Two years ago I created Criminal Quilts exhibition and self-published the accompanying book, alongside each other. Looking back, I am not sure how I managed to do both in a few short months as well as my other work. But somehow I did. It’s has taken a couple of years for the first print run of the book to sell out so I have revised and reprinted this year. The new version has a couple of extra pages and some new images as well as (hopefully) no more page reference errors!
The first print run was only ever sold directly by me online, at events and alongside the exhibition in gallery shops. The new version has an ISBN number and is already listed on Amazon and I will be selling wholesale to bookshops too. Self-publishing allows me total control of the book production and sales. Both editions are printed on recycled paper with no plastic coating of the cover, for maximum sustainability. This has cost me more but fits with my values. It is also printed by a small (female-owned) local company, a few minutes from my house so I can walk to the printers to check things. My brilliant graphic designer Sophie has done a great job as always. The downsides of self-publishing are that all the copies have to be stored in my (small, already crowded) house! Please help me make space to move by purchasing a copy (or 10) of this book.
It’s been an amazing couple of years with this book. The best part of being both author and publisher is that I know exactly where this book has been sent. It has travelled all over the world which amazes and delights me. It has been devoured by textile enthusiasts, criminologists, historians, Stafford residents, prison, probation and community work professionals, schools, photographers, universities and academics. It’s been reviewed in an academic publication too as well as in textile press.
The back cover blurb reads:
Criminal Quilts is an art & heritage project created by artist Ruth Singer which explores the stories of women photographed in Stafford Prison 1877-1916. This book covers the research which Ruth and a team of volunteers undertook in the development of the project, including many of the personal stories of women in the archives of Stafford Prison.
It also covers additional research around clothing in the photographs as well as daily life in a Victorian prison.
This book is also a catalogue of the textiles pieces which Ruth has created alongside her research, giving the full background from the initial commission in 2012 to the work created in 2018 for the touring exhibition. This is a revised edition for 2020.
Ruth Singer is an established British textile artist with a background working in the museum sector. Her training and first career continue to influence her artistic practice through her interest in heritage, narrative, material culture and society. Ruth’s work is focussed on research and personal exploration of stories, resulting in subtle, emotive and sensitive work. She creates exhibitions, commissions, community projects and undertakes artist residencies to explore subjects and places in detail. She has presented a number of solo exhibitions as well as Criminal Quilts and was awarded the Fine Art Quilt Masters Prize in 2016, and written several books. She also works as a consultant, artist mentor and tutor.