Festival of Quilts 2017 workshops and talks

Festival of Quilts

10-13th August 2017
 This year’s Festival of Quilts will be a celebration of my winning the Fine Art Quilt Masters prize last year. I am giving a talk about the Criminal Quilts series past and present and the stories behind the emotive and engaging photographs which inspired my work. Bookings open in April here.
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Talk: Criminal Quilts: The story behind the Fine Art Quilt Masters winner 2016. 

Friday 11th August 13.30-14.15. £8.

Ruth Singer will discuss the complex story behind her winning ‘Criminal Quilt’, inspired by archive photographs of women criminals. In this talk she will explore the background to this work and how it fits into her other research-led art textiles work and ongoing projects exploring heritage, personal stories and textiles with a narrative. Ruth will also discuss the techniques and materials used to create this and other work.

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I am also running a half day workshop exploring the techniques I used to create this work.

 In the Shadows.  Reverse appliqué with transparent fabrics.

Afternoon workshop
Thursday 10th August 13.30. £41

Take applique and layering to the next level with this exciting technique of using transparent fabrics layered and cut away. Using delicate silk organza, you will learn how to prepare and hand stitch a design by hand and create the subtle shadow effects by removing layers of fabric. We will also cover embellishing with shadow embroidery stitch and trapping fragments between the layers. You will create a small sampler during this workshop which can be incorporated into larger project if desired. This technique was used by Ruth Singer to create her Fine Art Quilt Masters winning piece in 2016. Materials will be supplied, cost £7 to be collected by the tutor on the day. Suitable for all levels. Book here

Ruth Singer. Criminal Quilts: Hanging. Winner of the 2016 Fine Art Quilt Masters competition

As usual I will also be running one hour introduction to trapunto quilting quick and easy workshops.
Thursday 10th 10.30am, Friday 11th 10.30am & Sunday 13th 10.30am. £13 per workshop. Book here

Trapunto project in Today’s Quilter

A trapunto wall panel project I designed for Today’s Quilter is now published in Issue Twenty.

Ruth Singer

 

Trapunto or stuffed / corded quilting is semi-forgotten technique these days and it’s my mission to bring it back to life with new contemporary designs. I have been researching and practicing trapunto for about 10 years, inspired by the oldest surviving example, the 14th century Tristan Quilt in the V&A. It was popular in the 17th century and had a brief resurgence between the wars in the UK although it has a more continuous tradition in France where it is called Boutis. I love trees – both naturalistic and stylised versions  and a branch makes a design for a sampler where you can try cording and lots of stuffed variations.

My love of trapunto continues unabated and I am always looking out for interesting pieces in museum collections and antique textile sales.  It’s been a delight to be asked to produce designs for books and magazines (another one due out this autumn) and to teach this technique as much as possible. I am teaching trapunto this year in various places including one hour tasters at the Festival of Quilts and a full weekend intensive stitching (details TBC) in October. My short history of trapunto is here. I am working on a short online course for beginners trapunto too which will be available later in the year.

Workshops at the Knitting & Stitching Show

Alongside the fabulous Interlace exhibition I am taking to the Knitting & Stitching Show next month, I am also teaching one-hour introduction workshops in English Paper Pieced Patchwork and Introduction to Trapunto Quilting. Workshops usually sell out before the show starts so please book online in advance.

English paper pieced patchwork Weds 13.00

Trapunto quilting Thurs 13.00 & Sun 11.45

I will also be exhibiting and teaching at the Dublin & Harrogate Knitting & Stitching Shows.

 

Trapunto Quilting

Trapunto, Italian quilting or stuffed quilting is an old and rather under-appreciated technique which I am a huge fan of. Unlike ‘normal’ quiting, where two layers of fabric have a layer of wadding between them and are stitched through all the layers, Trapunto uses two layers of fabric and the stuffing is only placed in defined areas, after all the stitching is complete. Narrow lines are filled with cord while larger areas are filled with cotton or wool traditionally and often polyester stuffing these days. The old French version of stuffed quilting called Boutis is always worked in white and all shapes are stuffed with a soft, cotton cord.

Image showing detail of art apron by Ruth Singer using trapunto and embroidery

The oldest known quilt still surviving dates from the 14th century (1360-1400) and is made using stuffed quilting. This gorgeous, minimalist white linen quilt, called the Tristan Quilt, was made in Sicily, presumably for an extremely wealthy client. Textiles were as valuable, if not more valuable than gold in the middle ages, and skilled craftsmen were in demand. This, like many other luxury textiles such as tapestry and embroidery, were made in specialist professional workshops staffed by men and women, and not by noble women sitting around in castles with nothing to do. The quilt depicts scenes from the Legend of Tristan & Isolde (or Iseult), a classic bit of medieval courtly love / tragedy.

Detail of Tristan Quilt

Detail of Tristan Quilt

Despite this amazing survival, showing brilliant craftsmanship, the technique seems not to have been used much since – or at least it has not survived very well. We start finding examples of stuffed quilting, often the corded kind, in 19th century garments, such as these corset covers, though it isn’t until the 20th century that trapunto is used regularly – I’ve seen it on elegant coat collars from the 1930s, satin dressing gowns  and nightwear, on tiesdresses,  and on homemade accessories like this handkerchief pouch, made using corded quilting. There are lots more examples, modern and vintage, on my Pinterest board.

Handkerchief pouch

Handkerchief pouch

The most extraordinary example is a dress by the surrealist-influenced fashion designer Elsa Schiaparelli in 1938. She used bold stuffed quilting to create prominent ribs and spine on a figure-hugging black dress – quite the most remarkable use of trapunto I have ever seen.

Elsa Schiaparelli  - Skeleton Dress

Elsa Schiaparelli – Skeleton Dress

I like to use the technique because of its subtlety and tactility. The play of light on the fabric shows up the design which can be almost invisible in flat lighting and dark colours. Outlining the motifs in contrasting thread helps to make them stand out and you can also use a sheer fabric top layer to create shadow quilting, which I’ve also seen in pre-war pieces.

Trapunto by Ruth Singer

Trapunto by Ruth Singer, part of Criminal Quilts series

Trapunto Example by Ruth Singer

Trapunto by Ruth Singer, part of Criminal Quilts series

The techniques of trapunto are covered in detail in my book Fabric Manipulation, 150 Creative Sewing Techniques  and a few other books on quilting and manipulated textiles.