Earlier this month Creative Leicestershire was awarded a grant from Arts Council England to enable us (me) to do more on my Made in Leicestershire development project. I’ve been working on research and consultation for Made in Leicetershire for about 18 months and this grant has allowed us to extend until the end of September and run some exciting new programmes for Leicestershire and Rutland visual artists and makers.
We are piloting peer mentoring for artists, beginning with training next week and then facilitated meetings over the next month. Those taking part will also have the chance to have a professional photo taken of them with their work and apply for a small professional development bursary. There’s still time to sign up to the peer mentoring programme which takes place on Monday 19th August.
We are also hosting a larger networking event on 24th September, where I’ll be launching a new printed report which will showcase some of the finest creative talent in the city and two counties. There will also be professional development talks and business support 1:1s for new and established artists. Tickets are just £5 and can be booked here.
I love working with artists and it is great to be able to provide development opportunities and work on ways to make the network stronger in the future. It would be great to be able to expand this area of my work into other counties and regions and to work with agencies to create support networks. Hopefully Made in Leicestershire will take flight in the next few years and be the brilliant showcase I want for this creative county.
Selvedge have included my museum sales news in their blog this month. It was a lovely surprise to read this in their newsletter while I was on holiday last week!
Read the full post here.
Since my Textile Traces exhibition has closed, I have been doing a little studio housekeeping and sorting out a lot of work which needs to find a new home! My online shop has had a facelift and is starting to fill up with prints, textiles, collaborations, textile jewellery and other treasures appearing from the archives of my life, as well as books, cards and postcards.
Some of the listings are new work created in the last year or two including my stitch meditations which are framed without glass so are perfect for posting. Other pieces were made some years ago and are on sale at greatly reduced prices starting at just £45.
Quilt Blocks are just £10 each though you may want a few to make a striking display.
My Narrative Threads booklet is reduced to £6 including UK postage and there is also the option for overseas posting. Other pieces may not have overseas posting options but please do get in touch as I am more than happy to give you a price for shipping anywhere in the world.
There is a lot more to come over the next few months and major updates will be added in September. To find out when new stock is available, please join my mailing list where the first notifications will be announced. I will also be doing some flash sales on Instagram and Facebook so please make sure you are following me to find out when they happen.
Pincushion brooch by Ruth Singer & Alys Power
Two of my recent artworks have been purchased by museums this year. I started my professional career working in museums, after doing a Masters Degree in Museum Studies. Museums are still my favourite places to spend time, particularly in textile and social history collections. I left my museum career aged 30 in 2005 to pursue my ambition to make a living out of textiles. Over the subsequent 14 years, I have worked in partnership with museums and heritage collections many times and still get a thrill of excitement when I discover new objects, collections, personal and community stories and buildings. I have created commissions using archive materials for Harefield Hospital Centenary Quilt, made textile collections inspired by my own family history and used antique textiles to tell the stories of how we do and don’t treasure historic clothing in my Garment Ghosts series. Museums and heritage suffuse my work, they are inseparable to who I am as a person and as an artist. Having work in museum collections, to be preserved forever and accessible to researchers and historians and textile enthusiasts is a real honour.
Memorial Sampler: Gawthorpe Textiles Collection
I am particularly delighted that Memorial Sampler has been purchased for the Gawthorpe Textiles Collection. I have spent time at Gawthorpe doing research in their collections several times and exhibiting there in 2018 was a highlight of my professional artist career. The Memorial Sampler is a deeply emotional piece of work, gathering the names of loved ones who have died. I started with a couple of my own and then asked on social media for contributions. I added these to the piece during the exhibition when I worked in the gallery on Meet The Artist days. I also asked for contributions from visitors to the exhibition over the 3 months it was on show, and after the exhibition I slowly stitched in all of those names too, adding up to over 100 personal memories. It has been an honour to be trusted with these precious memories and to be able to bring together all those lost loved ones. It seems fitting that this piece will be preserved in the collections which inspired it.
Criminal Quilts, Repeat Offender; The Brampton Museum
Criminal Quilts is a textile and heritage project created by me in partnership with Staffordshire Record Office. The project is centred around the stories of women photographed in Stafford Prison 1877-1916. Our research project gathered together over 500 mugshot photographs of women and I created a series of textiles inspired by the stories. This project grew out of an earlier commission for Shire Hall Gallery which has also been purchased by Staffordshire County Council museum collection.
Repeat Offender is a screen-printed textile piece, printed on vintage cloth, created with the support of University of Wolverhampton Textiles and Fashion team. Purchased by Newcastle-under-Lyme Borough Council for the collections of The Brampton Museum, Staffordshire. This piece is part of Criminal Quilts and was purchased for this collection because the woman featured, Agnes Herrity was from Newcastle-under-Lyme. Agnes quickly became one of the stars of the Criminal Quilts project, as she features several times in the prison mugshots.
This quilt is made from screen printed cloth using an image created from this 1897 photograph of Agnes Herrity. She was photographed (on release from prison) five times between 1897 and 1910. She lived in Newcastle-Under-Lyme. Agnes clearly had a hard life, living in slum housing and making a meagre living. She was convicted regularly of drunkenness, theft and assault. I have used screen printing because it uses photographic process which reflects the historic photographs. The use of repeating images refers to Agnes’ repeated prison sentences. Screen printed by hand on modern linen, antique printed cotton, vintage cotton and new cotton hand printed with marbling design taken from the endpapers of one of the prison albums. It is backed with an old shawl, reminiscent of those seen in many of the photographs.
One 2nd & 3rd November 2019, my Criminal Quilts exhibition will appear for ONE WEEKEND ONLY at Gunnersbury Park Museum, West London. I will also be giving a talk / tour of the exhibition on the Saturday at 2pm. Tickets are £10 available from Gunnersbury website.
In recent months I have completed a couple of commissions.
The large panel is worked onto blue linen with scraps of antique fabrics including 18th century tapestry, 19th century embroidery and 17th century brocade. I’ve added lots of hand embroidery details and several found objects embellished with hand stitch and silk threads. The objects include medieval metal detector finds including belt ends and buckles. I love these little details and the historical stories in the textiles, all of which are meaningful to the customers.
Another commission made last year.
This piece is more focussed around textiles and sewing, with thread winders, tape measure, thimble and some of the customers’ own handmade buttons and reflects their love of colour! This one is mounted on cream wool felt.
Commissions like these cost £350-£500 depending on size, complexity and materials (plus framing, I use bespoke, solid wood frames without glass). Smaller pieces are also an option with just one or two elements.
If you would like to discuss a commission please get in touch using the form below.
I’m really chuffed to have articles about my Textile Traces exhibition in both Selvedge and Embroidery magazines July issues.
Selvedge (below left) is a short review article while Embroidery magazine is a 6-page feature (detail below right).
I’ve got a couple of copies of Embroidery to give away to a newsletter subscriber so join my mailing list here ( or on the top right of my website) and follow the instructions in the next newsletter to be in with a chance of winning one – UK only.
The exhibition continues at Llantarnam Grange Art Centre until 20th July. I am looking for galleries to tour the exhibition to in 2020 so please do get in touch if you know somewhere suitable for a large textile show.