Pleated dress and hat decorations

In my research into manipulated fabrics, I have often come across trimmings created using pleated or gathered ribbon, most often on hats, although sometimes on garments too. 18th century dress trimmings are usually made from self-fabric (strips of the same fabric the garment is made from) rather than ribbons.  Box pleating is common, as are bias-cut ruffles.

18th century Caracao (jacket) from Manchester Museums collection

Caracao (jacket) from Manchester Museums collection with pleated self-fabric trim

18th century box pleats started a journey of discovery for me when I started working in textile, investigating and experimenting with techniques to create contemporary work inspired by these old folds.

 

Antique ribbons can be pretty special items in themselves, but when they are used to create interesting decorations and trimmings, ribbons become something even more amazing. Ribbons have been used for hundreds of years to decorate hats, dresses and accessories.

Corsage by Ruth Singer using vintage ribbon and 1920s techniques.

Corsage by Ruth Singer using vintage ribbon and 1920s techniques.

Beautiful ribbons were woven in Coventry (as well as other places) from the 1700s which were pleated, gathered and arranged to make stunning hat decorations, taking a bonnet from basic to beautiful.

Ribbon woven in Coventry. (c) V&A

Ribbon woven in Coventry. (c) V&A

 

Extra-wide ribbons were made specifically for trimming dresses and millinery and their designs could easily be enhanced by the methods of folding and stitching used, as shown in this example where the stripes are manipulated to create decorative effects.

Hat ribbon trim (c) National Trust

Hat ribbon trim (c) National Trust

 

I recently came across illustrations via Pinterest from a German women’s magazine called Der Bazar dated 1871 on Google books which shows several fantastic pleated ribbon trims which I am keen to try out myself, and you can often spot folded and manipulated ribbon trims on original garments and in fashion plate illustrations in the later 19th century.

Der Bazar pleated fold illustration

Der Bazar pleated fold illustration

In the 1920s, pleated and manipulated ribbons had another moment under the spotlight of fashion as ribbon pleated and folded into sunbursts and stars shone out from the sides of cloche hats. Cockades or trimmings were made at home, as well as by professional milliners. A hat could be updated and transformed with a bit of ingenuity and ribbon.

Hat (c) Metropolitan Museum

Hat (c) Metropolitan Museum

I bought the vintage hat below a few years ago and was intrigued by the folded trim. It took a few goes to figure it out and quite a few more goes for the technique to stick in my head – it is not at all simple, but I figured it out using weave lines in in the grosgrain ribbon as my guide.

Pleated hat trim

Pleated hat trim

My version of the technique is in my book Fabric Manipulation, called Arrowhead folds. I used this technique to create the necklace below.

Arrowhead necklace

Arrowhead necklace

 

My book has lots of other ribbon folding techniques, many of them inspired by Indian ribbon work using real metal ribbon, known as Gota.

Detail of blouse with gota trimming (c) V&A

Detail of blouse with gota trimming (c) V&A

 

Gota work was traditionally used to decorate luxurious costumes and clothing in the 19th century alongside fine silks and metal thread embroidery. The pure metal wefts of the ribbon allow it to be folded precisely to create intricate 3D folds and twists, and the ribbon could also be embossed for added effects. Nowadays, most gota work is done in inferior plastic ribbon which has neither the sheen, weight or crispness of the metal ribbon, but still looks pretty gorgeous. I’ve seen real vintage Gota ribbon for sale at Cloth House, my favourite fabric shop in London.

I found a nice piece in a ribbon stash at the school I worked in yesterday; the widely-spaced folded-back zigzag ribbon fold detail was new to me – I am working on samples using different types of ribbon for different effects. The pointed Vs along top and bottom are one of the gota techniques I figured out a while back and it is included in my book.

Gota trimming

I taught my favourite box-pleating technique to the students at Chateau Dumas earlier this month, using French vintage striped ribbon. The day after the workshop, the students visited the local hat-making museum and decorated their hats with pleated French ribbon. What could be more more perfect?

You can find more ribbon work and related ideas in my Pinterest boards on Fabric Manipulation, particularly the pleating board and the appliqué board. One day I’ll have time to try them all out – in the mean time, please post links to any other interesting ribbon resources and if you have tried any of the techniques, please share them.

A shorter version of this post originally appeared on Mr X Stitch as one of my monthly textile history Pinning the Past columns. Explore the other columns here.

 

Exhibitions at Waddesdon

There’s textile delights aplenty at Waddesdon Manor at the moment. I particularly wanted to see Sacred Stitches, an exhibition of ecclesiastic textiles from the Rothschild Collection which is reviews in Embroidery magazine (July / August).  I love Medieval church textiles so was excited to see examples that have not been displayed before, and I was not disappointed. The small exhibition also includes some other, later, treasures including a few gorgeous saint statue robes.  There’s a small book of the exhibition which has some great images and looks well-written and informative too, assuming it is similar to the exhibition text, which is pretty good going considering I know far too much about this kind of stuff already.

The house is full of interesting textiles too, mostly on upholstery and in wall hangings.

An unexpected extra pleasure was the Folded Beauty exhibition of historic napkin folding by Catalan artist Joan Sallas. Truly extraordinary and amazing!

I was disappointed that the Philippa Lawrence garden artworks hadn’t succeeded. I got a glimpse of the half-grown piece on my drive in but it sounds like things didn’t work out as planned. I’ve been interested in her work for a while so will definitely be back to see it next year.

Reinventing the paper piece

A couple of years ago I made this piece, my first in paper, constructed from book proofs. It has been a real trouper; a couple of exhibitions, some press and a lot of interest.  It is going out again for Colour, at New Brewery Arts in Cirencester, Sat 23rdMarch – Sun 12thMay 2013, along with this coat (currently at Shire Hall Gallery, Stafford). 

sewn up

Sewn Up in situ

Sewn Up

I made a smaller, companion piece a couple of years ago, and this morning I finally finished a 3rd piece.
I had started the new one as a commission, following the Leicester Open Exhibition at New Walk Museum last winter, but the buyer pulled out before I started assembly. Disappointing, but c’est la vie….
I’m hoping this new one can also go to New Brewery Arts and will go home with a happy buyer, this time.

Sewn Up 3

Sewn Up 3