25th May too, sharing my thoughts on what it is to be an artist in 2020. I’m doing a live Zoom interview with Elizabeth Hawley-Lingham, Director of CVAN-EM on…
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Visit Criminal Quilts (online)
While my Criminal Quilts exhibition is behind bars (in boxes), I have created a free online version of the exhibition. I’ve included lots of high resolution images including details of embroidery, quilting and showing textures and stitches as much as possible. All the exhibition panels, labels and other resources are also on my website for…
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Step By Step
One day at a time Not too long ago I had a wall planner diary for the whole year, I was waiting to hear about a 12-month project so I could fully schedule in my 12-18 month work plan around my holidays, teaching away from home, deadlines and exhibition touring schedule. I always have teaching…
Ruth Singer 