Making Meaning Podcast Episode 26 with Gillian Lee Smith

In this final conversation of the series, I am talking to Gillian Lee Smith, a Scottish painter based in Northumberland. Gillian and I first met as members of a designer-makers group in the English midlands but we reconnected over Zoom during the pandemic and have had some wonderful conversations about our practices, our mentoring work and our creative ideas. In this conversation we focus on mentoring and talk about how both supporting others and being supported ourselves helps our practice. We talk about the zigzag journey of creative practice and how reflection and talking things through with others really helps to clarify things, to open new doors and to inspire. 


Gillian Lee Smith is a painter living in Northumberland. Her ongoing work is inspired by maritime history – fishing communities, the stories of the ocean and the man made structures of harbours that mark the boundary and often create sheltering spaces from the storms.

Gillian is embarking on a new body of work called The Lost and The Left Behind which will explore themes of the ongoing resonance of history, loss and memory. The process of painting (creating, burying and excavating) allows an image to reveal itself over time and can connect to a particular story, memory or experience in surprising ways. Gillian is exploring ways of taking this approach into other media such as printmaking and mixed media for her new work. 

A practicing artist for over 15 years, Gillian teaches in person workshops and creates online courses such as her signature programme Building a Body of Work as well as working closely with other artists through mentoring. Exhibiting locally and nationally, Gillian recently won a highly commended award with her portrait Through dust and darkness (The Miner) at Woodhorn Mining Museum. 

Play here


Other links

Solo exhibition November 2022 to February 2023 at Newbiggin Maritime Museum


Artist Mentoring

If you are feeling a bit at sea with your creative practice, I’m here to help. I’ve created my mentoring programmes after years of working with and supporting artists and really understanding the challenges of creative life. I’m on your side to help you figure out the meanings and the reasons behind your creative practice and how to move forwards. Find out more here.


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

My Creative Retreat

What I learned from taking a week out to just be an artist again

It makes me laugh when I get comments saying how nice it must be just to stitch all day in my lovely studio. I think it would be nice too, but that isn’t quite the reality of making a living from my creative practice. I spend 90% of my working hours online and sometimes it feels like 90% of my entire life in front of the computer! Time spent actually making stuff with my hands is only a small part of what I do. But I’m not saying that to make you feel sorry for me. I chose this working life and on the whole it suits me. I love the work I do on the computer from 1:1 mentoring to writing resources for my Maker Membership to recording the Making Meaning podcast to writing blog posts like this. It’s all creative practice and it’s all stuff I love but I also love the artist studio bit too. It’s all too easy for that to get squeezed out by the challenges of making a living, delivering projects and running a complex multi-stranded business pretty much singlehandedly.

Moving house last year and settling into my new studio has proved to be an excellent decision. The new space is inspiring and I have access to country walks within minutes of my home which really helps me with thinking and reflecting on my creative work. I haven’t however, got into a good routine of using this space for making / studio work on a regular basis. I have only just over the last 6 months or so got back into making new work after lockdowns which sapped pretty much all of my creativity.

I’m winding up a lot of projects at the moment and looking forward to the autumn and winter of getting back to some things of my own that have been on pause for far too long – a book I planned in 2018 for a start – and finishing off several pieces and groups of work that have been waiting for me. To kickstart this I took myself on an artists retreat in early September and I’m going to share a bit more about that and why it worked so well for me.

A few years ago I started taking a few days in autumn or winter to reflect, focus on my practice and basically get away from the computer for few days. It seems like a real indulgence, spending money to go somewhere else to do what I could be doing in my own studio. And yes it is, in some ways, but also it is an acknowledgement that my artist practice doesn’t get the attention it deserves in an average week. Also I tell myself, I have a home studio so I am not paying rent for it every month, so I can save it up and go away for a few days of space to think and work.

Drawing and printing materials, plus cups of tea set out on a table, one pair f hands with sketchbook
Gillian’s printing and drawing set up outside

This time I invited my long-time friend and collaborator Gillian McFarland to join me. We used to share a studio in Leicester but she now lives back in Scotland so we met in the middle, near Barnard Castle. We also co-mentor each other so have really got to explore our practice together in the last few months so this was a perfect time to reflect and get moving with some new things.

Collection of found objects and natural materials including acorns and old broken pottery, feathers and twigs
Our nature table and found items

We walked and talked, gathered and drew. We did some printing and some natural dyeing and lots of reflecting on our own practices and where we were going. There was lots of reading and sharing ideas, and listening and suggesting.

I made a start on some ideas that have been brewing for years, stitched paths on fragments of cloth and printed paths on lino.

Long narrow textile with fine pink stitched line along the length, displayed on a rugged stone wall
Stitched paths in thread
Black and white artist prints laid on a table. Prints are wiggly lines travelling across the print plate.
Experimental prints

I also visited a lot of medieval sites, churches, abbeys, castles – returning to my roots as a medievalist! This has been a powerful reminder of just how much I want to revisit with the eyes of an artist rather than an academic history student.

I did two research visits to museum collections as well, looking at corded quilting which was absolute heaven! And spent some time just browsing for fun at the Bowes Museum. Museum browsing is probably my top choice for inspiration and idea-nurturing.

Broken roman and medieval pottery display from the Bowes Museum
Broken roman and medieval pottery display from the Bowes Museum

So what have I learned from this trip?

  • Creativity needs space to thrive. I can find that space at home in a normal busy week but allowing myself the space to expand into a bigger creative space was really useful
  • Time to think and reflect is fundamental.
  • Talking to someone about your practice helps you figure things out yourself
  • There’s always a lot of unknown with creative practice. You have to learn to be comfortable with not knowing if what you do will be good or useful or what you intended.
  • Experimenting and releasing some of the self-imposed restrictions on what you do can be joyful as well as scary
  • And I learned that the ideas that are bubbling away under the surface need to rise up and get the attention they deserve, whether or not they turn out to be good.

So that’s what I’m doing over the next few months. Allowing my creative practice some space. Pausing and ending some projects to allow the capacity for some others – my podcast is pausing over the autumn and will restart some time in the new year and my community projects are all coming to an end. I’m going to try spending one day a week properly focussing in my studio and not turning the computer on at all. I am going to take drawing and writing out on my walks and do a lot more visiting inspiring places and just see what happens.

Cloth scraps and threads in beige and purple dyed with natural dyes
Cloth scraps and threads dyed with foraged natural dyes during the week

If you would like some support and nurturing of your creative practice, wherever you are in your career, I would love to help. I really do love mentoring, being trusted to travel alongside a creative journey and help you figure things out. I would love to grow this side of my work and help more people so I have created some new mentoring package – 3 or 6 months of 1:1 support via monthly Zoom calls. You can find out more here. If 1:1 isn’t right for you at this time, you might like to look at my Maker Membership which is by far the most affordable way to work with me and get feedback on your creative practice, as well as be part of a supportive community. And finally, my Find Your Focus course runs in January – this is a development from my Gentle Goal Setting workshops / workbook which involves reflection, finding your own criteria for success and creating guiding light principles and activities which will take you forwards. Find out more here.

Artist Mentoring

Support and guidance with your creative practice with experienced artist & mentor Ruth Singer

My 1:1 mentoring sessions are back! I took a break in August and September to get a few other things finished and to have time to figure out what I wanted to do with my mentoring practice.

I’ve been mentoring since at least 2014 (according to my oldest testimonial!) but I am sure I was doing it more informally before then too. And I really do love it! It’s so energising to feel like you are making a difference to someone’s creative practice and to see the change and growth in your clients.

The two episodes of this series of Making Meaning Podcast are with two of my recent mentees and both talk about how useful and nurturing it is to have support in your creative practice. Mandeep’s podcast episode is here and there will be a new one out 29th September with guest Gillian Lee Smith reflecting on mentoring.

Here’s what Mandeep said on Instagram

“Today involved a moment of reflection within my practice – looking back, looking at my present stance, and looking ahead. 

It’s been a few months now that I’ve been working with artist and mentor @ruthsingertextiles to help articulate my creative thoughts, and today’s session was as fruitful as always. I’ve come to think of each session together as a series of layers gently building towards the bigger picture. 

The biggest and most important factor in choosing to work with Ruth is her holistic approach – having the capacity to engage, listen, provide space and show a genuine interest in bringing out the potential of my professional practice in line with my own holistic way of working, through inner and outer care. I’m felt understood in my visual language; the exchange of conversation never fails to inspire or encourage my wider ambitions.

This isn’t a push to gather more clients for Ruth nor is it a paid partnership; more an open sharing of thoughts, of how the idea of togetherness contributes to raising one another, of how what we can learn from one another organically weaves into our individual practices. 

This linocut was a print I began last year which went miserably wrong, yet taught me a lot about technique and about myself. But most of all it invited conversation of all kinds to take place with printmakers and non-printmakers, influencing the developmental direction of my practice. It was an eye-opener, much like mentoring is – expansive; your hand held, with soft focussed guidance in finding your footing in your practice, and individual seat in the big art world.”

I’ve realised over the last couple of years of online mentoring that figuring out your creative practice isn’t something that can be achieved in one session! I now offer 3 or 6 session packages which give the mentee time and space to figure things out and move forward.

Find out more about mentoring here. If what you are looking for is community and a lighter touch of support then you might find my Maker Membership is the right space for you. I share loads of resources in the online space and we meet monthly on Zoom for group chats where you can ask for advice or feedback on your work. You can find out a bit of what it’s like by listening to Maker Membership episode of the podcast here.

What kind of things do you struggle with in your creative practice? What kind of support or help might take you forward into doing your best creative work? I’d love to hear from you, you can comment here or on my Instagram page.

The personal impact of volunteering

How volunteering at a foodbank changed my perspective on life

Volunteering during the pandemic changed my life. Helping at the foodbank gave me purpose during the height of the pandemic. I have been so impressed by the care and community-mindedness of the formal and informal volunteers I have met over the last two years. I wanted to commemorate their amazing work.

What people said about volunteering

I created Community Spirit to do just that. It’s an arts project I created that focusses on the volunteers themselves. I really felt that volunteering needed to be celebrated and recognised not only for the positive benefits it brings to those we help, but also to those who volunteer.

I worked with Mandeep Dhadialla for this project. Here’s a clip of us talking about why volunteering is so rewarding and empowering. You can find the whole video here.

I wouldn’t have created this project if I hadn’t volunteered during the pandemic. When I first volunteered it was definitely a feeling of altruism, of wanting to help, being useful. As time went on and I became really heavily involved in the development, funding and running of Woodgate Community Food, volunteering became a major part of my life. Not only was I able to make a difference, a real, very tangible difference, I felt so much more in control. At the height of the pandemic I was able to use my fundraising, marketing, admin and design skills for something really positive. I met amazing people and I saw desperate grinding poverty first hand. It’s very eye-opening, and I was acutely conscious of my privilege. I worked probably 2-3 days a week on the foodbank project during 2020, alongside keeping my own business and creative practice afloat and I learned so much about myself and my life that I’ve made some changes as a result. I reasserted my determination to make my creative practice really aligned with my values in social justice. I made artworks in response to my experience of running the foodbank and I created projects to further support foodbank customers beyond their basic needs with my Woodgate Wellbeing project. And then came this one, Community Spirit, which I am really delighted to be taking back to Woodgate on 30th Sept / 1st October to share it with the volunteers there who are still keeping it going and supporting over 100 households per week.

I actually moved away from Woodgate in 2021 so I no longer volunteer on a regular basis but help with things I can do from home or partnership events I can be part of. I had a manic hour handing out free picnic bags for the Jubilee party in June and I recently designed a recipe booklet to go in special food packs. And Woodgate Community Food will always be part of my heart, my creative practice and my future volunteering choices.

This project has been a joy to run and now it’s great to see it out in the world, being appreciated by the volunteers who it celebrates. You can find the showcase at the following venues and I will be alongside the display at Woodgate if you would like a chat!

Market Harborough Library 24th-28th September. Fri, Tues, Weds 10-6, Sat 10-4

Woodgate Community Food Leicester Friday 30th Sept & Saturday 1st October. 10am-1pm both days

John Storer House Loughborough 3rd – 14th October Mon-Fri 10am-5pm. Sat 10am-2pm

Lutterworth Library 20-22nd October. Hours vary, please check with the library.

Do you volunteer? I’d love to hear what it means to you.

Making Meaning Podcast Episode 25 with Mandeep Dhadialla

Mandeep is a printmaker and workshop leader who works under the brand The Laughing Cactus Print Studio. She’s also local to me and we’ve been working together a lot over the last year or so on community projects and sharing thoughts on our respective creative practices. In this conversation we talk about the themes Mandeep is currently exploring around stillness and displacement, about belonging and moving between two countries. We talk about community practice and the impact it has on our work and the benefits of the collaborative work we are currently involved in. 


Mandeep Dhadialla is an artist printmaker living and working in Leicester. Her work revolves around linocut printmaking, including on textiles, and making handprinted and hand-bound books. Spending her formative years as a child in Kenya and migrating to England in her early teens influences her practice. She explores concepts of home, place, safety and comfort within her printmaking practice, experimenting with combined monoprint, linocut and collagraph print techniques – more recently on the idea of Stillness in Displacement, of how landscape provides the constant anchoring between inner emotional displacement and outer physical displacement, a parallel in narrative between migration, the pandemic and landscape.

Mandeep has sixteen years’ experience of teaching with museums and arts organisations. Her own printmaking practice continued to develop exhibiting widely in shows including Society of Women Artists. She achieved the Runner Up award at Sock Gallery and Highly Commended in their recent Summer exhibition. She received an Honourable Mention Award with Circle Foundation for the Arts, Kenya, and achieved Commended in Teesside Print Prize 20. She is a member of Leicester Society of Artists. 

Play here

Other links

Mandeep runs a print club – members receive four original prints a year through the post. 

You can sign up to her mailing list here


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Making Meaning Podcast Episode 24 Highlights from Making Meaning Live.


Making Meaning Live was a fantastic online event which I created and hosted in July 2022. The event brought together creative people to talk about the meaning behind what they make with a live audience. This episode includes Ruth Singer in conversation with Maker Membership participants talking about their research and reflection process. The second part is a discussion between Ruth Singer and researcher Charlotte Bilby about working with women in the criminal justice system. There’s also an extended introduction talking about two of the sessions which, although brilliant, aren’t included – one because it was so visual that it just doesn’t work on a podcast and one which wasn’t recorded on the request of the speaker. Those presenters were Sharon Adams who you can hear on Episode 14 and the other was Lucille Junkere – find her website here.

You can also watch the rest of the event recordings for free here including Sharon’s drawing activity.

Play here


Session descriptions

Maker Membership : Research and Reflection

Maker Membership is Ruth Singer’s group for creative people who want to build more research and meaning into their making. Members will join Ruth in a discussion and share their work, focussing on the research they do and the reflection work guided by Ruth that has helped them develop their own creative practices.

Maker Membership is Ruth Singer’s group for all creative people who want to build more research, meaning and reflection into their work. It is open to anyone who makes and we are a sociable community from around the world. You don’t have to be a professional maker (though you are welcome if you are) and you don’t have to work in textiles, there is a wide range of other practices involved in the group. Ruth produces resources, workbooks and blog posts to inspire you to think about your making practice and we meet monthly on Zoom for group mentoring and sharing our work.

Members sharing their work in this session include Alison, Marianda, Amy, Ann and Julie

Ruth Singer & Charlotte Bilby, Labelling Ourselves
Charlotte will give an illustrated talk about two creative projects; ‘Free but not free’ in a community probation setting, and her current work, ‘Keeping in touch’. This project asks women in prison and women outside the prison community to make small mixed- media objects. One of these is a label that explores aspects of their identity. She will explain the processes and reasons for working with criminalised women, show some examples of the outputs and discuss the impact of the work on participants. Charlotte and Ruth will consider the differences and similarities in the work that they have done in exploring the stories of criminalised women over a century apart. While they are chatting, you will be encouraged to think about what you would include on your own label.

Charlotte researches creativity and making in criminal justice systems. She used to work in university criminology departments, where she taught about punishment and rehabilitation and did policy evaluations for the government. She became interested in how creative activities could change prisoners’ behaviour and identities, and incorporated making activities into her research. She is now based in Northumbria University’s School of Design, where she is running a mixed-media making project with women in and outside prison. The pieces explore (changing) identities, relationships with emotionally important people and whether our environments have an impact on the things we make.


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Community Spirit of Leicestershire launch

My project celebrating the Stories of pandemic volunteering in Leicester, Leicestershire and Rutland is going on tour

I’ve been working on this project most of the year and even longer in the planning and development. It’s finally almost out in the world! Back in 2020 when volunteering to help run a local foodbank, I realised just how important volunteering was to me and other volunteers. We felt useful and engaged and were making a real difference. I wanted to capture that energy and celebrate it and make sure that volunteers got a proper thank you for their incredible work.

Eventually I turned this into a funding application and created Community Spirit of Leicestershire with support from Arts Council England and Leicester city community funds.

From 5th September the resulting work, created by volunteers, will be shown in libraries and community centres as well as the foodbank where it all started for me. And you can also see the project film here.

There’s details of the tour venues here and a press release here.

I’ve worked with Mandeep Dhadialla as associate artist while I’ve been both lead artist and project producer (plus marketing, admin, funding, workshop-leader!). It’s been a real joy to see this come together and to be able to use a creative project to say THANK YOU to all volunteers for your amazing work.


Creative Producer

Projects around making things happen and bringing together people, places and stories

I love working with people to explore places and stories. I create and deliver projects inspired by my three sources of joy: textiles, artists and heritage. I add in research, partnerships and funding to produce experiences around People, Places and Stories

The experiences I create might be for artists, for textile-lovers, around heritage and stories, by, with and for communities.

Find out more about my Creative Producer work here.

Goal setting when projects are over

I’m in a curious space at the moment. I have been working on project with external deadlines (like my Community Spirit and Criminal Quilts projects) for years, and finally, by the end of October, all of them come to an end. I had applied to do another big project this winter but that didn’t happen, so here I am contemplating the autumn and winter with no ongoing things with external partners. I still have my ‘own’ projects like my Maker Membership which will keep me busy and inspired, but I won’t be working with anyone else, project-managing, delivering workshops, designing print or moving exhibitions around. It’s both WONDERFUL to have a break and quite disconcerting to have the space.

I’ve been on this project-to-project rollercoaster for so many years I can’t even think about adding them up. There was a bit of a pause at the start of the pandemic when my exhibitions got cancelled and I stopped doing anything external, but I soon got stuck into Textiles in Lockdown and then other projects happened and have continued, until now.

I usually do my planning and goal setting in January but there’s no point in waiting, so here I am heading into autumn, the new academic year, thinking about my annual reflection and figuring out what I want to be doing at least for the next 6-12 months.

I’m starting this process with a week-long artist retreat with the wonderful Gillian McFarland so I can really think about my creative goals for the next while, separate from my more business-focussed plans. Because of the way I work, I find it easier to separate the two, although my long-term intention is to bring the two more closely together.

During this break I will be working on my own Gentle Goal Setting workbook, really digging into what matters to me, why I do the work I do, what my goals, hopes & dreams are and how I can be working towards them, steadily but crucially – gently – over the next year or so.

My Gentle Goal Setting process is designed to be responsive to your needs, energy, creativity and working life. I believe that goals should be more like guiding lights, directions to follow not a time-restricted set of things you must do or you have failed. I create goals which take me towards they kind of life I want to live, not goals that make me feel pressured, exhausted and risk falling behind before I’ve really got started. The self-study workbook is available here for £20

Over the next few weeks I’ll share some of my goals that I’ve been working on this year and how I’ve made progress. You can also, if you wish, look at my 2021 goals in two blog posts here and here.


If you are looking for a creative community with ongoing support and resources to challenge your thinking and take your creative practice further, have a look at my Maker Membership. It’s a monthly rolling membership that you can join any time. I create workbooks, blog posts and videos about all kinds of things including research, creative development and reflection. There’s also a lively community who share their work and their thoughts via the members chat and we meet monthly on Zoom for a group mentoring session which is always really inspiring and encouraging. Find out more here. It’s £25 per month to join with no minimum term. Find out more here or click the button below to join.

Sanctuary Stories and Research Resonance

A couple of weeks ago Mandeep Dhadialla and I concluded our summer community project called Sanctuary Stories. I wrote a little about the project development here. The work made is now on show at Leicester Central Library until 31st August. Sanctuary Stories was part of the city-wide Journeys Festival run by ArtReach and we worked with participants from Roots Group who are all Leicester-based but from sanctuary-seeking backgrounds.

Mandeep created the project concept and ran most of the workshops while I worked on the behind-the-scenes project producer work. But delightfully, she also invited me to be part of the creative workshop side. The project focussed on print and book making exploring stories of nature, wellbeing and belonging. My part was to introduce slow stitch on the papers and books with the idea of a meditative stitch practice.

The previous week the group made collograph-style collages which Mandeep blind embossed onto heavy white paper to create beautiful textured, simple pieces. We stitched into these pieces and Mandeep later made them in to folded forms.

I created my samples around a theme I’m working on for myself on borders, boundaries, paths and journeys. The stitches represent a border, a path, containment and freedom. That’s where the research resonance of the title comes in – making the samples for this workshop created all kinds of connections with my own work. Talking to Mandeep about her work and the meanings behind this workshop programme also sparked ideas for both of us. She and I will be talking more about this in a podcast due out in mid-September. It was a real pleasure to work with this group and to collaborate with Mandeep on this project and the results are so lovely. I hope plenty of you will be able to see them in Leicester Library in the next week.


Creative Producer

Projects around making things happen and bringing together people, places and stories

I love working with people to explore places and stories. I create and deliver projects inspired by my three sources of joy: textiles, artists and heritage. I add in research, partnerships and funding to produce experiences around People, Places and Stories

The experiences I create might be for artists, for textile-lovers, around heritage and stories, by, with and for communities.

Find out more about my Creative Producer work here.

Making Meaning Podcast Episode 23 Highlights from Making Meaning Live with Amy Twigger Holroyd, Claire Wellesley-Smith, Lokesh Ghai and Charlie Birtles.


Making Meaning Live was a fantastic online event which I created and hosted in July 2022. The event brought together creative people to talk about the meaning behind what they make with a live audience. The next three episodes of the podcast are highlights of the programme – the bits that work without images and video. This episode includes Amy Twigger Holroyd talking about Fashion Fictions with participants Wendy Ward, Ruhee Das Chowdhury and Kate Harper, a conversation Claire Wellesley-Smith & Lokesh Ghai and artist-maker Charlie Birtles talking about thinking practice. There’s more background and images about their sessions below. You can also watch the whole event recordings for free here.

Play here


Other links

Listen to Claire in Episode 16 of Making Meaning Podcast.

Watch the Fashion Fictions film here.


Session descriptions


Amy Twigger-Holroyd, Fashion Fictions
This session will focus on a particular Fashion Fiction: World 54. In this world, production of new textiles has been severely restricted, leading to the development of a resourceful yet opulent fashion culture in which sheets of cloth, ingenious straps and random objects are used inventively to dress the body in different ways. Amy will present a short film showing a participatory enactment of World 54 and host a panel discussion involving three Fashion Fictions participants: Wendy Ward, Ruhee Das Chowdhury and Kate Harper. Together, they will discuss the ways in which making and embodied material exploration have been intertwined with storytelling in the development of World 54, and consider how such activities can help us to bring alternative fashion systems to life.

Dr Amy Twigger Holroyd is a designer, maker, writer and researcher. As Associate Professor of Fashion and Sustainability at Nottingham School of Art & Design, she leads an international participatory project, Fashion Fictions. Launched in 2020, the project brings people together to generate, experience and reflect on engaging fictional visions of alternative fashion cultures and systems. Participants can get involved in writing outlines of fictional worlds, creating visual and material prototypes, and enacting practices from the imagined worlds.

Common Threads: Lokesh Ghai and Claire Wellesley-Smith in conversation

Common Threads: Lokesh Ghai and Claire Wellesley-Smith in conversation

Claire and Lokesh will discuss commonalities in their textile practices through examples of projects delivered alongside communities in the UK and India. Stories told through cloth, memory and making will be illustrated with images from their working lives.

Lokesh Ghai is a textile artist and researcher working with traditional craft practice. He is interested in cultural-making of craft and clothing. He has showcased his textile art at V&A Museum of Childhood, London. As a designer and associate curator, he presented ‘India Street’ exhibition in Scotland. Lokesh is currently a design faculty at UPES, Dehradun. Claire Wellesley-Smith is an artist, author and researcher based in Bradford. She works on long term community-based arts, health and heritage projects which often explore textile stories. Her most recent book is Resilient Stitch: Wellbeing and Connection in Textile Art (Batsford, 2021). Claire and Lokesh met in 2016 at a community textile garden in Bradford and are currently developing ideas for future work together.

Charlie Birtles

Thinking Spaces

With a view to open out a discussion, during this session Charlie will share her own personal reflections on thinking spaces, inevitably told through objects and stories, and will invite the wider group to share their own strategies around integrating space for thinking and questioning into their own lives and practices.

Charlie’s practice is about bringing people together, learning from each other and creating an environment for others to explore their own creative thinking. Whether through making artwork, facilitating spaces, or sharing skills, what is important to Charlie is the wider conversations and impact that is generated when we make way for creativity; process is just as important as a finished article. Increasingly, Charlie values the importance of reflective thinking within her own creative practice. The reflective process shows up for her in a variety of ways: reading, writing, talking, walking, making, collecting, questioning, or sometimes just sitting and embracing silence.


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.