Freelancing & Finance

I’ve been working with the brilliant coach Sarah Fox for the last few months, trying to pin down exactly what it is that I want to do with my freelance / consultancy practice. One of the issues of building this side of my work is that I don’t talk about it online very much so people don’t know that I do it! Working with Sarah has helped me define what it is that I do now and what I want to do more of, focussing on supporting individual artists and creative businesses and working with organisations to do this too. So look out for more on this!

I recorded this podcast with Sarah back in early December when I was recovering from Covid and am pleasantly surprised to find that I could string a coherent sentence together! We talk about freelancing and changing careers, about finance and selling our work, about not working for free, about different business models and about my business model based on sharing and collaborating. This conversation was incredibly useful to me in starting to articulate what I want to achieve and what my purpose is. I talked about my Money Manifesto that I was working on… that’s fallen a bit by the wayside with ongoing family things happening this winter but I will get back to it soon.

We talk about how to create and sustain a business built on sharing and being generous, about the challenge of selling our creative ideas, about working for free or not and about the issues of pay in the creative freelance world. You can listen to the podcast below or find and follow the series on your own podcast app. I would love to know what you think. You can also watch the recording on YouTube here too (or below), if you would like to see us both.

The People of 2022

My review of the year through the brilliant people I’ve worked with.

I’ve been thinking about lots of different ideas or lenses to review of 2022. I don’t want to just write a list of things that I have done, or even to list the things I have made. Celebrating success is important but also I don’t want to  be one of those people who just proclaims about how well they have done as that’s neither realistic or inspiring for anyone else. Nor do I want to be someone who focusses on the negatives, because however positive a spin I put on it, it’s just gloomy and I don’t like to dwell. I have made a list of failures and successes for my own private contemplation but I am not going to subject you to them!

In order to work out what angle to use to review my year, I turned to my coaching group for their thoughts. The simple fact that I chose to discuss it with other people gave me the answer – I should review the year through the lens of the brilliant people I have worked with! 

 

Collaboration and working with other people has been a really vital part of my work for years, although it’s only fairly recently that I’ve noticed and celebrated that. The 2020 lockdown was of course a reminder to me of just how much I enjoy and get energy from creative work with others, alongside my own solitary studio practice. I was used to working with groups, spending time in other artists studios, giving talks, going to events, teaching and mentoring in person. I found the lack of conversation and connection around creative practice really hard. I was lucky in that I had ongoing and new projects that enabled me to work with other people remotely in 2020 (on WebinArt and on Textiles in Lockdown) which really made a huge difference to how I felt and what new work I could created. I pursued artist mentoring via Zoom which has become a major part of my work and something that I love, and eventually this also led to my Maker Membership where I get to work with lots of different people and support their creative practice over a long period. I also first created Gentle Goal Setting in the autumn of 2020 and ran it for the first time that winter. (It’s now revitalised into Find Your Focus which is starting this week and open for the whole of January). One of the most important goals I set for myself for 2021 was to connect and collaborate, and it has continued to be one of my guiding lights in how to develop my work.

Once I started gathering the people I’ve worked with this year, I realised it is potentially quite huge, so this is actually a snapshot of the connections and collaborations of the year rather than a detailed list, and I hope one that will be interesting for you to connect with too. 

Podcast & Making Meaning Live Gathering

The most exciting bringing-together of people that I’ve done in a long time was Making Meaning Live which ran online in July and involved three days of presentations and conversations between the artists and creatives and an audience of about 100 people from around the world in each session. It was utterly exhausting and completely wonderful. The recordings of the sessions are still available for free and there are three podcast episodes with edited highlights and the full programme here.

This year I’ve produced the second series of Making Meaning Podcast which has been a joy to make and I’ve had the pleasure of conversations with Helen Hallows, Sharon Adams, Claire Wellesley-Smith, Alice Fox, Michaela McMillan, Mandeep Dhadialla and Gillian Lee Smith, as well as a solo episode, one about my Maker Membership and three highlight shows from Making Meaning Live. Making the podcast is fantastic, I really do love getting to talk to brilliant, creative people about what they do and why they do it. The admin is less enjoyable, but really it’s worth it to have these chats and to share them with so many – which brings me on to podcast listeners as another group of people I have connected with. Podcast audience numbers this year has exceeded all expectations. There have been over 100,000 downloads this year and some episodes have hit 8000 downloads. This is really incredible and I am so honoured that this small, low-budget podcast is having such a great impact. I will be chasing for donations to make another series very soon so I hope many of those listeners will be able to contribute to making more episodes this year as I have some great people lined up. 

Groups 

I’m writing this during one of my regular Tuesday co-working groups with three freelance friends, Emma King, Claire Wellesley-Smith and Wendy Ward (all of whom have appeared on my Making Meaning Podcast in one form or another). I think I started this in 2021 but whenever it was, it has worked out brilliantly. We meet on Zoom, have a chat and then quietly on our own projects for 30-40 minute bursts before breaking for more chat and repeat. Sometimes  it’s more chat than work, but we all acknowledge how important it is to have space to talk about issues in freelancing – problematic employers, funding issues and even stuff in our personal lives which impact our ability to do the work we love. The group has been so valuable to me, both in terms of having work buddies to chat to and the accountability of co-working time so I get stuff done! I’ve made a shift this year so the sessions are focussing on writing, so here I am doing the thing, on the first day back to work. That’s the power of connecting and working with others. 

I also have a great mini group of other artist mentors & coaches with Melody Vaughan and Sharon Adams. This was Melody’s innovation, because she recognised how challenging it can be to both support others and to run a business supporting others and that sharing with others who really understand both aspects is vital. We meet roughly quarterly and talk about all kinds of practical issues, new offers we are thinking about, bounce around problems and ideas and also explore some of the bigger picture stuff about supporting others and the things we would like to learn and develop. 

Sharon is also a member of another group which started working together early this year. At the end of 2021 I applied for funding called Four Nations which aims to bring together partners from the four UK nations and others from overseas. I created a project of artists coming together to talk about artist support and also to be that mutual support group for each other.  We meet online across England, Scotland, Northern Ireland, Republic of Ireland, Sweden and The Netherlands and decided to call our project Artist Support Recipes, based on the idea of recipe books which bring ingredients and methods together. The group includes Sharon Adams, Gillian McFarland, Collette Rayner and Liz Nilsson. It’s turned into a supportive and fun collective of brilliant women with great ideas and innovations about how we can be supported as artists, how we can offer support to others and how we think organisations should go about supporting artists. We have also become highly expert in creating food & cooking-related metaphors for artist support! The funding for this project comes to an end soon but the learning and the connections will undoubtedly continue and we hope to offer our findings to organisations and others who want to do better in supporting artists. Working with this group is one of the many things that has helped to cement my decision to focus on supporting artists as my main freelance / consultancy work for this year and beyond.

I also have the pleasure of monthly chats with my European business friends: coach Elin Lööw, artist Gesche Santen and jeweller Daphne van ver Meulen about business and personal development.  We met through a group programme in 2020 and have kept in touch since, and share a lot of the ups and downs of running a business and trying to fit in a life around it. These connections are so valuable and beneficial that I am even prepared to meet at 8am ! 

Working with artists

I made a decision in 2021 that I needed to be working with other artists on my various projects both to share the load and to have a creative collaboration to make it all more fun. I invited Mandeep Dhadialla to work with me on Woodgate Wellbeing last winter and then included her in my funding application for Community Spirit in the Spring / Summer. We had a great time collaborating on this project and then managed to follow it almost immediately with another one in the late summer. I supported Mandeep’s project with ArtReach in project producer role, as well as running one workshop. It was a really enjoyable collaboration and we are looking at other similar partnerships for this year. I’ve written about the project here. All of these projects have really made me think about who I work with an on what basis. Supporting artists with projects is something I really enjoy so I am formalising that work now – so if you need a producer to support an artist-led project, please do get in touch. 

I’ve also had the pleasure of spending time in person with Kathryn Parsons this year, as well as seeing her new moths work on display. We had a mini retreat together in the summer to talk about art and landscape and making a living out of a research-led practice. We are planning another retreat before too long to continue to cook up ideas for another artists group (it seems that I cannot have enough!). 

I’ve also been co-mentoring with Gillian McFarland, who I collaborate with a lot, and we took a really inspiring week’s retreat in the autumn, which you can read about here. Conversations with other artists who get what I do are worth their weight in gold (if you can weigh a conversation?!) and I am really lucky to have so many creative friends to talk to. 

Other People and connections

Alongside many brilliant artists, I’ve also had the pleasure of working with other professionals this year, firstly at the start of the year, Louise Jones-Williams, Director of Llantarnam Grange where I showed my Criminal Quilts exhibition for the last time in the Spring. Louise has been fantastically supportive of my work for a number of years and it is always a pleasure to spend time with her. We had a live-streamed conversation for the exhibition launch in February and then in March we recorded in person for my Making Meaning Podcast which you can listen to here

In the Spring I also worked with Josslyn and Evelyn of Peace of Green on the Woodgate Wellbeing project and we’ve been talking about doing more together in the local countryside in the coming year, which will be great. I also got to have a long chat with Jemma Bagley and see the Loughborough Wellbeing Centre which is really inspiring and another place I hope to work with before too long. I also had some great, supportive and inspiring connections with volunteers, library and venue staff and volunteer co-ordinators during my Community Spirit project in the summer. It’s a shame that was only a short project as I made some really positive connections, but that’s often how things work in the community arts field. I’ve reflected on my volunteering experience here.

I also did a great bit of research and facilitation with ArtQuest earlier this Spring, working with a group to discuss ideas about improving the equity of open call artist opportunities. I loved doing this work and working with ArtQuest and the experts they brought into the discussions, and it’s really inspired me focus on more artist support consultancy work.

I didn’t end up working with Clore Leadership this year, as I wasn’t selected for their visual arts fellowship, one of the disappointments of the year for me, although I was pleased to get through to interview. Instead I decided to work with the fantastic coach Sarah Fox to help me work out the next steps I want take in my consultant / producer / freelancer work. I started Sarah’s Lasting Impact programme in September and it’s been fantastic. With her support, and the others in the group, I have started writing more about things that matter to me and sharing my thoughts more widely. I’ve written this autumn about textiles and having something to say (which seems to have created a project!) and the start of a series about artists and money which I will continue this year. I’ve also really clarified the kind of consultancy work I want to do in the future and started making steps towards making this happen.

As always, I have loved supporting others through mentoring and it’s such a privilege to be part of the creative journey and hear about all the exciting projects happening with my mentees. Some of the people I’ve supported this year include: Jennie McCall, Tzipporah Johnston, Carol-Ann Savage, Lucie Bea Dutton, Carole Miles, Phiona Richards, Jenny Beattie and Sarah Trowsdale, and Mandeep Dhadialla whose feedback I have shared here.

And last, but not at all least, I have the pleasure all year round to work with the wonderful humans in my Maker Membership, some of whom appear in podcast episodes 17 and 24. We’ve had some great online sessions over the year as well as a small group of stitchers getting together in the spring to create work and have conversations about our feelings about the invasion of Ukraine. The group continues to be a wonderful community and such a great space to connect and share. I am so happy that I created this space and that it supports so many in their creative journey. 

If you would like to spend some time reviewing your year and thinking about what you really want to do next, my Find Your Focus course is open now. The five week course begins with a holistic and mindful review of the year to help you plan what you want more of in the coming year. The course is open for the whole of January, with new lessons released each week. Find out more here.

Working for free

Artists and freelancers regularly get asked to do unpaid work for organisations and institutions. In this blog post I discuss one of the common scenarios, share some thoughts on how things need to change and suggest some actions you can take.

Photo by kevser on Pexels.com

Should I say yes to unpaid work?

This is a perennial complex problem for those of us working in the arts and one I regularly want to moan about. So instead I’m giving it some thought and offering some alternatives to approaching this thorny question. Opportunities to give away your artwork, time, expertise, knowledge, potential earnings and wellbeing are bountiful. The creative world is full of ways for you to not earn any money. Finding ways to do the opposite and make an income is one of the greatest challenges of creative practice.

There are some things in the sector that pop up again and again which involve working for free and I have been thinking a lot about about how to make these decisions for yourself and how to try and make changes in the sector so this happens less.

There is no one simple answer to whether or not you choose to work for free as it all depends on:

  • where you are in your career
  • what you are being asked to do for free
  • your own financial situation
  • the financial situation of the organisation offering the thing
  • what else you might get out if it

The main thing to remember and to focus on is exposure does not pay the bills. Artists cannot live on goodwill. Those of us that have to make a living cannot keep being undercut by those who can afford to work for free. What ends up happening is those who need to earn a living say yes to unpaid things because it’s presented as ‘good for their career’ and they don’t have the confidence or leaderships skills to say no and why.

Choosing to work for free is a different thing – writing a speculative application, a proposal, responding to an open brief, donating work for a charity etc is a matter of choice. The problem really is when artists are asked to do work which really should be paid, such as running events, providing design or creative work or giving up their time & expertise to help a funded organisation do their job. It’s the latter I am focussing on here.

Over the 17 years I have been self employed, I have done plenty of unpaid work and I still chose to do some now, but only if I don’t feel exploited by the organisation and when it is otherwise beneficial for me. I choose not to work for free when it is mainly beneficial to an organisation with paid staff.

I do consultancy work for organisations on artist support and development activities as well as offering mentoring, training and business support to artists and creative businesses in partnership with organisations. Please get in touch if this is something your organisation would like to develop.

In the last few months I have been asked to be on a selection or jury panel for open exhibitions, both run by organisations with local authority funding support and salaried staff. With exquisite irony, this is exactly the thing I have been writing a report about for Artquest – for which I have been paid a professional consultancy fee. The report I’ve written is about artist Open Calls and making them more equitable and fair for artists. There’s a lot in this project about unpaid labour for artists, about paying fairly, about appreciating the value that artists and freelancers bring to an organisation, and paying them fairly for their work, including those on selection panels. So in both these cases, I have declined to do the work. In the first case I asked about fee as it was not mentioned and then declined in a vague way citing busy on the day. But more recently I’ve tackled the issue headlong and said why I can’t do the work for free, that I understand their budget restrictions etc and why it is important to value artists time.

My own work in my Narrative Threads solo exhibition 2015

In both cases I’ve felt vulnerable doing this and sad not to do the work – it’s something I would really enjoy doing, but I have to practice what I preach and not take on unpaid work in order to (hopefully) further my professional relationships with the organisations involved. That’s the issue I’m weighing in the balance every time I consider some unpaid work –

Will there be other benefits to me in doing this?

What is the non-financial value to me in this transaction?

Is there a value to me in this transaction at all or is all the value benefitting the organisation?

Why should I give up several hours of my potential income-generating time in order to benefit their open call exhibition? They are not charities. The people asking me have salaried jobs. Would they do it for free?

1292 Foodbank Visits in 18 Weeks, Ruth Singer, 2020. Hand stitch on cotton.

Its really important to remember that it’s not the fault of the person doing the asking, it’s the fault of the structures they work within who expect freelancers and artists to work for free. There is a pervasive culture of creatives working for free, an established, but unspoken rule that artists will do stuff for free because we need to further our careers and being helpful to organisations who are the gatekeepers of exhibitions and other forms of paid work is seen as necessary.

As a result of this culture of unpaid labour, it falls to me, as the unpaid artist, to explain to them, to pass on to their managers and budget-holders why they shouldn’t ask artists to work for free. If you value my professional expertise in this project, I deserve a professional fee.

I freely admit I didn’t know or think about this properly when I was employed by an organisation. I employed artists but I did expect them to travel across London and come to an unpaid meeting to discuss the 2 days of paid work. That’s not fair. I know that now and I point it out to organisations as often as I can, where they haven’t already addressed it (some have).

In conclusion, the most impactful thing we can all be doing about this is talking about it rather than hiding our frustrations and disappointments and letting bad practice continue unchallenged. We can sign up to campaigns like the brilliant Paying Artists. We can also make conscious choices about what we do for free, rather than just accepting it as the way things are. If you feel able to share, I would love to hear your thoughts about when you are asked to work for free and how you responded.

If you are struggling with this issue, I suggest starting with this: record all the unpaid work you do in a project or in the development stages of a project with an organisation. You may not do anything with this but it is so useful to have some data. If you feel able, you could share it with the organisation and just say “This is the amount of [additional] work I did unpaid in this project, if I was charging, this would be £££ value.” Making our unpaid work visible is a great first step in opening up the conversation.

This is the first in a series of blog posts tackling money issues around artist and freelance practice. I’ll be sharing more soon as this stuff is really important for us to talk about and for organisations to be aware of, and ideally, act upon. Please share this post or my social posts to try and get the message across. It would be great if you wanted to write your own post addressing some of the issues and how you approach working for free / getting paid for your professional expertise. I would also love to hear from organisations about what you are doing on this issue! You can get in touch with me here.


Email inboxes can be full of all kinds of tedious and boring things. Work. Bills. Adverts for things you don’t want. I’d like to brighten your inbox with a couple of emails a month full of inspiration, ideas and ways to see and share what I’m doing. 

Joining my Studio Stories email list is the best way to keep in touch with what I’m doing, more blog posts about creative business and about my work and projects. I’ll share courses and workshops too as well as behind the scenes studio stuff.

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My new Find Your Focus course starts in January. It covers core values, a realistic review of your year, looking at what matters most and then working on how to build in more of the good stuff and less of the stuff that’s not taking you forwards. The course is delivered through 5 video lessons starting on 3rd January, fresh and ready for the new year.


Artist Mentoring

If you are feeling a bit at sea with your creative practice, I’m here to help. I’ve created my mentoring programmes after years of working with and supporting artists and really understanding the challenges of creative life. I’m on your side to help you figure out the meanings and the reasons behind your creative practice and how to move forwards. Find out more here.

Making Meaning Podcast Episode 26 with Gillian Lee Smith

In this final conversation of the series, I am talking to Gillian Lee Smith, a Scottish painter based in Northumberland. Gillian and I first met as members of a designer-makers group in the English midlands but we reconnected over Zoom during the pandemic and have had some wonderful conversations about our practices, our mentoring work and our creative ideas. In this conversation we focus on mentoring and talk about how both supporting others and being supported ourselves helps our practice. We talk about the zigzag journey of creative practice and how reflection and talking things through with others really helps to clarify things, to open new doors and to inspire. 


Gillian Lee Smith is a painter living in Northumberland. Her ongoing work is inspired by maritime history – fishing communities, the stories of the ocean and the man made structures of harbours that mark the boundary and often create sheltering spaces from the storms.

Gillian is embarking on a new body of work called The Lost and The Left Behind which will explore themes of the ongoing resonance of history, loss and memory. The process of painting (creating, burying and excavating) allows an image to reveal itself over time and can connect to a particular story, memory or experience in surprising ways. Gillian is exploring ways of taking this approach into other media such as printmaking and mixed media for her new work. 

A practicing artist for over 15 years, Gillian teaches in person workshops and creates online courses such as her signature programme Building a Body of Work as well as working closely with other artists through mentoring. Exhibiting locally and nationally, Gillian recently won a highly commended award with her portrait Through dust and darkness (The Miner) at Woodhorn Mining Museum. 

Play here


Other links

Solo exhibition November 2022 to February 2023 at Newbiggin Maritime Museum


Artist Mentoring

If you are feeling a bit at sea with your creative practice, I’m here to help. I’ve created my mentoring programmes after years of working with and supporting artists and really understanding the challenges of creative life. I’m on your side to help you figure out the meanings and the reasons behind your creative practice and how to move forwards. Find out more here.


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

My Creative Retreat

What I learned from taking a week out to just be an artist again

It makes me laugh when I get comments saying how nice it must be just to stitch all day in my lovely studio. I think it would be nice too, but that isn’t quite the reality of making a living from my creative practice. I spend 90% of my working hours online and sometimes it feels like 90% of my entire life in front of the computer! Time spent actually making stuff with my hands is only a small part of what I do. But I’m not saying that to make you feel sorry for me. I chose this working life and on the whole it suits me. I love the work I do on the computer from 1:1 mentoring to writing resources for my Maker Membership to recording the Making Meaning podcast to writing blog posts like this. It’s all creative practice and it’s all stuff I love but I also love the artist studio bit too. It’s all too easy for that to get squeezed out by the challenges of making a living, delivering projects and running a complex multi-stranded business pretty much singlehandedly.

Moving house last year and settling into my new studio has proved to be an excellent decision. The new space is inspiring and I have access to country walks within minutes of my home which really helps me with thinking and reflecting on my creative work. I haven’t however, got into a good routine of using this space for making / studio work on a regular basis. I have only just over the last 6 months or so got back into making new work after lockdowns which sapped pretty much all of my creativity.

I’m winding up a lot of projects at the moment and looking forward to the autumn and winter of getting back to some things of my own that have been on pause for far too long – a book I planned in 2018 for a start – and finishing off several pieces and groups of work that have been waiting for me. To kickstart this I took myself on an artists retreat in early September and I’m going to share a bit more about that and why it worked so well for me.

A few years ago I started taking a few days in autumn or winter to reflect, focus on my practice and basically get away from the computer for few days. It seems like a real indulgence, spending money to go somewhere else to do what I could be doing in my own studio. And yes it is, in some ways, but also it is an acknowledgement that my artist practice doesn’t get the attention it deserves in an average week. Also I tell myself, I have a home studio so I am not paying rent for it every month, so I can save it up and go away for a few days of space to think and work.

Drawing and printing materials, plus cups of tea set out on a table, one pair f hands with sketchbook
Gillian’s printing and drawing set up outside

This time I invited my long-time friend and collaborator Gillian McFarland to join me. We used to share a studio in Leicester but she now lives back in Scotland so we met in the middle, near Barnard Castle. We also co-mentor each other so have really got to explore our practice together in the last few months so this was a perfect time to reflect and get moving with some new things.

Collection of found objects and natural materials including acorns and old broken pottery, feathers and twigs
Our nature table and found items

We walked and talked, gathered and drew. We did some printing and some natural dyeing and lots of reflecting on our own practices and where we were going. There was lots of reading and sharing ideas, and listening and suggesting.

I made a start on some ideas that have been brewing for years, stitched paths on fragments of cloth and printed paths on lino.

Long narrow textile with fine pink stitched line along the length, displayed on a rugged stone wall
Stitched paths in thread
Black and white artist prints laid on a table. Prints are wiggly lines travelling across the print plate.
Experimental prints

I also visited a lot of medieval sites, churches, abbeys, castles – returning to my roots as a medievalist! This has been a powerful reminder of just how much I want to revisit with the eyes of an artist rather than an academic history student.

I did two research visits to museum collections as well, looking at corded quilting which was absolute heaven! And spent some time just browsing for fun at the Bowes Museum. Museum browsing is probably my top choice for inspiration and idea-nurturing.

Broken roman and medieval pottery display from the Bowes Museum
Broken roman and medieval pottery display from the Bowes Museum

So what have I learned from this trip?

  • Creativity needs space to thrive. I can find that space at home in a normal busy week but allowing myself the space to expand into a bigger creative space was really useful
  • Time to think and reflect is fundamental.
  • Talking to someone about your practice helps you figure things out yourself
  • There’s always a lot of unknown with creative practice. You have to learn to be comfortable with not knowing if what you do will be good or useful or what you intended.
  • Experimenting and releasing some of the self-imposed restrictions on what you do can be joyful as well as scary
  • And I learned that the ideas that are bubbling away under the surface need to rise up and get the attention they deserve, whether or not they turn out to be good.

So that’s what I’m doing over the next few months. Allowing my creative practice some space. Pausing and ending some projects to allow the capacity for some others – my podcast is pausing over the autumn and will restart some time in the new year and my community projects are all coming to an end. I’m going to try spending one day a week properly focussing in my studio and not turning the computer on at all. I am going to take drawing and writing out on my walks and do a lot more visiting inspiring places and just see what happens.

Cloth scraps and threads in beige and purple dyed with natural dyes
Cloth scraps and threads dyed with foraged natural dyes during the week

If you would like some support and nurturing of your creative practice, wherever you are in your career, I would love to help. I really do love mentoring, being trusted to travel alongside a creative journey and help you figure things out. I would love to grow this side of my work and help more people so I have created some new mentoring package – 3 or 6 months of 1:1 support via monthly Zoom calls. You can find out more here. If 1:1 isn’t right for you at this time, you might like to look at my Maker Membership which is by far the most affordable way to work with me and get feedback on your creative practice, as well as be part of a supportive community. And finally, my Find Your Focus course runs in January – this is a development from my Gentle Goal Setting workshops / workbook which involves reflection, finding your own criteria for success and creating guiding light principles and activities which will take you forwards. Find out more here.

Artist Mentoring

Support and guidance with your creative practice with experienced artist & mentor Ruth Singer

My 1:1 mentoring sessions are back! I took a break in August and September to get a few other things finished and to have time to figure out what I wanted to do with my mentoring practice.

I’ve been mentoring since at least 2014 (according to my oldest testimonial!) but I am sure I was doing it more informally before then too. And I really do love it! It’s so energising to feel like you are making a difference to someone’s creative practice and to see the change and growth in your clients.

The two episodes of this series of Making Meaning Podcast are with two of my recent mentees and both talk about how useful and nurturing it is to have support in your creative practice. Mandeep’s podcast episode is here and there will be a new one out 29th September with guest Gillian Lee Smith reflecting on mentoring.

Here’s what Mandeep said on Instagram

“Today involved a moment of reflection within my practice – looking back, looking at my present stance, and looking ahead. 

It’s been a few months now that I’ve been working with artist and mentor @ruthsingertextiles to help articulate my creative thoughts, and today’s session was as fruitful as always. I’ve come to think of each session together as a series of layers gently building towards the bigger picture. 

The biggest and most important factor in choosing to work with Ruth is her holistic approach – having the capacity to engage, listen, provide space and show a genuine interest in bringing out the potential of my professional practice in line with my own holistic way of working, through inner and outer care. I’m felt understood in my visual language; the exchange of conversation never fails to inspire or encourage my wider ambitions.

This isn’t a push to gather more clients for Ruth nor is it a paid partnership; more an open sharing of thoughts, of how the idea of togetherness contributes to raising one another, of how what we can learn from one another organically weaves into our individual practices. 

This linocut was a print I began last year which went miserably wrong, yet taught me a lot about technique and about myself. But most of all it invited conversation of all kinds to take place with printmakers and non-printmakers, influencing the developmental direction of my practice. It was an eye-opener, much like mentoring is – expansive; your hand held, with soft focussed guidance in finding your footing in your practice, and individual seat in the big art world.”

I’ve realised over the last couple of years of online mentoring that figuring out your creative practice isn’t something that can be achieved in one session! I now offer 3 or 6 session packages which give the mentee time and space to figure things out and move forward.

Find out more about mentoring here. If what you are looking for is community and a lighter touch of support then you might find my Maker Membership is the right space for you. I share loads of resources in the online space and we meet monthly on Zoom for group chats where you can ask for advice or feedback on your work. You can find out a bit of what it’s like by listening to Maker Membership episode of the podcast here.

What kind of things do you struggle with in your creative practice? What kind of support or help might take you forward into doing your best creative work? I’d love to hear from you, you can comment here or on my Instagram page.

Making Meaning Podcast Episode 25 with Mandeep Dhadialla

Mandeep is a printmaker and workshop leader who works under the brand The Laughing Cactus Print Studio. She’s also local to me and we’ve been working together a lot over the last year or so on community projects and sharing thoughts on our respective creative practices. In this conversation we talk about the themes Mandeep is currently exploring around stillness and displacement, about belonging and moving between two countries. We talk about community practice and the impact it has on our work and the benefits of the collaborative work we are currently involved in. 


Mandeep Dhadialla is an artist printmaker living and working in Leicester. Her work revolves around linocut printmaking, including on textiles, and making handprinted and hand-bound books. Spending her formative years as a child in Kenya and migrating to England in her early teens influences her practice. She explores concepts of home, place, safety and comfort within her printmaking practice, experimenting with combined monoprint, linocut and collagraph print techniques – more recently on the idea of Stillness in Displacement, of how landscape provides the constant anchoring between inner emotional displacement and outer physical displacement, a parallel in narrative between migration, the pandemic and landscape.

Mandeep has sixteen years’ experience of teaching with museums and arts organisations. Her own printmaking practice continued to develop exhibiting widely in shows including Society of Women Artists. She achieved the Runner Up award at Sock Gallery and Highly Commended in their recent Summer exhibition. She received an Honourable Mention Award with Circle Foundation for the Arts, Kenya, and achieved Commended in Teesside Print Prize 20. She is a member of Leicester Society of Artists. 

Play here

Other links

Mandeep runs a print club – members receive four original prints a year through the post. 

You can sign up to her mailing list here


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Making Meaning Podcast Episode 24 Highlights from Making Meaning Live.


Making Meaning Live was a fantastic online event which I created and hosted in July 2022. The event brought together creative people to talk about the meaning behind what they make with a live audience. This episode includes Ruth Singer in conversation with Maker Membership participants talking about their research and reflection process. The second part is a discussion between Ruth Singer and researcher Charlotte Bilby about working with women in the criminal justice system. There’s also an extended introduction talking about two of the sessions which, although brilliant, aren’t included – one because it was so visual that it just doesn’t work on a podcast and one which wasn’t recorded on the request of the speaker. Those presenters were Sharon Adams who you can hear on Episode 14 and the other was Lucille Junkere – find her website here.

You can also watch the rest of the event recordings for free here including Sharon’s drawing activity.

Play here


Session descriptions

Maker Membership : Research and Reflection

Maker Membership is Ruth Singer’s group for creative people who want to build more research and meaning into their making. Members will join Ruth in a discussion and share their work, focussing on the research they do and the reflection work guided by Ruth that has helped them develop their own creative practices.

Maker Membership is Ruth Singer’s group for all creative people who want to build more research, meaning and reflection into their work. It is open to anyone who makes and we are a sociable community from around the world. You don’t have to be a professional maker (though you are welcome if you are) and you don’t have to work in textiles, there is a wide range of other practices involved in the group. Ruth produces resources, workbooks and blog posts to inspire you to think about your making practice and we meet monthly on Zoom for group mentoring and sharing our work.

Members sharing their work in this session include Alison, Marianda, Amy, Ann and Julie

Ruth Singer & Charlotte Bilby, Labelling Ourselves
Charlotte will give an illustrated talk about two creative projects; ‘Free but not free’ in a community probation setting, and her current work, ‘Keeping in touch’. This project asks women in prison and women outside the prison community to make small mixed- media objects. One of these is a label that explores aspects of their identity. She will explain the processes and reasons for working with criminalised women, show some examples of the outputs and discuss the impact of the work on participants. Charlotte and Ruth will consider the differences and similarities in the work that they have done in exploring the stories of criminalised women over a century apart. While they are chatting, you will be encouraged to think about what you would include on your own label.

Charlotte researches creativity and making in criminal justice systems. She used to work in university criminology departments, where she taught about punishment and rehabilitation and did policy evaluations for the government. She became interested in how creative activities could change prisoners’ behaviour and identities, and incorporated making activities into her research. She is now based in Northumbria University’s School of Design, where she is running a mixed-media making project with women in and outside prison. The pieces explore (changing) identities, relationships with emotionally important people and whether our environments have an impact on the things we make.


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Community Spirit of Leicestershire launch

My project celebrating the Stories of pandemic volunteering in Leicester, Leicestershire and Rutland is going on tour

I’ve been working on this project most of the year and even longer in the planning and development. It’s finally almost out in the world! Back in 2020 when volunteering to help run a local foodbank, I realised just how important volunteering was to me and other volunteers. We felt useful and engaged and were making a real difference. I wanted to capture that energy and celebrate it and make sure that volunteers got a proper thank you for their incredible work.

Eventually I turned this into a funding application and created Community Spirit of Leicestershire with support from Arts Council England and Leicester city community funds.

From 5th September the resulting work, created by volunteers, will be shown in libraries and community centres as well as the foodbank where it all started for me. And you can also see the project film here.

There’s details of the tour venues here and a press release here.

I’ve worked with Mandeep Dhadialla as associate artist while I’ve been both lead artist and project producer (plus marketing, admin, funding, workshop-leader!). It’s been a real joy to see this come together and to be able to use a creative project to say THANK YOU to all volunteers for your amazing work.


Creative Producer

Projects around making things happen and bringing together people, places and stories

I love working with people to explore places and stories. I create and deliver projects inspired by my three sources of joy: textiles, artists and heritage. I add in research, partnerships and funding to produce experiences around People, Places and Stories

The experiences I create might be for artists, for textile-lovers, around heritage and stories, by, with and for communities.

Find out more about my Creative Producer work here.

Sanctuary Stories and Research Resonance

A couple of weeks ago Mandeep Dhadialla and I concluded our summer community project called Sanctuary Stories. I wrote a little about the project development here. The work made is now on show at Leicester Central Library until 31st August. Sanctuary Stories was part of the city-wide Journeys Festival run by ArtReach and we worked with participants from Roots Group who are all Leicester-based but from sanctuary-seeking backgrounds.

Mandeep created the project concept and ran most of the workshops while I worked on the behind-the-scenes project producer work. But delightfully, she also invited me to be part of the creative workshop side. The project focussed on print and book making exploring stories of nature, wellbeing and belonging. My part was to introduce slow stitch on the papers and books with the idea of a meditative stitch practice.

The previous week the group made collograph-style collages which Mandeep blind embossed onto heavy white paper to create beautiful textured, simple pieces. We stitched into these pieces and Mandeep later made them in to folded forms.

I created my samples around a theme I’m working on for myself on borders, boundaries, paths and journeys. The stitches represent a border, a path, containment and freedom. That’s where the research resonance of the title comes in – making the samples for this workshop created all kinds of connections with my own work. Talking to Mandeep about her work and the meanings behind this workshop programme also sparked ideas for both of us. She and I will be talking more about this in a podcast due out in mid-September. It was a real pleasure to work with this group and to collaborate with Mandeep on this project and the results are so lovely. I hope plenty of you will be able to see them in Leicester Library in the next week.


Creative Producer

Projects around making things happen and bringing together people, places and stories

I love working with people to explore places and stories. I create and deliver projects inspired by my three sources of joy: textiles, artists and heritage. I add in research, partnerships and funding to produce experiences around People, Places and Stories

The experiences I create might be for artists, for textile-lovers, around heritage and stories, by, with and for communities.

Find out more about my Creative Producer work here.