I’m pleased to be showing a couple of pieces in the Leicester Open exhibition 15 December 2018 until 2 February 2019 at New Walk Museum and Art Gallery, Leicester.
I’m pleased to be taking part in the Leicester Print Workshop members exhibition this year. I am working in collaboration with Gillian McFarland to produce a changing artwork installation which will develop from week to week as we share ideas, develop and pass things to and fro and create new pieces inspired by two found objects.
The exhibition opens this weekend (17th-18th November) with the Print Festival and Gillian and I will be giving at talk on Saturday 17th November at 4pm about our work. There is also an exhibition preview on Friday 23rd November – details below. The exhibition continues until 26th January 2019.
Gillian McFarland and Ruth Singer work in collaboration as McFarland & Singer alongside their distinct and established solo artistic practices. They began working together in 2014 while sharing a studio; a space that allowed them to share ideas and approaches. In addition to the work created for this residency, McFarland & Singer have a strong convergence of interest around the archaeology of stains and marks of time.
This work is an ongoing collaboration, passing to and fro between us as we each explore related, but separate ideas. The piece begins with two found objects from a charity shop which we both respond to initially, through discussion and making alongside each other. This work will change every week as we add new prints and related pieces of work. This work is displayed in file trays to represent the orderly collation and separation of ideas. Feel free to take the pieces out of the trays and move them around and change the order. We will use this intervention and selection as part of the process of making new pieces each week.
Tacit – Made in Leicestershire contemporary craft exhibition at LCB Depot 17th-29th September.
My first co-curated contemporary craft exhibition is now open! On Friday I installed Tacit – Made in Leicestershire exhibition at LCB Depot in Leicester. I am working for Creative Leicestershire as a consultant on the Made in Leicestershire brand development and putting together this exhibition and events programme is part of that process. It has been a delight to work with so many brilliant Leicestershire makers and to discover new ones selected by co-curator Jo Keogh. The exhibition is only up for a short time until 29th September with a couple of events next week for makers and for visitors to meet the makers.
Exhibition details here along with studio shots of the makers’ work. Late evening preview event is on Facebook. Leicestershire-based professional artists and makers are invited to a Makers Gathering on Thursday 27th Sept hosted by me for Made in Leicestershire.
I’ve installed two exhibitions in the space of 10 days so my tool box is well-used and I’m all out of cup hooks and glass cleaner. In my previous career I curated and developed museum exhibitions and have worked on a lot of craft exhibitions too over the years. I really enjoy this kind of work, though having help with the ladders, drilling and lifting from LCB staff was great – I’ve had to go up scaffolding to install things before and it wasn’t my favourite thing. Tacit has been an interesting, if very rushed, project to work on. The exhibition concept was developed by LCB Depot in the summer and they asked me to select makers and sort out installation. Jo Keogh (one of the artists) also found a group of emerging makers with new work I didn’t know about so the exhibition is really varied. I really enjoy mixed material exhibitions more than single material – I love to see my work alongside ceramics, glass and metals rather than just textile. It gives all the work a new perspective.
I’ve created some new science-inspired work for a small group exhibition which will be opening on Friday 9th March at Newarke Houses Museum, Leicester. This is part of the University of Leicester’s British Science Week celebrations. Find out more about the project and exhibition here. The exhibition continues until 31st March 2018. Some of the Petri Dish Project will also be shown in the exhibition.
My work is often around making ideas and concepts into visual form through textile and mixed media. My first career was working in museums, and this comes through now in my choice of exploring themes of memory, history and personal stories, usually taking historic objects or family history as my source. I was intrigued by the idea of telomeres, the ends of chromosomes having a role to play in ageing. This ties in with my previous work on genetics and other work around grieving, length of time expressed through linear pieces and of capturing ephemeral moments permanent through creating artworks.
Visiting Dr Nicola Royle and talking through the work she does sparked lots of ideas of how I might develop new work around length, ageing and repair. I wanted to explore some of the words and ideas which are used in genetics research and their resonance in the world outside the lab.
DNA is often referred to as strands, like hair or threads. I chose to work with this concept to create a new piece using long lengths of fine wool thread grouped and bound at intervals. Thinking about telomeres, the ends of chromosomes, gave me the inspiration to work with the ends of the thread, in this case knotted together in small groups.
I was also intrigued by the role telomeres play in DNA repair and chose to represent this through a textile repair. The microscopic imagery of chromosomes uses a bright pink fluorescence to highlight telomeres so I chose a similarly-coloured darning thread and used to repair a silk handkerchief.
This week I’ve installed and launched the exhibition of our joint McFarland & Singer artist residency in the Genetics Department of the University of Leicester. The work on show is very different from my usual work and includes work in glass and on paper as well as the amazing collaborative petri dish project.
My own work for this exhibition includes new work on paper including prints and drawings including pieces inspired by our research in the university herbarium combined with drypoint printing. I have also used scientific equipment to make textured patterned pieces. The exhibition also includes collaborative pieces Gillian and I have made together combining print, puncturing and stitch. The exhibition is now open daily 7am – 10pm until 22nd December and then again 2nd – 12th January at the Charles Wilson Building (Foyer) at Leicester University and is free to enter. Works in the exhibition will be listed for sale later in the year. A catalogue is available for £3 (+p&p) on request.
I also have other print-based work on show in Leicester Society of Artists exhibition at New Walk Museum from 17th November t0 16th December. These new pieces are created using patchwork, print and stitch. These pieces are part of a new ongoing series of work exploring textile processes and the stages in production of stitched work. These pieces were included in my recent Fragments exhibition.
Yesterday I went into the Radio Leicester studio to talk about my Criminal Quilts project and the new work I am starting to develop for exhibitions next year.
You can listen to me on the programme at about 51 minutes in.
I’m working on new partnerships and projects for 2018 which will be announced in full at a launch event in Stafford on Friday 8th September. Full details coming soon.
Leicester Society of Artists Little Selves exhibition opened this weekend at New Walk Museum in Leicester. It’s a gorgeous show with some amazing pieces including impressive pieces by local school students as well as a lovely set of miniature paintings from the museum collection. The exhibition continues until 25th June 2017 and is free to visit.
My contribution is a small embroidered eye self portrait stitched in human hair, which you can read about here.