Introducing Textile Study Space

One of the things I have missed during the pandemic is getting together with others in the same room and sharing textile techniques, ideas, seeing samples and threads, textile treasures and books. In 2022 I’m starting to run a lot more online textile workshops but I wanted to also do something more modest and accessible alongside. I wanted a space where I could share my love of textile techniques in a smaller way. From late January I will host a Textile Study Space on Patreon, a subscription site where I will gather and share fragments of textile. There will be mini tutorials, technique ideas, historical examples, pieces from my work, sketchbooks, samples and also from my historical museum of old and usually damaged textiles collection .

I want this space to be low-key and unpressured, somewhere you can explore textiles at your own pace, pick the things that interest you and explore. There’s no fixed outcome, you don’t have to make anything, it’s just there to inspire. There will be very low minimum price per month of subscription but if you find it valuable and can afford a bit more, the amount you pay will be flexible. I hope that will be nice and democratic, allowing textile enthusiasts who love what I do to be part of my creative world without the cost and commitment of other online programmes.

To find out when Textile Study Space opens, sign up to my mailing list here and I’ll let you know. I hope you will join me, I can’t wait to share some of the textile treasures in my studio.

Launching and Letting Go, my review of 2021.  

I talked a little in my last full podcast episode about what I’d done over the last year and my plans for the future. I said in the podcast that I didn’t want to be one of those people listing all their successes…. there’s being inspiring and there’s being annoying. I prefer the former! I’m not sure anyone (other than my parents) would want to read a list of my achievements in 2021. But then I am not sure that a list of failures and things I didn’t get round to is any help either. Believe me, there are plenty of highs and lows over the year of running my creative business and getting on with my life. 

Last winter I created my own review process to close the year and a structure for creating doable goals for the new year, called Gentle Goal Setting. I’m running this again in January in a new format with a live session exploring why you do what you do and how to apply these values in your gentle goals. That’s alongside my workbook which I’ve revised following feedback from last year and some ongoing support for people who take part throughout January. 

For this year’s review, I thought I would reflect on the gentle goals I set for myself this time last year and see how those goals have helped me. This doesn’t involve any targets or tick lists, it’s just a reflection on how those gentle and inspiring goals worked for me. You can read about last year’s goals below.

My 2021 review to goals

Develop and nurture connections with others

I’ve probably done less of this than I might other have done because of moving, so even in less horrendous pandemic phases I’ve not seen many in person. But I’ve made new friends this year and nurtured professional relationships and networks but also let some fall by the wayside. The work-specific element of this goal group was to create programmes to support other creatives and for that I’m going to give myself a big tick. The thing I planned when I wrote that goal hasn’t actually come to fruition yet but instead I created Maker Membership and it’s been an absolute joy. Things I have established and created myself have definitely worked better for me, rather than trying to adapt and modernise an existing group to which I eventually admitted defeat a few months ago. Management doesn’t work for me. Creating communities really does. So that’s something to remember for my 2022 goals. 

To work with coaches and mentors myself

I recognised last year that I was giving a lot to support others and not filling my own well sufficiently so this year I have made that a priority and invested time and money into supporting my own development. I have tried a membership group, several courses and one-off sessions and a 6 month coaching programme with Sarah Fox, as well as a peer-support group with two other artist-coach/mentors. I’ve got a much clearer idea now of what I need to nourish myself so I can better support others and myself!

To nurture my own creativity and set aside time for studio practice

I set a goal to work on my own stuff. It’s pretty obvious isn’t it? But I haven’t done this anything like as much as I wanted to. Instead I’ve poured my creativity into other projects and made some wonderful things happen. They just aren’t textiles. Or my new book, which was also on my goals list and hasn’t progressed at all this year. Looking back at these goals, if I had given myself the goal of creating new things that I am passionate and excited about (whatever the output) then I would have achieved this goal too. So for next year my goal will be more broad about being creative and doing things that I feel passionate about at the time, not just what I wanted to do in January!

Write more funding applications 

This is a good demonstration of my gentle goals principle. It’s specific but not target-focussed. I didn’t set myself a goal of getting XX amount of funding or even applying to a set number of funds. I just wanted to do some. I’d lost my momentum and wanted to find a way back into it. What helped in the end was collaboration. I worked with a group of other artists to do a funding application. And then another, which has also been rejected too. But I’m going to try again in the new year and hopefully we will succeed. I’ve also been persistent with others and have finally got some progress. The goal was just to try and that has paid off in the end. 

Decluttering my house

This goal I absolutely succeeded with! At the start of the year I was giving myself a couple of years to move but by February things had changed a bit and I decided to try and move as soon as possible. In the end I sold my house in April and finally moved in August, with a lot less stuff than I’d had in January (although you wouldn’t believe it looking at this photo of my stuffed studio!).

My new studio, part unpacked!

Build rest and retreat into my life

On a small scale, I haven’t really managed this. Moving house is far from restful and I’ve had a couple of 3-day holidays in the autumn as my only time off. I’ve not had a creative retreat as I’d hoped either, which is why I’ve not got very far with the goals around making / creating new work. Having said that, moving house, once done, is massively achieving this goal as my home situation is much more conducive to rest. I’m enormously lucky and grateful to have been able to move to a nicer house. Overall I’ve not been too bad at resting, other than in the moving house period. I’ve been better health wise this year than some years so I think I’m doing ok. There’s always room for improvement here and I maybe need to get more specific here for myself.

And finally I set myself a goal of doing more PR and marketing to build my profile and sell more of my work. Again I’ve not done what I thought I wanted to do with this – press releases to magazines, online shop growth and product sales, new product ranges and all kinds of things that I can’t even remember now. If I’d written the goal more gently and less specific, I would have achieved this without a doubt. The podcast has been an amazing profile-builder and connection with audiences. The other work I’ve done has all connected me with others. I haven’t sold much textile because I haven’t tried. But I have sold my other work, my memberships and courses and books and mentoring. And that’s a wonderful thing. 

The pandemic changed my priorities in work and life and continues to change how I want to work and live in the near and distant future. My goals haven’t been a stick to beat myself into working harder, they have been a guiding light for how I want to live my life and run my business.  By reviewing my goals I can see how much my thinking has moved on in the last year and how I can be more gentle with my goals this time around and adapt to the changes life keeps throwing at us. 

Next year’s goals are going to be even more holistic, reflecting the reality that work and life are not two separate states of being, especially as an artist. But I’m not choosing my goals just yet, I’m letting this review and reflection sink in. I’m spending time using my own reflection prompts from Gentle Goal Setting workbook and waiting to see what I really want for 2022. 

Once that’s settled and feeling good, I can then look at the building blocks of making my goals a reality – the planning, the structure. My goals will help me evaluate projects and ideas to see if they really fit in with my wider ambitions and the way of working that suits me and my life. And then I can happily plan, schedule and make lists in my new notebooks, diaries, journals and Trello boards and fulfil all my planning nerd dreams. 

If you would like to work with me on finding your gentle goals by reviewing your year, your needs and creating your own criteria for success, join me in Gentle Goal Setting in January. Find out more here or book now below if you are ready.

I’m running two live sessions: Monday 10th January 5pm-7pm GMT

Monday 17th January 12-2pm GMT

These live Zoom sessions will focus on your creative values and introduce the review and goal setting workbook. 

All participants will also have access to 1:1 support via email or message chat at set times throughout January. 

Making Meaning Podcast Episode Eleven – Reflections with Ruth Singer

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

I’m an artist & maker exploring personal and collective narratives through textiles. I create for exhibitions, commissions and projects. I also write books, support other creatives through mentoring and consultancy / research work and I love generating my own projects, artist residencies and making things happen. 

All of my work, across all of these different aspects is centred around making with meaning. I am fascinated by the hidden stories in all our lives and in historic objects and places. My work grows from research and contemplation and from collaborating with others.

This end of series episode of Making Meaning is just me. I wanted to reflect on the series, to share my thoughts and feelings about the amazing conversations I’ve had. I also wanted to add a bit more context about my own work and share more about myself and some of the projects I have worked on in the past, present and future. The themes that come up again and again in this series are about connection and collaboration, about the creative impulse and the value of our ideas, about research, about materials and making and about change, movement and belonging. I also introduce some ideas for the new series of Making Meaning, including a live event and longer, even more in-depth conversations.

And of course, there’s more of me asking for you to support the podcast with a contribution towards my crowdfunder to cover the costs of the new series and make it even better.


Play here


Recent work


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Making Meaning Podcast Episode Ten – Emma King

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

I first started working as a museum consultant in 2004. Over the next decade I built up a reputation for delivering high quality work, delivering projects for clients across the UK. I then took a break from consultancy to work as the founding Director of the Holocaust Exhibition & Learning Centre in Huddersfield from 2017-2020. I led a small team to create a completely new heritage business, including writing and curating the north of England’s only exhibition about the Holocaust. I learnt a lot – about leadership, project management, storytelling, entrepreneurship, and above all, about myself. Now I’m bringing that learning back to my consultancy work.

This week’s podcast is with museum consultant Emma King, also one of my most-longstanding friends. We met at Leicester University back in the last millennium both studying for a Museum Studies Masters Degree and she has gone on to have a great career in museums both as a freelancer and employed, always seeking innovative projects where she can delve into research and storytelling with collections and people. Because I also worked in the museum sector for a few years and still work closely with them as often as possible, we have a lot in common in our working practices and our interests. We could (and do) talk for hours but I have edited out (most of) our rambling and focussed on exploring making meaning in a museum context, communication and interpretation, the value of ideas and of co-creation with communities and artists.

There’s more about Emma and her work in the links below.


Play here


Emma King

Emma’s projects


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Project Books

In my Maker Membership group, sketchbooks come up a lot. Some love them, some are terrified by them and some are just not sure. I thought I would write about my own use of sketchbooks or project books as I prefer to call them. Using books to collect ideas, information, images, notes and samples is something I’ve come to later in my practice but I am so grateful for it now. I love making books about the work I am developing and find them enjoyable and inspiring to make and endlessly useful and fascinating to revisit. 

I don’t like the term sketchbooks as it implies drawing and like many textile makers, drawing is not part of my process. I sometimes do annotated simple drawings but I don’t sketch. I struggled through my A-Level art aged 18 with some additional drawing tuition and have done very little representational drawing since. It’s just not a process I enjoy. I love mark making and creating patterns with pens, pencils and crayons and created a book of patchwork-inspired designs for colouring a few years back. 

My ‘sketchbooks’ are usually created for a specific project. The first one I properly worked on was for a commission called Metamorphosis . The people who commissioned the work were keen to show sketchbooks as well so it was a good exercise for me in creating something I was happy to share. 

I didn’t fill the small sketchbook for this project so it became a more general studio book instead. Studio books are where I keep samples, ideas, notes, fragments and other inspiring things that are otherwise loose in my head or in my studio. I go through phases of keeping these but I never regret it. 

Since that project / studio book, I have created many others. I usually have a very general studio book on the go which has measurements, calculations, lists, sums, designs and working notes for whatever I am working on at the time. I don’t have one at the moment, it has tended to be when I am doing a lot of design work and exhibition planning and that’s not what I am doing these days. 

What I have kept up is the project books. For the Leicester University genetics residency in 2017, I used an A3 book which gave me space for lots of drawing, notes, images and mind maps. 

For the first part of Criminal Quilts, I had notes and sketches and ideas in a lot of different notebooks and studio books and really regretting not keeping it all in one place. When I started the 2017-18 Criminal Quilts residency, I knew I needed to keep a project book which I would share as part of the project. It has been to many workshops, talks, events and open days. Although I started making it as a public resource, it is also my working sketchbook or planning book. I have notes of pieces that I have since made or since abandoned, and things that are parked for the future. It has a lot of notes, lists, scribbles, mind-maps and drawings as well as the collected materials of inspiration. It helped me to have all this in one place while I was doing the residency as so little of the project happened in my studio. I was able to carry it all around with me. Having said that, the huge heavy hardback book I chose, whilst being perfect for display, was a pain to carry around on the train / on foot! I used a wheelie suitcase a lot for that project as my sketchbook was too big for a rucksack. 

For the Libraries Live commission in 2019 I made a quilted book and a series of activity kits for library visitors. Throughout the residency I kept a decorative sketchbook intended as a record of my workshops and to inspire workshop participants. I decided to include the sketchbook as part of my commission as I felt it belonged with the other elements. As this was a commission, it was very different to my own work and has quite an unique identity. These photos are professional shots taken for the project and a nice record of the work for me to look back on. 

My current studio books and project books are quite experimental including collage and print work and some gathering of inspirational materials. Before I packed away my studio to move over the summer I started working on a book of things that were lying around but worked well together. Postcards, samples, fragments, old paper and cloth, images and notes. This is not about a specific project but a process for me of making use and sense of the inspirational things I have around which might otherwise be on the walls or getting in the way in my studio. I refer back to this a lot – I simply enjoy looking at it and letting my ideas flow. 

I have also got one which is purely for experimental collage and print work which I have just re-found after moving. 

For my textile projects I have two ongoing project books, one about quilts which I started when I did my Fragments exhibition in 2017 and another which I don’t have a name for which is about my long-term research about damage and decay. 

Writing this has made me think more about sharing some of my sketchbooks in a digital form which may or may not happen, but either way it has made me excited about getting back to my project books and adding more to them. Do you use sketchbooks or research books to gather your thoughts and inspiration? I’d love to hear about them. 

There’s more about creating and using project books within my Maker Membership site. Membership is open now for anyone who makes and wants to build more depth and meaning to their craft practice, connect with a like-minded community and work with me. It costs £25 a month and you can join for as long as you need to. Find out more here or use the button below to join.

Making Meaning Podcast Episode Nine – Paula Briggs

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

After 10 years of ceramic practice, I am currently part way through a Ceramics MA, and so my practice is changing and developing. I feel a little vulnerable show these images as they are in no way finished ideas, but do show some of my early exploration during a ‘Spode Heritage’ brief. During this project I began to recognise and enjoy the story telling within my new work. Used to working with unglazed porcelain with a focus on colour, texture and form, becoming drawn to transfer ware and imagery was a surprise to me that I continue to explore. A more recent project gave me the opportunity to explore my past use of colour and texture in a very different way, wonderful colour through glaze exploration and floral pattern, again, my enjoyment of the floral pattern coming as something of a surprise to me. I am excited about the possibilities of where these new found material interest lead, and how they will help me in the telling of stories, and I am determined to remain open to new ideas, skills and storytelling possibilities.

I love how open Paula is to learning and developing new work. I first came across her work in 2014 in a powerful exhibition called Torn: Grief in the Making and knew we would have so much in common. Since then our paths have crossed a few times through being in the same groups but we both felt slight outsiders in the commercial / retail craft products world. Like me, Paula is clear that she isn’t interested in repetitive making purely for selling and is focussing on narrative. She contacted me a few months ago to interview me for her MA research and that conversation led to this podcast.


Play here


Paula Briggs

Paula and her recent work


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Making Meaning Podcast Series Two plans

Help me make series two a reality by supporting my crowdfunder

Listeners are loving Making Meaning podcast and I want to make more! I need to cover the costs of hosting and editing to make it sustainable.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. 

I’ve created rewards & thank yous for your contribution towards the costs starting at just £5

The rewards are:

£5 for a website thank you

£15 for a postcard pack and a website thank you

£35 to be a single episode supporter with a thank you on the website and in the episode you support

£50 to be a business sponsor of a single episode

£100 includes an original artwork posted directly to you from me, plus website and episode thank you

£500 option for businesses who want to support the whole series and have a small advert during the podcast

Making Meaning Podcast Episode Eight – Ekta Kaul

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

Ekta Kaul is a textile artist known for her narrative maps that explore places, history and belonging through stitch. She works on public and private commissions and her work is held in several permanent collections including at the Crafts Council, Liberty of London, the Gunnersbury Museum and those of private collectors. Ekta is also an educator and teaches at the Victoria & Albert Museum, London and Kettle’s Yard, Cambridge as well as internationally. She has received awards from the Crafts Council and the Arts Council England and was the winner of 2021 Cockpit Arts Textile Prize. She works from her studio at Cockpit Arts in Bloomsbury, London.

I first met Ekta 10 or 12 years ago when we were both early on in our textile careers, doing retail shows and finding our way. Since then we have both branched out into creating narrative textile artworks, working with community groups, commissions and teaching adults. I love talking to Ekta because she is so thoughtful and considered in everything she does, including her textile making practice. In this conversation we start talking about her recent work on textile maps and then we take a journey through finding your own creative voice, sharing and communicating the love of textiles, community and the power of textiles to both soothe and connect. 

See below for links to things we talked about in the podcast.


Play here

Ekta Kaul

Ekta and her work


Ekta is also featured in my 2020 one-off podcast for the Textiles in Lockdown project. You can listen to that here for free.

Ekta’s Soothing Stitch Circle membership opens any minute now.


Support the podcast

If you have enjoyed the podcast, please consider making a contribution towards my costs to create and host these conversations. You can make a one-off donation below or join my Podcast Supporters Membership on Patreon for £4.50 per month. You can also support for free by subscribing, reviewing and sharing the podcast on your social media. Thank you!

Podcast donation

A small contribution towards the podcast costs

£2.00

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Protest Pincushion on display

For this year’s Leicester Society of Artists* exhibition, I chose to show my tiny but powerful Protest Pincushion. Since this piece was made, the Police, Crime, Sentencing and Courts Bill has been passed by Parliament, putting an end to many of our protest rights and has criminalised stepping on land owned by someone else.

By including this protest piece in a generally traditional exhibition, I hope that different people will see it than otherwise might do on my website, and lead them into new ways of thinking about this issue. The exhibition is at Newarke Houses Museum in Leicester until 31st October.

Newarke Houses Museum
The Newarke
Leicester LE2 7BY

Open – Monday – Saturday 10:00 – 16:00 | Sunday 11:00 – 16:00

* I am no longer the Chair or a committee member of Leicester Society of Artists.

Making Meaning Podcast Episode Seven – Melody Vaughan

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

Melody Vaughan is a curator and writer who facilitates encounters between people, objects and craft makers. Through acts of gathering people together she create spaces for sharing experiences of making and questioning contemporary craft practices, with a focus on sustainable/ethical making practices.

Working mostly in a 1:1 setting with craft makers, she offers a space for closer enquiry and reflection into their creative practices. She is particularly excited to work with people who are looking to make significant shifts within their practice or who would like to develop an ongoing practice of exploration into the why behind their work.

Melody has a background in archaeology, Museum Education and as a contemporary craft maker (ceramics & metal). These experiences fuel her passion for the objects we create and use, as well as for engaging people with these objects, and translate into the dedicated support of craft makers and their creative practices.

Melody and I first connected online a few years ago, sharing our thoughts about supporting artists and makers. Once I realised we both had similar museum backgrounds, I knew we have so much to talk about. I have really enjoyed her seasonal work reflection resources and I love her approach to helping makers find their way. We’ve talked a few times over Zoom in the last 18 months, sharing our fascination with the makers’ mind and how to support ourselves to support others. Melody has spaces available for 1:1 mentoring with professional makers this autumn. Find our more here.

See below for links to things we talked about in the podcast.

As always, behind the scenes and more chat about the podcast and my guests (and their pets if possible!) is available to Patreon members for just £4.50 a month.

———

Play here

Melody Vaughan

Melody and her work

We also talked about my Criminal Quilts project and use of data, which you can see in the online exhibition here. I also mentioned some of my work where human touch was important to the piece. Two of these are shown below. Many Hands and The Beauty of Stains from my Narrative Threads exhibition.

Support the podcast

If you have enjoyed the podcast, please consider making a contribution towards my costs to create and host these conversations. You can make a one-off donation below or join my Podcast Supporters Membership on Patreon for £4.50 per month. You can also support for free by subscribing, reviewing and sharing the podcast on your social media. Thank you!

Podcast donation

A small contribution towards the podcast costs

£2.00

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice. Find out more here.