Tacit – Made in Leicestershire contemporary craft exhibition at LCB Depot 17th-29th September.
My first co-curated contemporary craft exhibition is now open! On Friday I installed Tacit – Made in Leicestershire exhibition at LCB Depot in Leicester. I am working for Creative Leicestershire as a consultant on the Made in Leicestershire brand development and putting together this exhibition and events programme is part of that process. It has been a delight to work with so many brilliant Leicestershire makers and to discover new ones selected by co-curator Jo Keogh. The exhibition is only up for a short time until 29th September with a couple of events next week for makers and for visitors to meet the makers.
Exhibition details here along with studio shots of the makers’ work. Late evening preview event is on Facebook. Leicestershire-based professional artists and makers are invited to a Makers Gathering on Thursday 27th Sept hosted by me for Made in Leicestershire.
This show includes my Tracery hanging and my Interlace collaboration work Halo.
I’ve installed two exhibitions in the space of 10 days so my tool box is well-used and I’m all out of cup hooks and glass cleaner. In my previous career I curated and developed museum exhibitions and have worked on a lot of craft exhibitions too over the years. I really enjoy this kind of work, though having help with the ladders, drilling and lifting from LCB staff was great – I’ve had to go up scaffolding to install things before and it wasn’t my favourite thing. Tacit has been an interesting, if very rushed, project to work on. The exhibition concept was developed by LCB Depot in the summer and they asked me to select makers and sort out installation. Jo Keogh (one of the artists) also found a group of emerging makers with new work I didn’t know about so the exhibition is really varied. I really enjoy mixed material exhibitions more than single material – I love to see my work alongside ceramics, glass and metals rather than just textile. It gives all the work a new perspective.
I have drastically cut down the amount of public workshops I run since last year and now only run workshops with galleries and museums alongside my exhibitions. This has given me more time to spend on my own work and the chance to write a new book and so much more. My car is feeling neglected as I’ve stopped driving thousands of miles a year too – all good stuff!
The downside is that I feel bad that my loyal fans don’t get much chance to come to workshops with me any more, and I do miss the interaction with lovely people and seeing beautiful things being made. I will be doing a few workshops alongside my touring Criminal Quilts exhibition over the next year or so, including two in September and October at The Brewhouse Arts Centre, Burton-upon-Trent during the exhibition run. These are funded workshops so are very much cheaper than most workshops, so I expect they will book up fast! I am also giving a talk towards the end of the exhibition run.
See below for details. You will need to call the Brewhouse to book: 01283 508100
The workshops are
Embroidered Images, Saturday 29th September 11am-3pm. £15 including materials
Try out embroidering onto digital prints and screen prints of archive photos from Stafford Prison. Using fabrics printed with images from the project, you will learn some new embroidery stitches to embellish and transform a black and white photograph into something completely new. Some hand embroidery experience necessary.
Experimental Patchwork, Saturday 13th October, 11am-3pm. £10 including materials
Working with Criminal Quilts artist Ruth Singer, you will have the chance to try some exciting new ways of using paper-piecing in patchwork including working with embroidered paper, collage, digitally-printed cloth and vintage textiles. Hand sewing skills required.
Criminal Herstories Talk
Join artist and researcher Ruth Singer to find out more about the stories of women convicted of crimes and imprisoned in Stafford Gaol 1877-1916. Over the last 12 months, Ruth Singer and a team of volunteers, have been researching the stories of over 500 women photographed on release from the prison, and the social history surrounding their lives. In this talk Ruth will also pick out a couple of local stories of women from the Burton area.
Tuesday, October 23, 2018
Roll out the red carpet for the premiere of my new Criminal Quilts film!
This will also be shown at Festival of Quilts and most other exhibitions, technology-permitting.
Made by the lovely R & A Collaborations, filmed at Staffordshire Record Office and University of Wolverhampton, with thanks to Jan, Jan, Jan and Ann. Yes, I got all three Jans on one film!
Festival of Quilts is just around the corner! I am scrambling to get my book finished and printed ready for the show, alongside a massive exhibition gallery for Criminal Quilts including older and brand new work, including the collaboration quilt. I also have a piece in the Fine Art Quilt Masters competition exhibition again, which is all very exciting. Most of my teaching slots have sold out but there are still a few spaces left on Sunday’s Intro to Corded Quilting workshop. I also have a discount code for day ticket bookings for £13.50 (normally £16) which includes a little something for me so please do use this code if you are booking online. Enter the code WT75 when you book.
Ruth Singer Tracery
Criminal Quilts book is available for pre-order for another week – the advance copy discount ends 8pm Friday 20th July. The book is just £10 for pre-orders and includes a free bookmark and the chance to be included in the supporters page. Buy now!
Today marks my 13th anniversary as full-time self-employed! My work has changed so much in that time from the early days making cushions, then wall panels, then finally settling down in 2009-10 to something more like the kind of work I make now. Along the way there have been books, kits, patterns, Ruth Singer Studio, teaching and masses more. It’s been a wonderful time and I have never regretted the leap I made 13 years ago to pursue this adventure, although there have been more than a few diversions and hiccups along the way. Wedding dresses….really? What was I thinking?!
There are a couple of review posts from the last couple of years on my blog which I have enjoyed reading today and even looked at a few (boring) posts from as far back as 2006 when I started blogging!
Here and now in 2018 my work is going incredibly well, it kind of astonishes and amazes me when I step back and consider. I’ve just taken down a major solo exhibition and I have another in just a few weeks. It is wonderful and exhausting in equal measure. And I have a book to continue writing this afternoon, so no more self-indulgence, just carrying on working hard like I have been doing for all those years!
I’m pleased to have had another piece accepted into the Fine Art Quilt Masters at Festival of Quilts again this year.
Ruth Singer Tracery
Tracery will be shown in a large gallery with a lot of other really exciting textile pieces, 9-12th August. I will also be exhibiting my Criminal Quilts project in a gallery of its own too.
Ruth Singer Tracery
Tracery. Machine sewn patchwork. 2017
This piece was originally made for my 2017 solo exhibition Fragments, with the Quilt Association. Tracery is a direct response to the quilts in the Quilt Association collection. When I went to view the quilts I was entranced by the damaged ones and chose to make work which reflected this. Tracery has been made and unmade to create a quilt purely of seams holding the remaining threads together, just like the quilting stitches holding together quilts which would otherwise fall to pieces. To quilt lovers, my preference for the discoloured reverse, the wrecked by laundering, the paint-spattered and the pieced army blankets may be puzzling but I love the stories held in damaged or ordinary cloth. The humbler the better for me. I am interested in what it says about those who made it, bought it, sold it, used it, abused it, preserved it and mended it. My training in museum work taught me to look at objects from every angle, exploring every possible story to understand the thing as a whole, not purely as a visual object. As an artist I choose to look from one very specific angle and to explore that rich seam of narrative in as much detail as I can.
In case you missed it, I won the Fine Art Quilt Masters competition in 2016 which helped me fund and develop the Criminal Quilts project which I will be showing at this year’s festival.