New Edition of Criminal Quilts Book

Two years ago I created Criminal Quilts exhibition and self-published the accompanying book, alongside each other. Looking back, I am not sure how I managed to do both in a few short months as well as my other work. But somehow I did. It’s has taken a couple of years for the first print run of the book to sell out so I have revised and reprinted this year. The new version has a couple of extra pages and some new images as well as (hopefully) no more page reference errors!

The first print run was only ever sold directly by me online, at events and alongside the exhibition in gallery shops. The new version has an ISBN number and is already listed on Amazon and I will be selling wholesale to bookshops too. Self-publishing allows me total control of the book production and sales. Both editions are printed on recycled paper with no plastic coating of the cover, for maximum sustainability. This has cost me more but fits with my values. It is also printed by a small (female-owned) local company, a few minutes from my house so I can walk to the printers to check things. My brilliant graphic designer Sophie has done a great job as always. The downsides of self-publishing are that all the copies have to be stored in my (small, already crowded) house! Please help me make space to move by purchasing a copy (or 10) of this book.

It’s been an amazing couple of years with this book. The best part of being both author and publisher is that I know exactly where this book has been sent. It has travelled all over the world which amazes and delights me. It has been devoured by textile enthusiasts, criminologists, historians, Stafford residents, prison, probation and community work professionals, schools, photographers, universities and academics. It’s been reviewed in an academic publication too as well as in textile press.

The back cover blurb reads:

Criminal Quilts is an art & heritage project created by artist Ruth Singer which explores the stories of women photographed in Stafford Prison 1877-1916. This book covers the research which Ruth and a team of volunteers undertook in the development of the project, including many of the personal stories of women in the archives of Stafford Prison.
It also covers additional research around clothing in the photographs as well as daily life in a Victorian prison.

This book is also a catalogue of the textiles pieces which Ruth has created alongside her research, giving the full background from the initial commission in 2012 to the work created in 2018 for the touring exhibition. This is a revised edition for 2020.

Ruth Singer is an established British textile artist with a background working in the museum sector. Her training and first career continue to influence her artistic practice through her interest in heritage, narrative, material culture and society. Ruth’s work is focussed on research and personal exploration of stories, resulting in subtle, emotive and sensitive work. She creates exhibitions, commissions, community projects and undertakes artist residencies to explore subjects and places in detail. She has presented a number of solo exhibitions as well as Criminal Quilts and was awarded the Fine Art Quilt Masters Prize in 2016, and written several books. She also works as a consultant, artist mentor and tutor.

Criminal Quilts talk

Textiles Inspired by Women Photographed in Stafford Prison 1877-1916.

Friday 24th July 2020 
4-5.30pm BST

In this talk, I will look at the background to this project which I started in 2012, creating textiles about the stories of Victorian and Edwardian women prisoners. As well as showing the textile artworks from the touring exhibition, I will also share some of the historical research which the volunteer team and I put together, including case studies of several women and my own research into prison clothing visible in the photographs.

This talk will be live on Zoom with a recording available afterwards. You will be able to ask questions. Book here.

Visit Criminal Quilts (online)

While my Criminal Quilts exhibition is behind bars (in boxes), I have created a free online version of the exhibition. I’ve included lots of high resolution images including details of embroidery, quilting and showing textures and stitches as much as possible. All the exhibition panels, labels and other resources are also on my website for you to explore. There’s also a digital version of the exhibition display book which includes some case studies and historical information. The only thing missing is the surreptitious touching of textiles which you aren’t supposed to do! It also includes work which is now sold and no longer in exhibitions and pieces which haven’t been in all the versions of the touring exhibition. Very soon there will be some brand new work added which is currently in my studio awaiting photographs.

 

 

Don’t forget to visit the gift shop after your visit… There are copies of the Criminal Quilts book, greetings cards with my original digital designs and a handful of postcard packs available too.

There’s also a virtual donation box if you would like to support my future work.

 

Criminal Quilts new exhibition

Criminal Quilts exhibition returns to Staffordshire from 25th May – 7th July at The Brampton Museum and Art Gallery, Newcastle-under-Lyme. The museum is free entry and is open Monday to Saturday – 10am to 5.30pm, Sunday – 2pm to 5.30pm, Bank Holidays 2pm – 5.30pm.

I will be giving a talk and tour at the museum on Wednesday 3rd July at 2pm.

 

This exhibition also includes the original criminal Quilts miniature pieces made for Staffordshire Arts and Museums service plus the new Prison Apron shown below.

 

Criminal Quilts talk at Staffordshire History Day

I’m delighted to be one of the Keynote speakers at this years’ Staffordshire History Day on Saturday 11th May.

I’ll be talking about the research behind my Criminal Quilts project in detail and sharing some of the many intriguing and troubling stories we unearthed during the research.

Criminal Quilts film

Roll out the red carpet for the premiere of my new Criminal Quilts film!

This will also be shown at Festival of Quilts and most other exhibitions, technology-permitting.

Made by the lovely R & A Collaborations, filmed at Staffordshire Record Office and University of Wolverhampton, with thanks to Jan, Jan, Jan and Ann. Yes, I got all three Jans on one film!

Criminal Quilts : The Book

Criminal Quilts Book is open for pre-orders now!

Pre-orders are open until 20th July at a discounted price of £10 per copy which includes a signature, free postcard and the chance to include your name as a supporter in the back of the book.

ORDER HERE

The books will be printed at the end of July and posted out from mid-August. You can also collect at Festival of Quilts.

As well as the discount, your pre-order will help me pay for the massive printing costs for this book. I really appreciate you pre-ordering and will include your name (or another as preferred) in the back of the book. Please include your preferred name in the order.

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Criminal Herstories

Criminal Herstories is a local history display for Staffordshire libraries related to Criminal Quilts. The display contains a large book based on a prison photo album, of images and information about the prison photo albums and our research about the women appearing in them. It also includes a patchwork made by project volunteers and a new piece of work by me.

There will be a small launch event at Stafford Library on Thursday 31st May 2018 5-7pm. All welcome. The display is then at Stafford Library until 28th June and is free to access during normal open hours.

I will be giving a FREE talk at Stafford Library Tuesday 5th June 1- 2pm and another at Stone Library (where the display moves to in July) Tuesday 17th July, 2-4pm.

Talks and other event details here.

Display tour dates

Stafford Library 1st-28th June 2018

Stone Library 29th June – 3rd August 2018

Burton-on-Trent Library 14th August – 25th October

Wombourne Library 6th Nov 2018 – 10th Jan 2019

 

 

 

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Textiles and Dress from Below – Criminal Clothing Research

In June I will be presenting my research on the clothing worn by women in the Stafford Prison photo albums 1877-1916 (from my Criminal Quilts project) at an academic workshop at Wolverhampton University on Thursday 7th June.

The event  Textiles and Dress from Below: Ordinary and Everyday Textiles and Dress in Museums and Historic Houses looks at every day clothing and textiles across a broad spectrum. The event is open to all and tickets are £20

 

The photographs provide an unique resource for the study of working class women’s clothing and prison issue clothing in the period. Although there are numerous collections of similar photographs very little has been published focussing on women and their clothing. The Staffordshire collections are unusually abundant with nearly 500 images, including some women who appear several times over a couple of decades. Alongside extensive research and the creation of art works inspired by these images and records, I am researching further into the details of clothing and hats which can be seen in the images. Research shows that most of the photographs were taken a few days before release from prison so it is unclear if they would be wearing their own garments or prison-issue.

A considerable number of women are shown wearing woven wool shawls, particularly in the 19th century images, which is fairly common for working women but it is still unclear how many of these are their own clothes or if the shawls were prison issue. Later photographs seem to show standard prison issue garments comprising a gingham apron, high neck collarless bodice and checked neckerchief. In many of the remaining images the women are wearing some kind of dark jacket or coat which may be prison uniform – certainly one or two images show the typical convict arrows on the garment.

Headwear is also intriguing – most of the women are wearing hats and the period range of the photos shows the fashionable development from the 1870s to the First World War.
As part of this research I am looking at comparable images from other collections, including those taken by police, which having been taken at arrest, must show women’s own clothes. There is also a possible connection between certain types of particularly showy clothing which may indicate prostitution. This paper presents the work in progress in analysing the images and comparable collections and draws connections to surviving clothing in museum collections and other resources as well as introducing my own textile work inspired by the photographs.

 

This research will also be presented in the Criminal Quilts book to be published in August 2018