Masterclass Rescheduled 9&10 January

My weekend of creative experimentation workshops at NCCD has been rescheduled for 9th & 10th January, the final weekend of the exhibition

Spend a weekend immersed in creative, slow, experimental techniques inspired by Ruth Singer’s work. The workshops include simple, experimental natural dye techniques, embroidery and using found objects. You can create a series of samples, pieces to incorporate into other work or art textile pieces to frame.

Full details of the workshop can be found here.

Narrative Threads Masterclass January 2016

Alongside my Narrative Threads exhibition  at the National Centre for Craft & Design, I am running a weekend masterclass on 9th & 10th January 2016 (rescheduled from December). Spend the weekend immersed in creative, slow, experimental techniques inspired by my work. The workshops include simple, experimental natural dye techniques, embroidery and using found objects. You can create a series of samples, pieces to incorporate into other work or art textile pieces to frame.

 

Day 1

Our first task of the weekend will be to manipulate and colour cloth using natural dyes, plants, food, rust and inks. We will experiment with shibori dye, hand painting colour and creating patterns from rusty metal to create original and exciting patterns and marks on cloth. We will also dye threads and other materials to use on day 2.

Day 2

Using the cloth we have created in day one (or purchased on the day if you have not attended day 1) we will look at using simple embroidery stitches to create marks and patterns on the dyed cloth. We will experiment with layering and cutting away the fabrics to create new textures. We will also explore ways of incorporating found objects into our work to add depth and narrative to the pieces.

£50 per day or £95 for the weekend, including basic materials, with additional materials available to purchase at the workshop. Book with NCCD on 01529 308710 info@nationalcraftanddesign.org.uk.

 

 

Community sustainable textiles project

I recently completed a short project for Sustainable Harborough using natural dyes and local plants to create a textile wall hanging for the local library. They asked me to propose a workshop for a town centre activity day which local people could join in with and result in something attractive and informative for display at the end.

 

I devised a simple natural dye workshop using easy, non-toxic natural dyes and local plants to create eco-prints on reclaimed silk from an old wedding dress. Each person taking part chose their own flowers and leaves to create bundles with and then added their tied bundle to either turmeric or beetroot / tea dye pot. Participants came back an hour or more later to unwrap and reveal their bundles. We got some really stunning patterns and details in the prints, which amazed and fascinated everyone who took part – including my assistant Erica!

 

Above all, this simple project showed how easy it can be to engage all ages in sustainability issues through simple, creative activities. All ages took part in the workshop and all were equally fascinated to discover that you can create such wonderful colours using (mainly) what grows in your garden. A drop-in activity like this is an easy way to talk to people about the environmental issues around textiles and dyes and to encourage a closer appreciation and exploration of what is growing in our local parks, wastelands or gardens.

sustainble harborough sign

 

Find out more about commissioning a project or activity here. I love the challenge of creating events and activities tailored to specific venues, themes or projects.

 

 

 

Postcard from Chateau Dumas 1

I’m not long back from a glorious week teaching at Chateau Dumas. It is as wonderful as it looks. I’ve never had such a luxurious teaching experience!

The Art of Textiles course covered masses of creative techniques over the course of 6 days and we started with my experimental and freestyle approach to natural dyes. The students loved this! We made solar dye jars with onion skins, walnut leaves, red cabbage, alder cones and saffron and left them to cook for the week, adding some iron when they got exhausted (colour running out) to bring out darker shades.

 

 

We made simple dye pots of local plants including walnut (which grows everywhere in the area including in the chateau grounds), and a mysterious yellow plant, red grapes, tea, turmeric, red onion skins and much more. Rust dyeing was also popular, after we collected piles of rusty metal from the Sunday morning flea market. Lots of the students used their gorgeous vintage linens from the market too, as did I, but most of my samples are still winging their way back from France in a very heavy box. We also made dye bundles from flowers, fruit, dyestuffs (like saffron) and boiled them in plain water or dye. Later in the week we got a steamer working and then were able to make the stunning leaf prints shown above. We all spent the week with stained fingernails from poking around in walnut dye vats! But no one cared and everyone loved it, even those who said they weren’t interested in natural dye. I couldn’t ask for a better response!

My next dye workshop in the UK will be covering most of these techniques, at the Black Country Museum in October. We won’t, alas, be doing solar dyeing as I suspect there won’t be as much sun as in the South of France – although I will be grateful for the lack of mosquitos!

 

Natural Dye: local plant bundles

After a year or so of experimenting with natural dyes, I’ve had plenty of disappointments alongside a lot of happy accidents, although very few ‘turned out just how I planned’. I am not a precise, measuring, recording, repeating kind of dyer. I read a lot about dyes and then I experiment, break the rules, mess around…. I am the same with cooking; I love cookery books but I don’t follow recipes. In many ways I work similarly with textiles.  I don’t design on paper, I work straight into fabric, from an idea in my head, allowing things to grow, adapt and develop.

mixed dyes

Alice recently asked me what kind of dyeing I liked best; what was working for me. Without hesitation I replied that dye bundles are what I find the most exciting. Much as I love dyeing beautiful, simple colours with weld, walnut, avocado skins or tea, I have found that wrapping leaves, rusty metal, flowers or twigs up in fabric and leaving it to do magical things is by far my favourite way to colour cloth. It connects me to the plants in my garden, my local parks and the scrubby wasteland around my city-centre-edgelands home.

Weld

Fabrics dyed with locally-foraged weld

Hannah Lamb collects plants on walks to create cloth imbued with meaning and significance and I can’t think of a better way to mark the seasons and honour the land than to preserve tiny aspects of them in cloth. Hunting for dye plants has encouraged me to explore my local landscape in increasing depth. I have found weld growing in a local spot of city centre wasteland, due to be built on. I have discovered wild pear trees whilst looking for goldenrod in the park and found walnuts in a city centre church yard.  Dye foraging is a perfect partner to my established habits of fruit-foraging and tree-spotting. The wildflower identification book I’ve had since 1980 has new page markers for dye plants. Dyeing has brought me closer still to my local landscape and for that I am thankful and joyful.

Bundle

Bundle

I like abstract patterned fabric, I like mottled, discoloured and stained effects. I like actual stains too. Bundling fabric produces some – many – truly stunning watercolour-esque swirls, pools, stains, splatters and spots of colour. Often subtle, sometimes anything but. The greatest joy is the unknown. Unwrapping a bundle is a moment of delight.

A couple of weeks ago, whilst holidaying on the Kennet & Avon canal, I took a (literal) leaf out of Hannah’s book and collected leaves, petals and rusty metal along the towpath and in canal-side parks to create boat bundles which record some of places and plants of my holiday. I made simple, unscientific dye pots using walnuts, marigolds, elderberries, tea and buddleia to dye the foraged bundles and created some magical colours and patterns on scraps of silk. Bundling with stranded embroidery cotton leaves me with masses of space-dyed threads too. My next challenge is to stop being so precious and actually start using my dyed fabrics.

I recently completed a small community commission using natural bundle dyes to create a small display – more on this soon. If you want to join me in this wonderful plant dye journey I have a couple of workshops coming up:

Wild Dyes at Ruth Singer Studio, Sat 20th September. 10am-4pm. £45. Including steamed bundles and other dye techniques

Wild Dyes at Black Country Living Museum Sat 18th October