Meet the Maker May

I’ve got several Meet the Maker days coming up this month alongside two different exhibitions. Next week 9-12th May is London Craft Week and I will be showing my Precious Objects collections with Design Nation in a studio in south London. I will be around all day Saturday 12th  May 11am – 6pm to talk to visitors. This event is completely free so please do pop in. Full details here.

Later this month I will be in residence in my Emotional Repair solo exhibition in National Trust Gawthorpe Hall, Lancashire. You can find me 12.30-4.30pm in the exhibition space on Saturdays 19th and 26th May. I will be working on adding more names to my Forget-me-not memorial sampler, to which so many have kindly contributed.

My Makers In Museums symposium is only a month away now, on 6th June. This takes place at Gawthorpe Hall alongside my exhibition and includes makers and curators talking about working with museums collections. Find out more here. 

 

The exhibition masterclass is now sold out, and my Festival of Quilts masterclass has just one space left but there are still a few places left on my one-hour quick and easy workshops. I will soon be announcing a couple more workshops in the autumn in the Midlands and in south Wales. And there’s still space in my West Dean weekend workshop at the end of August.

Ruth Singer exhibiting at London Craft Week

My Precious Objects collection will be part of Design Nation’s showcase Head, Hand and Heart during London Craft Week 9-12 May 2018.

I will be in the exhibition on Saturday 12th May to talk to visitors.

Helen Yardley Studio
3-5 Hardwidge Street, London, SE1 3SY

11am-6pm each day, and until 8pm on Thursday

Work on paper – new exhibitions

This week I’ve installed and launched the exhibition of our joint McFarland & Singer artist residency in the Genetics Department of the University of Leicester. The work on show is very different from my usual work and includes work in glass and on paper as well as the amazing collaborative petri dish project.
My own work for this exhibition includes new work on paper including prints and drawings including pieces inspired by our research in the university herbarium combined with drypoint printing. I have also used scientific equipment to make textured patterned pieces. The exhibition also includes collaborative pieces Gillian and I have made together combining print, puncturing and stitch. The exhibition is now open daily 7am – 10pm until 22nd December and then again 2nd – 12th January at the Charles Wilson Building (Foyer) at Leicester University and is free to enter. Works in the exhibition will be listed for sale later in the year. A catalogue is available for £3 (+p&p) on request.

 

 

 

I also have other print-based work on show in Leicester Society of Artists exhibition at New Walk Museum from 17th November t0 16th December. These new pieces are created using patchwork, print and stitch. These pieces are part of a new ongoing series of work exploring textile processes and the stages in production of stitched work. These pieces were included in my recent Fragments exhibition.

Fragments Exhibition

My new exhibition Fragments is now open at Minerva Arts Centre, Llanidloes, Wales and continues until 16th September 2017.

The exhibition includes several new pieces of work inspired by quilt history and some older pieces which fit into the same theme including my paper quilt, the Criminal Quilts : Hanging and Star Quilt. The new work has developed from my research visit to see the quilts in February this year combined with my own collection of old and worn patchwork, plus at least a decade’s fascination with old quilts and their history.

 

Two previous blog posts explore the process in more detail and all the pieces in the exhibition are described here.

Little Selves Exhibition at New Walk Museum, Leicester

Leicester Society of Artists Little Selves exhibition opened this weekend at New Walk Museum in Leicester. It’s a gorgeous show with some amazing pieces including impressive pieces by local school students as well as a lovely set of miniature paintings from the museum collection. The exhibition continues until 25th June 2017 and is free to visit.

My contribution is a small embroidered eye self portrait stitched in human hair, which you can read about here.

 

Criminal Quilts 2017

My Criminal Quilts series originally commissioned by Shire Hall Gallery is probably my best known work including the 2016 Fine Art Quilt Masters winner. This winning piece will be exhibited in the Minerva Arts Centre this summer and the patchwork piece will be at Unit Twelve from the end of April.  I’m really excited to be starting a new project taking this work further with Staffordshire Records Office in 2017-18. I’ve just received funding from Arts Council England to develop new work, exhibitions and community partnership projects based around the original archive material relating to Victorian women criminals.

To celebrate (or actually, co-incidentally) I’ve got a free workshop on Sunday 26th March at New Walk Museum in Leicester inspired by this series of work.

Inspired by Ruth’s work and using silhouettes of hands, create your own piece with a personal touch. Explore drawing and creating patterns on paper with your own hand outline and embellish with embroidery, fabric and paper collage.   No previous experience is required.  The workshop is FREE but booking is essential. Call the museum on 0116 225 4900 to book your place.

Little Selves exhibition

Little Selves is an exhibition celebrating the portrait miniature showcasing exquisite pieces from the collections at New Walk Museum Leicester alongside new work by Leicester Society of Artists members and a schools competition. The exhibition takes place 25 March – 25 June 2017.

min-eye-miniature-timms-1 Although I am no portraitist, I was intrigued by the potential it gave me to create something new. I worked, years ago, on the development of the V&A Portrait Miniatures gallery and have a fondness for tiny, personal portraits. My inspiration for this piece came from this eye miniature of Mrs. Fitzherbert, George Engleheart (1750-1829). Watercolour and gouache on ivory.

“Mrs Maria Fitzherbert was secretly married to the Prince of Wales, later George IV. He stopped all contact with her on his official marriage, but was buried with a miniature of her around his neck. The identity of the single eye was known to the owner, but to no-one else.” From The Story of Leicester.

 

 

 

I am fascinated by personal mementoes and memorials and by human hair and chose to create an eye miniature of my own stitched with hair. Within is drawn from my own eye and stitched with donated human hair on a scrap of Victorian cotton taken from a disintegrated patchwork quilt.