My Textile Traces exhibition opened last weekend (25th May 2019)at Llantarnam Grange Arts Centre. It’s a real joy to see so much of my work up on the walls in this lovely gallery, and to have so many people come to the exhibition opening. On the day we held an ‘In Conversation’ event with me interviewed by Polly Leonard, founder of Selvedge magazine. You can listen to this 45 minute interview below in full. It can also be found on Soundcloud.
Some of the works referred to in the interview:
Biography in Cloth
My new solo exhibition, Textile Traces, opens on 25th May at Llantarnam Grange Art Centre, Cwmbran, Wales. The opening event includes an ‘In Conversation’ event with me and Polly Leonard, founder and editor of Selvedge magazine. This event is free and takes place 12-2pm on Saturday 25th May.
The exhibition continues until 20th July 2019.
I am also running workshop at the gallery on Saturday 22nd June to create tiny pincushions inspired by those in the exhibition. Booking details here.
A similar workshop will run in London hosted by Selvedge on Saturday 27th July.
Thread: Contemporary Textiles Exhibition At Rheged Art Centre
This exciting group exhibition of innovative and unusual textile work includes a group of my Precious Object tools.
The exhibition opens on Friday 3rd May and continues until Sunday 30th June. 10am – 5pm and free admission. There is a preview event on Thursday 2nd May, please contact me if you would like an invite to this.
Ruth Singer : Precious Objects
I’m pleased to be taking part in the Leicester Print Workshop members exhibition this year. I am working in collaboration with Gillian McFarland to produce a changing artwork installation which will develop from week to week as we share ideas, develop and pass things to and fro and create new pieces inspired by two found objects.
The exhibition opens this weekend (17th-18th November) with the Print Festival and Gillian and I will be giving at talk on Saturday 17th November at 4pm about our work. There is also an exhibition preview on Friday 23rd November – details below. The exhibition continues until 26th January 2019.
Gillian McFarland and Ruth Singer work in collaboration as McFarland & Singer alongside their distinct and established solo artistic practices. They began working together in 2014 while sharing a studio; a space that allowed them to share ideas and approaches. In addition to the work created for this residency, McFarland & Singer have a strong convergence of interest around the archaeology of stains and marks of time.
This work is an ongoing collaboration, passing to and fro between us as we each explore related, but separate ideas. The piece begins with two found objects from a charity shop which we both respond to initially, through discussion and making alongside each other. This work will change every week as we add new prints and related pieces of work. This work is displayed in file trays to represent the orderly collation and separation of ideas. Feel free to take the pieces out of the trays and move them around and change the order. We will use this intervention and selection as part of the process of making new pieces each week.
Over the last 6 months I have been working with Wolverhampton University Fashion and Textiles Department as creative partners in Criminal Quilts.
I will be showing a small display of new work in progress during the University Degree Show 9th-20th June. Monday to Saturday 10-4. Find the display on the first floor within Fashion and Textiles
Wolverhampton School of Art
The George Wallis Building (MK Building)
City Campus Molineux (North)
Full details and opening times here.
One of my Garment Ghost pieces will be shown in an exciting exhibition during FAB – Fringe Arts Bath 26th May – 10th June.
Biography In Cloth is curated by Carole Waller and Joanna Wright. Exhibition open 10am to 6pm daily – 26 May to 10 June. FaB @ Milsom Place, Unit 26 upper level Milsom Place, Milsom St & Broad St, Bath, BA1 1BZ
Garment Ghosts are created from badly damaged and irreparable antique clothing, to which I give new life by remaking. My first career was in museums and I am intrigued by our reverence for objects and the power of objects both to fascinate us and to embody stories. I am also interested in exploring how we feel about textiles and how we create stories around them.
Tying in with my interest in history and museum practice, I am also interested in exploring and challenging established ideas about preserving and displaying art textiles. I find stained, torn, worn and weary old fabrics full of stories. I am continually drawn back to old cloth and how it is loved and preserved or discarded and how my own artistic practice acts as a counterpoint to museum practice. My work with old cloth is a thoughtful and considered interpretation of conservation and preservation.
With Garment Ghosts, I unpick clothing and textiles beyond repair and the fragmentary cloth is brought back to life through trapping the disintegrating garment between transparent layers, keeping the outline of the piece but also opening up seam allowances and pleats to take the fabric back to its original form. Garment Ghosts aim to make you think about how we preserve and present textiles and who inhabited the garment in its previous life. This piece is made from parts of a late Victorian beaded bodice – the silk lining and the deep lace cuffs and flounce. The remaining, still intact parts of the garment remain in my studio, awaiting another life.
I’ve got several Meet the Maker days coming up this month alongside two different exhibitions. Next week 9-12th May is London Craft Week and I will be showing my Precious Objects collections with Design Nation in a studio in south London. I will be around all day Saturday 12th May 11am – 6pm to talk to visitors. This event is completely free so please do pop in. Full details here.
Later this month I will be in residence in my Emotional Repair solo exhibition in National Trust Gawthorpe Hall, Lancashire. You can find me 12.30-4.30pm in the exhibition space on Saturdays 19th and 26th May. I will be working on adding more names to my Forget-me-not memorial sampler, to which so many have kindly contributed.
My Makers In Museums symposium is only a month away now, on 6th June. This takes place at Gawthorpe Hall alongside my exhibition and includes makers and curators talking about working with museums collections. Find out more here.
The exhibition masterclass is now sold out, and my Festival of Quilts masterclass has just one space left but there are still a few places left on my one-hour quick and easy workshops. I will soon be announcing a couple more workshops in the autumn in the Midlands and in south Wales. And there’s still space in my West Dean weekend workshop at the end of August.