Digital Print on Textile

My artist statement says that I prefer to use old cloth in my work, enjoying the history embedded within the textile, and I have tried throughout my 15 years of practice to use sustainable textile techniques. It isn’t the whole story as I do also use digital print on new fabrics for specific projects.  I wrote a book in 2007 about sustainable textiles and home sewing. It wasn’t that long ago, but things have moved on so fast that I didn’t even cover digital printing as an option for craft stitching, as it wasn’t commercially available on a small scale then. Since then I have used commercial digital print services for school projects, commissions and in Criminal Quilts. Commercial digital print is now available in small quantities on sustainable fabrics and for Criminal Quilts I used fine wool to make the shawl below and for the library commission I used organic cotton. It is a great way to use designs created by participants in workshops and projects, even if their work is on paper not textile. I also used digital print for the Harefield Hospital Centenary Quilt, working with groups to select and print their own images of the building as well as scans of archive documents and photos.

On a much smaller scale, I have also used home printed textiles for smaller pieces including in Criminal Quilts. These small pieces of fabric are printed on my ordinary inkjet printer which works just fine for small projects. I have used ready-prepared fabrics bought online for workshops but for my own work I prefer to use fabrics from my own stash including organic cotton, silk organza and vintage linen.  I used to teach workshops on printing textile on a home printer which was exciting but chaotic as one printer between 12 people is not ideal! I’ve now condensed the information into a PDF which is available in my online shop for £5. This also includes a section on creating scanner collages which you can print on textile or paper which is a really fun at home activity if you have a scanner / combined printer / copier. 

 

 

This is a shortened version of a longer blog post about my use of digital prints which is available to my Patreon Cotton love subscribers for $5 a month. Cotton supporters get 2 blog posts every month while Wool supporters at $10 a month get a digital monthly mini magazine and 5% discount on anything from my online shop. Silk supporters get all the treats as well as a mini print posted directly to you every month, and 10% off shop purchases.

Refocussing towards social justice

Last autumn, on one of my many long work-related drives, I was pondering what kind of themes I wanted to explore in my work in 2020 and beyond. Two major projects had been filling my brain for months; Criminal Quilts and my personal work exhibitions Emotional Repair and Textile Traces. All of these had powerful, emotive stories at their core, either exploring society and criminal justice (Criminal Quilts) or my own personal experiences in the other exhibitions. There is still more for me to say on all of these topics, but I was feeling very much that I wanted to take my work a step further on than illuminating difficult histories to encompass change and development. Some of my work has been closely engaged with other people, particularly around sharing and collectivism (such as with my Memorial Sampler, a collective memorial of lost loved ones) and exploring stories which touched many people deeply and personally. In my community practice work, the aims are always around improving lives, in one way or another. I love this aspect of my work although it is a lot more hidden and separate from my exhibition output. I have been working towards bringing these two disparate aspects of my practice together, but it is harder than I would have liked to do this.

On my long drive I decided that I had to make a fundamental change to the way I work, to concentrate on making my entire practice, not just my community work, fully engaged with making lives better for those that have their opportunities limited for so many different reasons. I was fired up and excited. And then there was a traffic jam and a roundabout and another hour of tiring driving and probably a distracting bank of wildflowers on the edge of the A50. And I forgot all about this plan. I was just too busy with what needs doing now to think about what I wanted to do in the future. I remembered having had a great idea on the A50, but somehow it had evaporated. I spent most of last winter in hibernation, having worked myself ill, and had 3 months off sick. By the spring I was back up and running but just running to keep up and there was no time for contemplation and imaginative thinking. Then in August this year I went to a talk by Giles Duley which was part of the brilliant Journeys Festival in Leicester. Suddenly, it all came back to me. I had to bring my values, my desire to improve social justice and my politics into my work.

 

My first action was to build more of this social justice work into my next phase of funding for Criminal Quilts in 2020-21. This will be a test project, a move towards where I want to be and hopefully will achieve some of the aims I have set myself. I will be working directly with women in the criminal justice system and with campaigners, activists and others engaged with trying to improve the lives of women caught up in the criminal justice system today. I want to illuminate their stories to create understanding and to make a small difference to their lives through my work as an artist.

This autumn I have also submitted several funding / residency applications around developing this new strand of work and for me to work out how to have the impact I want to have and to create a sustainable business model for my long term creative future. As well as illuminating stories, I want to find ways to have an impact on improving lives, still create powerful, meaningful artwork, and a financial income for me to live on. It’s a challenge but one which I am very excited about. Last week, the day before the General Election, I shared some of these thoughts on my social media, both making a statement about my left-leaning politics and saying out loud that I am going to change the way I work and speak out more. Despite the gloom the result has caused to many in my creative circle, I have been bowled over by the response from other artists and creatives who felt inspired by my words and expressed a desire to shift their work or their life towards activism, social change or just improving things for others, or to be honest about how their political beliefs and values are part of who they are as an artist.

Being political or activist when you run a business which has not previously engaged with these topics feels risky. Should one be neutral? Will one lose customers or supporters? Will people be angry, complain or insult me for my opinions or values? No one wants to enrage social media trolls. But I want people to engage with my work, regardless of how they vote or any other aspect of their lives. I may lose the attention of some followers or fans, but I hope that everyone will stay with me to learn, to understand and to explore alongside me as I navigate this new path. It is not my intention to alienate anyone who does not have the same values or politics as me, I don’t want them to go away but instead I would love it we could all learn something new, see a different side to a story or issue and have our minds opened to new things through the wonderful medium of creative self-expression. Because that’s what art is to me, a way of seeing into different worlds and opening minds.

I don’t yet know what the new work and new business models will look like. I have a lot to learn still and a lot to work out. This will be an ongoing, long term journey. I will be sharing my thoughts on this from time to time on this blog so please join my mailing list for monthly reminders of what I am doing and what I am thinking about.

 

Ruth

My Shop

Since my Textile Traces exhibition has closed, I have been doing a little studio housekeeping and sorting out a lot of work which needs to find a new home! My online shop has had a facelift and is starting to fill up with prints, textiles, collaborations, textile jewellery and other treasures appearing from the archives of my life, as well as books, cards and postcards.

 

Some of the listings are new work created in the last year or two including my stitch meditations which are framed without glass so are perfect for posting. Other pieces were made some years ago and are on sale at greatly reduced prices starting at just £45. 

Quilt Blocks are just £10 each though you may want a few to make a striking display.

My Narrative Threads booklet is reduced to £6 including UK postage and there is also the option for overseas posting. Other pieces may not have overseas posting options but please do get in touch as I am more than happy to give you a price for shipping anywhere in the world.

There is a lot more to come over the next few months and major updates will be added in September. To find out when new stock is available, please join my mailing list where the first notifications will be announced. I will also be doing some flash sales on Instagram and Facebook so please make sure you are following me to find out when they happen.

 

 

Museum Purchase

Two of my recent artworks have been purchased by museums this year. I started my professional career working in museums, after doing a Masters Degree in Museum Studies. Museums are still my favourite places to spend time, particularly in textile and social history collections. I left my museum career aged 30 in 2005 to pursue my ambition to make a living out of textiles. Over the subsequent 14 years, I have worked in partnership with museums and heritage collections many times and still get a thrill of excitement when I discover new objects, collections, personal and community stories and buildings. I have created commissions using archive materials for Harefield Hospital Centenary Quilt, made textile collections inspired by my own family history and used antique textiles to tell the stories of how we do and don’t treasure historic clothing in my Garment Ghosts series. Museums and heritage suffuse my work, they are inseparable to who I am as a person and as an artist. Having work in museum collections, to be preserved forever and accessible to researchers and historians and textile enthusiasts is a real honour.

Memorial Sampler: Gawthorpe Textiles Collection

I am particularly delighted that Memorial Sampler has been purchased for the Gawthorpe Textiles Collection. I have spent time at Gawthorpe doing research in their collections several times and exhibiting there in 2018 was a highlight of my professional artist career. The Memorial Sampler is a deeply emotional piece of work, gathering the names of loved ones who have died. I started with a couple of my own and then asked on social media for contributions. I added these to the piece during the exhibition when I worked in the gallery on Meet The Artist days. I also asked for contributions from visitors to the exhibition over the 3 months it was on show, and after the exhibition I slowly stitched in all of those names too, adding up to over 100 personal memories. It has been an honour to be trusted with these precious memories and to be able to bring together all those lost loved ones. It seems fitting that this piece will be preserved in the collections which inspired it.

 

Criminal Quilts, Repeat Offender; The Brampton Museum

Criminal Quilts is a textile and heritage project created by me in partnership with Staffordshire Record Office. The project is centred around the stories of women photographed in Stafford Prison 1877-1916. Our research project gathered together over 500 mugshot photographs of women and I created a series of textiles inspired by the stories. This project grew out of an earlier commission for Shire Hall Gallery which has also been purchased by Staffordshire County Council museum collection.

 

Repeat Offender is a screen-printed textile piece, printed on vintage cloth, created with the support of University of Wolverhampton Textiles and Fashion team. Purchased by Newcastle-under-Lyme Borough Council for the collections of The Brampton Museum, Staffordshire. This piece is part of Criminal Quilts and was purchased for this collection because the woman featured, Agnes Herrity was from Newcastle-under-Lyme. Agnes quickly became one of the stars of the Criminal Quilts project, as she features several times in the prison mugshots.

This quilt is made from screen printed cloth using an image created from this 1897 photograph of Agnes Herrity. She was photographed (on release from prison) five times between 1897 and 1910. She lived in Newcastle-Under-Lyme. Agnes clearly had a hard life, living in slum housing and making a meagre living. She was convicted regularly of drunkenness, theft and assault. I have used screen printing because it uses photographic process which reflects the historic photographs. The use of repeating images refers to Agnes’ repeated prison sentences. Screen printed by hand on modern linen, antique printed cotton, vintage cotton and new cotton hand printed with marbling design taken from the endpapers of one of the prison albums. It is backed with an old shawl, reminiscent of those seen in many of the photographs. 

 

 

Textile Traces Exhibition Launch Interview

My Textile Traces exhibition opened last weekend (25th May 2019)at Llantarnam Grange Arts Centre. It’s a real joy to see so much of my work up on the walls in this lovely gallery, and to have so many people come to the exhibition opening. On the day we held an ‘In Conversation’ event with me interviewed by Polly Leonard, founder of Selvedge magazine. You can listen to this 45 minute interview below in full. It can also be found on Soundcloud.

 

Some of the works referred to in the interview:

Precious Objects

I’ve got some new work for sale on Made by Hand including embroideries of my grandad’s gardening tools as well as a saw, a spoon and a couple of lovely plastering trowels. Prices start at just £41.

Other pieces from this collection can also be purchased from my solo exhibition Textile Traces in Cwmbran, South Wales (until 20th July), and in the group Thread: Contemporary Textiles in Penrith, Cumbria (until 30th June). I also make to commission using your own treasured tools or rusty heirlooms, or can source something specially for you. Find out more about the Precious Objects collection here.

Memorial Pincushions

My memorial pincushions are part of my new solo exhibition, Textile Traces, opening at Llantarnam Grange Arts Centre 25th May -7th July 2019. I am running a workshop alongside the exhibition to make your own precious pincushion using antique fabrics, hand stitch and decorated with pins. The workshop is £45 including lunch.

image of 46 decorative pincushions arranged for exhibition

These pincushions are made in remembrance of my aunt, Ann Goodstein, who died in 1992. 46 pincushions represent the 46 years of her short life and celebrate the joy she brought to so many. They celebrate her vibrancy, her love of history. Some include antique textiles, pieces of her own cloth and details which I think she would have appreciated like medieval pins from the River Thames. Her son, Ben, also made one of the pincushions. Pincushions are personal and every day items and were once given as gifts or in remembrance. Many are inspired by pincushions in Gawthorpe Textile Collection. 2015-2018.

Criminal Quilts new exhibition

Criminal Quilts exhibition returns to Staffordshire from 25th May – 7th July at The Brampton Museum and Art Gallery, Newcastle-under-Lyme. The museum is free entry and is open Monday to Saturday – 10am to 5.30pm, Sunday – 2pm to 5.30pm, Bank Holidays 2pm – 5.30pm.

I will be giving a talk and tour at the museum on Wednesday 3rd July at 2pm.

 

This exhibition also includes the original criminal Quilts miniature pieces made for Staffordshire Arts and Museums service plus the new Prison Apron shown below.

 

Criminal Quilts talk at Staffordshire History Day

I’m delighted to be one of the Keynote speakers at this years’ Staffordshire History Day on Saturday 11th May.

I’ll be talking about the research behind my Criminal Quilts project in detail and sharing some of the many intriguing and troubling stories we unearthed during the research.