Take part in a community arts project in Leicestershire celebrating volunteers
Volunteering during lockdown is one of the best things I have ever done. I felt like I was doing something positive and important and I got to meet people and feel connected. I have seen just how hard volunteers worked to keep our communities together during lockdown (and continue to do so now) and I want to celebrate their work through creativity and sharing. I’m working with Voluntary Action Leicestershire to collect stories of local volunteers and to create a collaborative artwork at events co-designed by Laughing Cactus Printmaking Studio.
I’d love to hear your stories if you volunteered and bring you into our events to make commemorative rosettes which will be shown locally then shared out to volunteers to mark their amazing work. We have free events in Leicester on 5th, 7th & 9th June (weekend, weekday & evening) and I would love to see you there. Please pass on to anyone you know who has volunteered and ask them to share their story online or at an event.
Have you volunteered to help others during the pandemic in Leicester, Leicestershire or Rutland?
You’ve done amazing work over the last two years, supporting communities throughout the pandemic.
I am collecting stories and making an artwork to celebrate the incredible work of local people during the pandemic. The stories will become part of an artwork, also made by volunteers, to be showcased in the autumn. There will also be events during volunteers week in June.
Would you like to stitch part of a collaborative artwork for my Criminal Quilts project? Throughout the years I’ve research women in Stafford Prison, I’ve noticed the words used to label women. The nature of the prison documents means the words are quite judgemental and absolute.
With this project I want to reflect on the words used to describe and label women then and now. The artwork will be made of stitched words, both positive and negative, created by women participants through community workshops and women working on them at home. Being part of a collective project about women’s lives and the perception of women is really powerful. I’d love to hear your voice in this work. Find out more and how to contribute your stitched words on my website here.
I’ll be running free drop-in sessions at Llantarnam Grange on International’s Women’s Day 8th March, stitching words for the artwork. You can book yourself a space here.
I talked a little in my last full podcast episode about what I’d done over the last year and my plans for the future. I said in the podcast that I didn’t want to be one of those people listing all their successes…. there’s being inspiring and there’s being annoying. I prefer the former! I’m not sure anyone (other than my parents) would want to read a list of my achievements in 2021. But then I am not sure that a list of failures and things I didn’t get round to is any help either. Believe me, there are plenty of highs and lows over the year of running my creative business and getting on with my life.
Last winter I created my own review process to close the year and a structure for creating doable goals for the new year, called Gentle Goal Setting. I’m running this again in January in a new format with a live session exploring why you do what you do and how to apply these values in your gentle goals. That’s alongside my workbook which I’ve revised following feedback from last year and some ongoing support for people who take part throughout January.
For this year’s review, I thought I would reflect on the gentle goals I set for myself this time last year and see how those goals have helped me. This doesn’t involve any targets or tick lists, it’s just a reflection on how those gentle and inspiring goals worked for me. You can read about last year’s goals below.
Develop and nurture connections with others
I’ve probably done less of this than I might other have done because of moving, so even in less horrendous pandemic phases I’ve not seen many in person. But I’ve made new friends this year and nurtured professional relationships and networks but also let some fall by the wayside. The work-specific element of this goal group was to create programmes to support other creatives and for that I’m going to give myself a big tick. The thing I planned when I wrote that goal hasn’t actually come to fruition yet but instead I created Maker Membership and it’s been an absolute joy. Things I have established and created myself have definitely worked better for me, rather than trying to adapt and modernise an existing group to which I eventually admitted defeat a few months ago. Management doesn’t work for me. Creating communities really does. So that’s something to remember for my 2022 goals.
To work with coaches and mentors myself
I recognised last year that I was giving a lot to support others and not filling my own well sufficiently so this year I have made that a priority and invested time and money into supporting my own development. I have tried a membership group, several courses and one-off sessions and a 6 month coaching programme with Sarah Fox, as well as a peer-support group with two other artist-coach/mentors. I’ve got a much clearer idea now of what I need to nourish myself so I can better support others and myself!
To nurture my own creativity and set aside time for studio practice
I set a goal to work on my own stuff. It’s pretty obvious isn’t it? But I haven’t done this anything like as much as I wanted to. Instead I’ve poured my creativity into other projects and made some wonderful things happen. They just aren’t textiles. Or my new book, which was also on my goals list and hasn’t progressed at all this year. Looking back at these goals, if I had given myself the goal of creating new things that I am passionate and excited about (whatever the output) then I would have achieved this goal too. So for next year my goal will be more broad about being creative and doing things that I feel passionate about at the time, not just what I wanted to do in January!
Write more funding applications
This is a good demonstration of my gentle goals principle. It’s specific but not target-focussed. I didn’t set myself a goal of getting XX amount of funding or even applying to a set number of funds. I just wanted to do some. I’d lost my momentum and wanted to find a way back into it. What helped in the end was collaboration. I worked with a group of other artists to do a funding application. And then another, which has also been rejected too. But I’m going to try again in the new year and hopefully we will succeed. I’ve also been persistent with others and have finally got some progress. The goal was just to try and that has paid off in the end.
Decluttering my house
This goal I absolutely succeeded with! At the start of the year I was giving myself a couple of years to move but by February things had changed a bit and I decided to try and move as soon as possible. In the end I sold my house in April and finally moved in August, with a lot less stuff than I’d had in January (although you wouldn’t believe it looking at this photo of my stuffed studio!).
Build rest and retreat into my life
On a small scale, I haven’t really managed this. Moving house is far from restful and I’ve had a couple of 3-day holidays in the autumn as my only time off. I’ve not had a creative retreat as I’d hoped either, which is why I’ve not got very far with the goals around making / creating new work. Having said that, moving house, once done, is massively achieving this goal as my home situation is much more conducive to rest. I’m enormously lucky and grateful to have been able to move to a nicer house. Overall I’ve not been too bad at resting, other than in the moving house period. I’ve been better health wise this year than some years so I think I’m doing ok. There’s always room for improvement here and I maybe need to get more specific here for myself.
And finally I set myself a goal of doing more PR and marketing to build my profile and sell more of my work. Again I’ve not done what I thought I wanted to do with this – press releases to magazines, online shop growth and product sales, new product ranges and all kinds of things that I can’t even remember now. If I’d written the goal more gently and less specific, I would have achieved this without a doubt. The podcast has been an amazing profile-builder and connection with audiences. The other work I’ve done has all connected me with others. I haven’t sold much textile because I haven’t tried. But I have sold my other work, my memberships and courses and books and mentoring. And that’s a wonderful thing.
The pandemic changed my priorities in work and life and continues to change how I want to work and live in the near and distant future. My goals haven’t been a stick to beat myself into working harder, they have been a guiding light for how I want to live my life and run my business. By reviewing my goals I can see how much my thinking has moved on in the last year and how I can be more gentle with my goals this time around and adapt to the changes life keeps throwing at us.
Next year’s goals are going to be even more holistic, reflecting the reality that work and life are not two separate states of being, especially as an artist. But I’m not choosing my goals just yet, I’m letting this review and reflection sink in. I’m spending time using my own reflection prompts from Gentle Goal Setting workbook and waiting to see what I really want for 2022.
Once that’s settled and feeling good, I can then look at the building blocks of making my goals a reality – the planning, the structure. My goals will help me evaluate projects and ideas to see if they really fit in with my wider ambitions and the way of working that suits me and my life. And then I can happily plan, schedule and make lists in my new notebooks, diaries, journals and Trello boards and fulfil all my planning nerd dreams.
If you would like to work with me on finding your gentle goals by reviewing your year, your needs and creating your own criteria for success, join me in Gentle Goal Setting in January. Find out more here or book now below if you are ready.
Do you have someone on your list who likes crime? What about concrete ? Maybe some silk ruffles to beautify a Zoom background? I’ve got quite a selection of unusual gifts in my online shop mainly under £50. A lot of my shop has been hibernating since I moved, so if you spot something that says ‘coming soon’ just drop me a line and I’ll see if I can find it for you! I’ll be posting until Monday 19th December so there’s plenty of time for UK shoppers.
Do you have a collection of tiny, precious fabric scraps just waiting to find the right project? I created this technique to use up some of the very tiniest pieces of hand-dyed or antique fabrics. It is inspired by Victorian crazy patchwork but it’s much less busy. I use this technique to create fabric from scraps and use in small projects or as backgrounds to other stitch work.
This online workshop is on Saturday 27th November – online video lessons are available from 10am GMT with the live Zoom session at 4pm GMT. It costs £75. You will have access to the workshop for 2 months.
Sample snippets from the workshop videos
The workshop is the first of a new series of (almost) monthly series of textile and technique courses and workshops which will get going properly in January 2022.
Four pre-recorded videos: Welcome. Techniques. Stitches. Examples I have made and from my antique collections.
There are also some freebies including links to museum examples, a colouring sheet / template and some audio to listen to while stitching.
The live session will be recorded and shared so anyone who missed the live can catch up later. You will need access to Zoom to take part in the live session. All the videos and other resources will be accessible via Podia, the teaching platform I use. It is very easy to use, I promise! You will create a login when you book the course and you will get an email when the course opens and you can start. I’ll be around to answer any questions. You can join the course any time including on the day. Sign ups will close at 3pm to ensure everyone can join the live at 4pm. The live session is a chance to ask me any questions, meet other stitchers and share your work in progress. It will last about an hour depending on numbers attending.
After a little pause on Criminal Quilts, I am pleased to say that we are back up and running! From January I will be working on new collaborations, community work and a symposium taking place in 2020-21. First up though, the exhibition is coming up very soon at Galleries of Justice, Nottingham from 7th December 2019 to 29th March 2020.
I have a workshop at the museum in March 2020 which is now open for bookings
Working with Criminal Quilts artist Ruth Singer, you will have the chance to try some of the techniques she uses to create her Criminal Quilts artworks. In this workshop you will learn how to embroider and embellish onto digital prints and screen prints of archive photos from Stafford Prison. You will learn some new embroidery stitches to embellish and transform a black and white photograph into something completely new. Some hand embroidery experience necessary.
Workshop for adults. £59 including all materials and drinks.
National Justice Museum
I’m running one short taster workshop at the Knitting and Stitching Show, this October at Alexandra Palace. The tickets have just gone on sale. One hour Introduction to Stuffed and Corded Quilting, Thursday 10th October at 1pm. The workshop is £15 and can be booked online now.
My memorial pincushions are part of my new solo exhibition, Textile Traces, opening at Llantarnam Grange Arts Centre 25th May -7th July 2019. I am running a workshop alongside the exhibition to make your own precious pincushion using antique fabrics, hand stitch and decorated with pins. The workshop is £45 including lunch.
These pincushions are made in remembrance of my aunt, Ann Goodstein, who died in 1992. 46 pincushions represent the 46 years of her short life and celebrate the joy she brought to so many. They celebrate her vibrancy, her love of history. Some include antique textiles, pieces of her own cloth and details which I think she would have appreciated like medieval pins from the River Thames. Her son, Ben, also made one of the pincushions. Pincushions are personal and every day items and were once given as gifts or in remembrance. Many are inspired by pincushions in Gawthorpe Textile Collection. 2015-2018.
I’m pleased to be taking part in the Leicester Print Workshop members exhibition this year. I am working in collaboration with Gillian McFarland to produce a changing artwork installation which will develop from week to week as we share ideas, develop and pass things to and fro and create new pieces inspired by two found objects.
The exhibition opens this weekend (17th-18th November) with the Print Festival and Gillian and I will be giving at talk on Saturday 17th November at 4pm about our work. There is also an exhibition preview on Friday 23rd November – details below. The exhibition continues until 26th January 2019.
Gillian McFarland and Ruth Singer work in collaboration as McFarland & Singer alongside their distinct and established solo artistic practices. They began working together in 2014 while sharing a studio; a space that allowed them to share ideas and approaches. In addition to the work created for this residency, McFarland & Singer have a strong convergence of interest around the archaeology of stains and marks of time.
This work is an ongoing collaboration, passing to and fro between us as we each explore related, but separate ideas. The piece begins with two found objects from a charity shop which we both respond to initially, through discussion and making alongside each other. This work will change every week as we add new prints and related pieces of work. This work is displayed in file trays to represent the orderly collation and separation of ideas. Feel free to take the pieces out of the trays and move them around and change the order. We will use this intervention and selection as part of the process of making new pieces each week.