Launching and Letting Go, my review of 2021.  

I talked a little in my last full podcast episode about what I’d done over the last year and my plans for the future. I said in the podcast that I didn’t want to be one of those people listing all their successes…. there’s being inspiring and there’s being annoying. I prefer the former! I’m not sure anyone (other than my parents) would want to read a list of my achievements in 2021. But then I am not sure that a list of failures and things I didn’t get round to is any help either. Believe me, there are plenty of highs and lows over the year of running my creative business and getting on with my life. 

Last winter I created my own review process to close the year and a structure for creating doable goals for the new year, called Gentle Goal Setting. I’m running this again in January in a new format with a live session exploring why you do what you do and how to apply these values in your gentle goals. That’s alongside my workbook which I’ve revised following feedback from last year and some ongoing support for people who take part throughout January. 

For this year’s review, I thought I would reflect on the gentle goals I set for myself this time last year and see how those goals have helped me. This doesn’t involve any targets or tick lists, it’s just a reflection on how those gentle and inspiring goals worked for me. You can read about last year’s goals below.

My 2021 review to goals

Develop and nurture connections with others

I’ve probably done less of this than I might other have done because of moving, so even in less horrendous pandemic phases I’ve not seen many in person. But I’ve made new friends this year and nurtured professional relationships and networks but also let some fall by the wayside. The work-specific element of this goal group was to create programmes to support other creatives and for that I’m going to give myself a big tick. The thing I planned when I wrote that goal hasn’t actually come to fruition yet but instead I created Maker Membership and it’s been an absolute joy. Things I have established and created myself have definitely worked better for me, rather than trying to adapt and modernise an existing group to which I eventually admitted defeat a few months ago. Management doesn’t work for me. Creating communities really does. So that’s something to remember for my 2022 goals. 

To work with coaches and mentors myself

I recognised last year that I was giving a lot to support others and not filling my own well sufficiently so this year I have made that a priority and invested time and money into supporting my own development. I have tried a membership group, several courses and one-off sessions and a 6 month coaching programme with Sarah Fox, as well as a peer-support group with two other artist-coach/mentors. I’ve got a much clearer idea now of what I need to nourish myself so I can better support others and myself!

To nurture my own creativity and set aside time for studio practice

I set a goal to work on my own stuff. It’s pretty obvious isn’t it? But I haven’t done this anything like as much as I wanted to. Instead I’ve poured my creativity into other projects and made some wonderful things happen. They just aren’t textiles. Or my new book, which was also on my goals list and hasn’t progressed at all this year. Looking back at these goals, if I had given myself the goal of creating new things that I am passionate and excited about (whatever the output) then I would have achieved this goal too. So for next year my goal will be more broad about being creative and doing things that I feel passionate about at the time, not just what I wanted to do in January!

Write more funding applications 

This is a good demonstration of my gentle goals principle. It’s specific but not target-focussed. I didn’t set myself a goal of getting XX amount of funding or even applying to a set number of funds. I just wanted to do some. I’d lost my momentum and wanted to find a way back into it. What helped in the end was collaboration. I worked with a group of other artists to do a funding application. And then another, which has also been rejected too. But I’m going to try again in the new year and hopefully we will succeed. I’ve also been persistent with others and have finally got some progress. The goal was just to try and that has paid off in the end. 

Decluttering my house

This goal I absolutely succeeded with! At the start of the year I was giving myself a couple of years to move but by February things had changed a bit and I decided to try and move as soon as possible. In the end I sold my house in April and finally moved in August, with a lot less stuff than I’d had in January (although you wouldn’t believe it looking at this photo of my stuffed studio!).

My new studio, part unpacked!

Build rest and retreat into my life

On a small scale, I haven’t really managed this. Moving house is far from restful and I’ve had a couple of 3-day holidays in the autumn as my only time off. I’ve not had a creative retreat as I’d hoped either, which is why I’ve not got very far with the goals around making / creating new work. Having said that, moving house, once done, is massively achieving this goal as my home situation is much more conducive to rest. I’m enormously lucky and grateful to have been able to move to a nicer house. Overall I’ve not been too bad at resting, other than in the moving house period. I’ve been better health wise this year than some years so I think I’m doing ok. There’s always room for improvement here and I maybe need to get more specific here for myself.

And finally I set myself a goal of doing more PR and marketing to build my profile and sell more of my work. Again I’ve not done what I thought I wanted to do with this – press releases to magazines, online shop growth and product sales, new product ranges and all kinds of things that I can’t even remember now. If I’d written the goal more gently and less specific, I would have achieved this without a doubt. The podcast has been an amazing profile-builder and connection with audiences. The other work I’ve done has all connected me with others. I haven’t sold much textile because I haven’t tried. But I have sold my other work, my memberships and courses and books and mentoring. And that’s a wonderful thing. 

The pandemic changed my priorities in work and life and continues to change how I want to work and live in the near and distant future. My goals haven’t been a stick to beat myself into working harder, they have been a guiding light for how I want to live my life and run my business.  By reviewing my goals I can see how much my thinking has moved on in the last year and how I can be more gentle with my goals this time around and adapt to the changes life keeps throwing at us. 

Next year’s goals are going to be even more holistic, reflecting the reality that work and life are not two separate states of being, especially as an artist. But I’m not choosing my goals just yet, I’m letting this review and reflection sink in. I’m spending time using my own reflection prompts from Gentle Goal Setting workbook and waiting to see what I really want for 2022. 

Once that’s settled and feeling good, I can then look at the building blocks of making my goals a reality – the planning, the structure. My goals will help me evaluate projects and ideas to see if they really fit in with my wider ambitions and the way of working that suits me and my life. And then I can happily plan, schedule and make lists in my new notebooks, diaries, journals and Trello boards and fulfil all my planning nerd dreams. 

If you would like to work with me on finding your gentle goals by reviewing your year, your needs and creating your own criteria for success, join me in Gentle Goal Setting in January. Find out more here or book now below if you are ready.

I’m running two live sessions: Monday 10th January 5pm-7pm GMT

Monday 17th January 12-2pm GMT

These live Zoom sessions will focus on your creative values and introduce the review and goal setting workbook. 

All participants will also have access to 1:1 support via email or message chat at set times throughout January. 

Making Meaning Podcast Episode Eleven – Reflections with Ruth Singer

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

I’m an artist & maker exploring personal and collective narratives through textiles. I create for exhibitions, commissions and projects. I also write books, support other creatives through mentoring and consultancy / research work and I love generating my own projects, artist residencies and making things happen. 

All of my work, across all of these different aspects is centred around making with meaning. I am fascinated by the hidden stories in all our lives and in historic objects and places. My work grows from research and contemplation and from collaborating with others.

This end of series episode of Making Meaning is just me. I wanted to reflect on the series, to share my thoughts and feelings about the amazing conversations I’ve had. I also wanted to add a bit more context about my own work and share more about myself and some of the projects I have worked on in the past, present and future. The themes that come up again and again in this series are about connection and collaboration, about the creative impulse and the value of our ideas, about research, about materials and making and about change, movement and belonging. I also introduce some ideas for the new series of Making Meaning, including a live event and longer, even more in-depth conversations.

And of course, there’s more of me asking for you to support the podcast with a contribution towards my crowdfunder to cover the costs of the new series and make it even better.


Play here


Recent work


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Remembering Rosie


Everything I do at the moment seems to be a bittersweet reminder of my lovely friend Rosie who died a couple of weeks ago. For the last 10 years she’s been so involved in my work, coming to workshops, buying and commissioning textile pieces, sharing stories of antique shopping and cats! I think of her with every stitch, knowing she’d be interested in what I’m doing. I think of her when I am writing newsletters and blog posts because she read them all. I think of her when my cat is cute and funny because she loved cats so much. I think of her when I look at the news because she was so cruelly taken by covid caught in hospital.

She contributed to Textiles in Lockdown and my Criminal Quilts collaboration quilt and the Petri Dish Project as well as so many of my workshops, exhibitions, talks and events. Rosie started coming to workshops when I began running them in Leicester in 2012 and once I stopped doing them locally, she travelled to visit exhibitions and attend workshops further afield. Her support and enthusiasm was incredibly important to me during those workshop years.

Rosie’s contribution to the Petri Dish project about DNA – centre left – a petri dish full of fur from her beloved cats!

She was a creative muse for me, over the years. I often kept Rosie in mind when creating new workshops or new collections of work. Rosie and her husband Graham bought a number of pieces from me and commissioned some really wonderful works which I loved making, discussing with them both and seeing them hung in their home. The first of my Treasure Boxes was a commission for Rosie, her idea, which was truly inspired.

This led to a larger commissioned framed piece using Rosie’s own collections of textile treasures, buttons she had made and additions of my own.

Rosie was treated in Harefield Hospital late last year and was so delighted that she would get to see the quilt I made for the hospital’s centenary in 2015. The last time I saw her, winter 2019, they came to choose some pieces from me to purchase, and Rosie gave me a stitched poem in remembrance of my lovely old cat Maya who had recently died. Her warmth, humour, enthusiasm and energy will be missed so very much. In time I will be making some colourful stitches in her memory.

Textile Traces Exhibition Launch Interview

My Textile Traces exhibition opened last weekend (25th May 2019)at Llantarnam Grange Arts Centre. It’s a real joy to see so much of my work up on the walls in this lovely gallery, and to have so many people come to the exhibition opening. On the day we held an ‘In Conversation’ event with me interviewed by Polly Leonard, founder of Selvedge magazine. You can listen to this 45 minute interview below in full. It can also be found on Soundcloud.

 

Some of the works referred to in the interview:

Rethink your Mind

I’m pleased to have a new piece of work selected for the ReThinkYourMind Yellow Book project.

My piece Ash Map will be included in the new book for 2017 which will be launched this week after an awards reception at the House of Lords last week, although I was at the Contemporary Craft Festival so wasn’t able to attend the awards.

The theme for entries was ‘I feel better when….’ and for me this is walking in the countryside. The line of the piece follows the route of a walk and is stitched with the seeds of an ash tree (called keys) which I collected. This work and a number of others exploring the natural world and the therapeutic nature of walking were created in late 2015 as I was dealing with a painful relationship break up when walking was essential to calm my mind and focus on things outside of my own head. Walking a lot is nothing new for me, I have always loved walking, but these pieces are the first work I have produced which use this experience of walking as a theme and inspiration to making. I am continuing to develop new work around walking, my experience of the natural world and hope to have an exhibition of new pieces in 2018.

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Postcard from West Dean (2)

Alongside my teaching, my week at West Dean involved a lot of both looking closely at details and looking (and walking) to points far away. I found myself with nearly two days off before teaching, time to explore, wind down and replenish. Between teaching sessions the gardens were my playground.  The wide open views of the South Downs are a much-needed counterpoint to city life. The chance to stretch my vision, my horizon and my legs. The college building and the gardens invite close inspection while in contrast the farther hills and the wider landscape need wide angle eyes to take it all in.

 

 

 

 

 

Last year’s Postcard from West DeanPostcard from West Dean

Just one year

img_0029Working the way I do, I am always looking forward to the next exhibition, planning the next project, writing funding proposals and workshop outlines for months and even years ahead, I rarely get the opportunity to look back, consider what has happened and think about how to build on the successes and challenges of the last year. This winter I made sure I did. In December I took a week’s retreat in quiet, hillside cottage in Staffordshire to think, plan, reflect and watch the clouds. Since then life has been a whirlwind so it is now mid February before I’ve had chance to write a proper review of the year.

 

 

2016 started with an ending… the last couple of weeks of my solo exhibition Narrative Threads at the National Centre for Craft & Design which opened in November 2015 after 11 months artists residency at the gallery. It was hard to say goodbye to the exhibition but the ending gave me chance to reflect on it for my funding review and the visitor comments made it all worthwhile.

 

Wonderfully intriguing exhibition. Wonderfully presented.

A very moving emotive exhibition.

Fascinating execution of some clever conceptual ideas.

Selected works from the exhibition have been shown in Salisbury, Unit Twelve, Leicester and Northern Ireland as well as the Knitting & Stitching Shows. I now have a confirmed gallery to show the entire exhibition in 2019 and potentially other shows in 2018 too.

Hot on the heels of the exhibition completion I started Urban Growth, a new project with Interlace. Bethany and I ran an exciting, energetic and exhausting youth project to create a new permanent concrete and textile artwork in my former studio building Makers’ Yard. I worked with two local charities to fund and manage the project, making important and valuable connections with local communities.

 

The early part of the year also saw me moving out of Makers’ Yard studios and return to working at home, although not until I had a loft refit completed to store all my materials and teaching resources! I no longer organise my own workshops in Leicester and have reverted back to freelance teaching in locations across the country.  2016 was a quiet teaching year for me, I only travelled as far as West Dean College, Leeds University, Shrewsbury, Wakefield, Solihull, Bletchley Park and Dublin (to name a few).

Bethany and I continued to work really hard throughout the year with Interlace exhibitions at the Knitting & Stitching Shows in London, Harrogate and Dublin as well as new work selected for Made in the Middle. MitM opened in December and our huge new installation piece Halo won a prize which was a great end to a very intensive year for our collaboration.

 

It was a good year for prizes as I also won the Fine Art Quilt Masters competition at the Festival of Quilts in August with a piece from the Criminal Quilts collection originally made for my Narrative Threads exhibition. The recognition for this prize has been great, giving me lots of press coverage and masses of teaching requests which is making sure 2017 is very busy indeed!

 

The prize money has meant I have been able to invest in creative and professional development including retreats, residencies, training and research visits.  I celebrated my win with two glorious weeks in Cornwall before the frenetic few months of the Knitting and Stitching Shows.

 

Winter has been quieter, a conscious decision. I had a lot of teaching until the end of November but since then have taken some time out to spend on developing my own work and seemingly constant funding applications, including a successful Arts Council bid to work with Gillian McFarland throughout this year as joint artists in residence at Leicester University Genetics Department which means 2017 is getting off to an exciting and busy start!

 

Anniversaries and Centenaries

Today marks eleven years since I officially became a self-employed artist. Last year I missed my 10th anniversary because of other things going on in my life and this year it feels a bit flat because of the state of my country and the Somme centenary today.

Centenaries and anniversaries are important in my work and I have chosen two projects to celebrate and mark this anniversary.

Ruth Singer Harefield Hospital Centenary Quilt (full) copy

Last year I was proud to work with Harefield Hospital NHS Trust to celebrate the anniversary of their foundation during World War One. 

 

This week also marks the centenary of the birth of my Grandad, Douglas Eaton, whose life I have celebrated in my work over the last few years with the Tool Shed series and Metamorphosis.