Since my Textile Traces exhibition has closed, I have been doing a little studio housekeeping and sorting out a lot of work which needs to find a new home! My online shop has had a facelift and is starting to fill up with prints, textiles, collaborations, textile jewellery and other treasures appearing from the archives of my life, as well as books, cards and postcards.
Some of the listings are new work created in the last year or two including my stitch meditations which are framed without glass so are perfect for posting. Other pieces were made some years ago and are on sale at greatly reduced prices starting at just £45.
Quilt Blocks are just £10 each though you may want a few to make a striking display.
My Narrative Threads booklet is reduced to £6 including UK postage and there is also the option for overseas posting. Other pieces may not have overseas posting options but please do get in touch as I am more than happy to give you a price for shipping anywhere in the world.
There is a lot more to come over the next few months and major updates will be added in September. To find out when new stock is available, please join my mailing list where the first notifications will be announced. I will also be doing some flash sales on Instagram and Facebook so please make sure you are following me to find out when they happen.
Pincushion brooch by Ruth Singer & Alys Power
Two of my recent artworks have been purchased by museums this year. I started my professional career working in museums, after doing a Masters Degree in Museum Studies. Museums are still my favourite places to spend time, particularly in textile and social history collections. I left my museum career aged 30 in 2005 to pursue my ambition to make a living out of textiles. Over the subsequent 14 years, I have worked in partnership with museums and heritage collections many times and still get a thrill of excitement when I discover new objects, collections, personal and community stories and buildings. I have created commissions using archive materials for Harefield Hospital Centenary Quilt, made textile collections inspired by my own family history and used antique textiles to tell the stories of how we do and don’t treasure historic clothing in my Garment Ghosts series. Museums and heritage suffuse my work, they are inseparable to who I am as a person and as an artist. Having work in museum collections, to be preserved forever and accessible to researchers and historians and textile enthusiasts is a real honour.
Memorial Sampler: Gawthorpe Textiles Collection
I am particularly delighted that Memorial Sampler has been purchased for the Gawthorpe Textiles Collection. I have spent time at Gawthorpe doing research in their collections several times and exhibiting there in 2018 was a highlight of my professional artist career. The Memorial Sampler is a deeply emotional piece of work, gathering the names of loved ones who have died. I started with a couple of my own and then asked on social media for contributions. I added these to the piece during the exhibition when I worked in the gallery on Meet The Artist days. I also asked for contributions from visitors to the exhibition over the 3 months it was on show, and after the exhibition I slowly stitched in all of those names too, adding up to over 100 personal memories. It has been an honour to be trusted with these precious memories and to be able to bring together all those lost loved ones. It seems fitting that this piece will be preserved in the collections which inspired it.
Criminal Quilts, Repeat Offender; The Brampton Museum
Criminal Quilts is a textile and heritage project created by me in partnership with Staffordshire Record Office. The project is centred around the stories of women photographed in Stafford Prison 1877-1916. Our research project gathered together over 500 mugshot photographs of women and I created a series of textiles inspired by the stories. This project grew out of an earlier commission for Shire Hall Gallery which has also been purchased by Staffordshire County Council museum collection.
Repeat Offender is a screen-printed textile piece, printed on vintage cloth, created with the support of University of Wolverhampton Textiles and Fashion team. Purchased by Newcastle-under-Lyme Borough Council for the collections of The Brampton Museum, Staffordshire. This piece is part of Criminal Quilts and was purchased for this collection because the woman featured, Agnes Herrity was from Newcastle-under-Lyme. Agnes quickly became one of the stars of the Criminal Quilts project, as she features several times in the prison mugshots.
This quilt is made from screen printed cloth using an image created from this 1897 photograph of Agnes Herrity. She was photographed (on release from prison) five times between 1897 and 1910. She lived in Newcastle-Under-Lyme. Agnes clearly had a hard life, living in slum housing and making a meagre living. She was convicted regularly of drunkenness, theft and assault. I have used screen printing because it uses photographic process which reflects the historic photographs. The use of repeating images refers to Agnes’ repeated prison sentences. Screen printed by hand on modern linen, antique printed cotton, vintage cotton and new cotton hand printed with marbling design taken from the endpapers of one of the prison albums. It is backed with an old shawl, reminiscent of those seen in many of the photographs.
My Textile Traces exhibition opened last weekend (25th May 2019)at Llantarnam Grange Arts Centre. It’s a real joy to see so much of my work up on the walls in this lovely gallery, and to have so many people come to the exhibition opening. On the day we held an ‘In Conversation’ event with me interviewed by Polly Leonard, founder of Selvedge magazine. You can listen to this 45 minute interview below in full. It can also be found on Soundcloud.
Some of the works referred to in the interview:
Biography in Cloth
I’ve got some new work for sale on Made by Hand including embroideries of my grandad’s gardening tools as well as a saw, a spoon and a couple of lovely plastering trowels. Prices start at just £41.
Other pieces from this collection can also be purchased from my solo exhibition Textile Traces in Cwmbran, South Wales (until 20th July), and in the group Thread: Contemporary Textiles in Penrith, Cumbria (until 30th June). I also make to commission using your own treasured tools or rusty heirlooms, or can source something specially for you. Find out more about the Precious Objects collection here.
My memorial pincushions are part of my new solo exhibition, Textile Traces, opening at Llantarnam Grange Arts Centre 25th May -7th July 2019. I am running a workshop alongside the exhibition to make your own precious pincushion using antique fabrics, hand stitch and decorated with pins. The workshop is £45 including lunch.
These pincushions are made in remembrance of my aunt, Ann Goodstein, who died in 1992. 46 pincushions represent the 46 years of her short life and celebrate the joy she brought to so many. They celebrate her vibrancy, her love of history. Some include antique textiles, pieces of her own cloth and details which I think she would have appreciated like medieval pins from the River Thames. Her son, Ben, also made one of the pincushions. Pincushions are personal and every day items and were once given as gifts or in remembrance. Many are inspired by pincushions in Gawthorpe Textile Collection. 2015-2018.
Criminal Quilts exhibition returns to Staffordshire from 25th May – 7th July at The Brampton Museum and Art Gallery, Newcastle-under-Lyme. The museum is free entry and is open Monday to Saturday – 10am to 5.30pm, Sunday – 2pm to 5.30pm, Bank Holidays 2pm – 5.30pm.
I will be giving a talk and tour at the museum on Wednesday 3rd July at 2pm.
This exhibition also includes the original criminal Quilts miniature pieces made for Staffordshire Arts and Museums service plus the new Prison Apron shown below.
Criminal Quilts – Ruth Singer. Photo by Ashley Brown
Criminal Quilts – Ruth Singer. Photo by Ashley Brown
I’m delighted to be one of the Keynote speakers at this years’ Staffordshire History Day on Saturday 11th May.
I’ll be talking about the research behind my Criminal Quilts project in detail and sharing some of the many intriguing and troubling stories we unearthed during the research.