I am hosting a new three-day course at the lovely West Dean College, this June, one of only three workshops I am running this year.
This art textiles course aims to be a relaxed and enjoyable adventure into creative textiles following the studio practice of textile artist Ruth Singer. Over the course of three days you will explore a range of slow, thoughtful textile practices to create cloth with meaning.
The course begins with an exploration of antique and personal textiles, the stories they hold and how you can use them to tell personal narratives. You will experiment with simple, effective hand stitch to add pattern and text onto fabric, as well as fabric manipulation techniques such as reverse appliqué, shadow work and trapunto quilting to add texture and structure. Also experiment with using found objects, scraps, natural materials and vintage haberdashery. You can choose to create samples during the course or keep working on a piece to make a finished artwork, such as an heirloom pin cushion. 8th – 11th June. Book here. £383.00 for the course, plus accommodation.
I have three pieces in the Leicester Society of Artists Annual Exhibition at New Walk Museum, Leicester, until 7th December 2019.
I’ve also been awarded a prize for one of these pieces, Pierced. The Artist Magazine sponsored this prize which was selected by independent judges:
Elizabeth Hawley-Lingham – Director, East Midlands Contemporary Visual Arts Network (CVAN EM)
Dayle Flude – LSA Honorary Member
Jamie Scott – Senior Lecturer in Art, De Montfort University
Portrait photo by Lisa Hill
Over the last couple of years I have been working as a consultant for Creative Leicestershire, researching the future of the role of Made in Leicestershire, a network of local artists. Since this work has now finished, I have decided to try and take some of my recommendations forward through working in partnership with another Leicestershire artist network, The Leicester Society of Artists (LSA). In early October I put myself forward as Chair with the hope of taking some of my learning from Made in Leicestershire into this thriving, well-established group. I picked the busiest time of the year to do this, just before our Annual Exhibition opened in early November. The last few weeks have have been intense, with my focus being on the exhibition judges and prizes, the preview event, working with the museum staff and then some PR and marketing activity while the exhibition is open, as well as future planning with our President Lars Tharp and the LSA Council. The exhibition continues until 7th December and is open seven days a week. I have three pieces in the exhibition too and was awarded one of the prizes as well. But the best part so far has been handing over prizes to other artists, which is a joy – and can result in hilarious photos with Tim Fowler!
The research and development phase of Criminal Quilts is now well underway. I have been spending time in residence at Staffordshire Record Office exploring archives and finding out what resources I have to explore during this project and planning what the workshops for volunteers and participants will involve.
Stafford Prison photograph albums from the late 19th and early 20th century form the basis of the entire project. For several years I have been creating work around a handful of photographs of women with no additional information about them at all. One of the aims of this new funded research project is to explore the full collection of photograph albums and trace stories through the records.
There are 10 different albums dating from 1877 to 1915 which gives me a broad window of exploration beyond the Victorian and well into the 21st century. I have begun by cataloguing the women who appear in the photographs. The albums just contain photos, and in a couple of cases, indexed pages of named but very little detail. Each image is marked with the prisoner’s name, a date (of photograph, I assume) and a number. In this first phase I am making lists of all the women (about 10-15% of the total in each album I estimate) and noting name, date, number, approximate age and a detailed description of the photograph. I’ll then be able to cross reference between the albums to see who features more than once and then find out more about them via the written documents which I have yet to explore.
Already I can see women who appear several times over the years. I have identified prison uniforms and what I suspect is prison-issue clothing. There’s also a very clear timeline of fashion, particularly in hats which almost all of the women are wearing. These photographs are known to be a rare record of working class women’s clothing but I am already realising it is going to be difficult to be sure what is prison issue and what is personal property, particularly in the later images. There are also some really lovely shawls appearing which may well inspired new work.
I have a lot of additional research to do about the background to prison identification photography, about prison uniforms and a lot of cross referencing to fashion history in general before I can draw any conclusions about what their clothing says.
The albums themselves are impressive and inspiring objects with marbled endpapers, damaged spines and hand written text. I’ll be exploring the albums in more detail in the next post.
There are still spaces for volunteers to work with me on this project during 2018. Find out more here.
Criminal Quilts exhibition is available for touring in 2019 onwards.
Images of archive material courtesy of Staffordshire Record Office. Project funded by Arts Council England with Staffordshire County Council.
I’m pleased to have a new piece of work selected for the ReThinkYourMind Yellow Book project.
My piece Ash Map will be included in the new book for 2017 which will be launched this week after an awards reception at the House of Lords last week, although I was at the Contemporary Craft Festival so wasn’t able to attend the awards.
The theme for entries was ‘I feel better when….’ and for me this is walking in the countryside. The line of the piece follows the route of a walk and is stitched with the seeds of an ash tree (called keys) which I collected. This work and a number of others exploring the natural world and the therapeutic nature of walking were created in late 2015 as I was dealing with a painful relationship break up when walking was essential to calm my mind and focus on things outside of my own head. Walking a lot is nothing new for me, I have always loved walking, but these pieces are the first work I have produced which use this experience of walking as a theme and inspiration to making. I am continuing to develop new work around walking, my experience of the natural world and hope to have an exhibition of new pieces in 2018.
Leicester Society of Artists Little Selves exhibition opened this weekend at New Walk Museum in Leicester. It’s a gorgeous show with some amazing pieces including impressive pieces by local school students as well as a lovely set of miniature paintings from the museum collection. The exhibition continues until 25th June 2017 and is free to visit.
My contribution is a small embroidered eye self portrait stitched in human hair, which you can read about here.
I have recently started a new collaboration with artist friend Gillian McFarland exploring stains and marks. It is incredibly liberating to just experiment and play, swapping ideas and techniques and to see where it takes us creatively, without a fixed goal or deadline. For me it is great to feel able to explore process and concepts in a variety of different media rather than feeling confined to a material or technique.