I’m delighted to be one of the Keynote speakers at this years’ Staffordshire History Day on Saturday 11th May.
I’ll be talking about the research behind my Criminal Quilts project in detail and sharing some of the many intriguing and troubling stories we unearthed during the research.
Criminal Quilts exhibition is now open at the University of Wolverhampton. I will be giving a free talk and tour of the exhibition on Weds 21st November at 5pm.
The exhibition continues until 18th January 2019. Please check opening hours and Christmas / weekend closure dates here.
I am also working on a symposium for artists, archives and academics to explore the crossing points between heritage collections and contemporary craft practice. This will take place on Friday 18th January at University of Wolverhampton and will be free to attend. We are also looking for presentations and activities to form part of the day, please get in touch if you would like to talk about this. There is more information below – bookings will open soon.
Curious Things Symposium
For artists, museums, archives, academics, creative practitioners, makers, curators and others with an interest in how curiosity and things can create amazing projects and research.
Curious Things Symposium aims to celebrate and explore the potential of cross-sector collaborations between artists, archives and academics. This event has grown from Ruth Singer’s Criminal Quilts project in which she has brought together archive research, volunteering, contemporary textile practice and academic partnerships to explore the stories of women photographed in Stafford Prison 1877-1916. A tour of the Criminal Quilts exhibition will be part of the programme for the day.
The day includes presentations from artists, academics, students, museums and archives about projects bringing two or more disciplines together, discussion panels and group sessions to stimulate potential new collaborations and hands-on activities to create conversions and creativity.
Artists are welcome to bring along display materials and work related to their projects and archives / museums to bring handling collections or other resources. Project films will also be shown and ample opportunity for networking and sharing of ideas over tea.
Roll out the red carpet for the premiere of my new Criminal Quilts film!
This will also be shown at Festival of Quilts and most other exhibitions, technology-permitting.
Made by the lovely R & A Collaborations, filmed at Staffordshire Record Office and University of Wolverhampton, with thanks to Jan, Jan, Jan and Ann. Yes, I got all three Jans on one film!
Festival of Quilts is just around the corner! I am scrambling to get my book finished and printed ready for the show, alongside a massive exhibition gallery for Criminal Quilts including older and brand new work, including the collaboration quilt. I also have a piece in the Fine Art Quilt Masters competition exhibition again, which is all very exciting. Most of my teaching slots have sold out but there are still a few spaces left on Sunday’s Intro to Corded Quilting workshop. I also have a discount code for day ticket bookings for £13.50 (normally £16) which includes a little something for me so please do use this code if you are booking online. Enter the code WT75 when you book.
Ruth Singer Tracery
Criminal Quilts book is available for pre-order for another week – the advance copy discount ends 8pm Friday 20th July. The book is just £10 for pre-orders and includes a free bookmark and the chance to be included in the supporters page. Buy now!
I’m pleased to have had another piece accepted into the Fine Art Quilt Masters at Festival of Quilts again this year.
Ruth Singer Tracery
Tracery will be shown in a large gallery with a lot of other really exciting textile pieces, 9-12th August. I will also be exhibiting my Criminal Quilts project in a gallery of its own too.
Ruth Singer Tracery
Tracery. Machine sewn patchwork. 2017
This piece was originally made for my 2017 solo exhibition Fragments, with the Quilt Association. Tracery is a direct response to the quilts in the Quilt Association collection. When I went to view the quilts I was entranced by the damaged ones and chose to make work which reflected this. Tracery has been made and unmade to create a quilt purely of seams holding the remaining threads together, just like the quilting stitches holding together quilts which would otherwise fall to pieces. To quilt lovers, my preference for the discoloured reverse, the wrecked by laundering, the paint-spattered and the pieced army blankets may be puzzling but I love the stories held in damaged or ordinary cloth. The humbler the better for me. I am interested in what it says about those who made it, bought it, sold it, used it, abused it, preserved it and mended it. My training in museum work taught me to look at objects from every angle, exploring every possible story to understand the thing as a whole, not purely as a visual object. As an artist I choose to look from one very specific angle and to explore that rich seam of narrative in as much detail as I can.
In case you missed it, I won the Fine Art Quilt Masters competition in 2016 which helped me fund and develop the Criminal Quilts project which I will be showing at this year’s festival.
The first five pieces of the collaborative Criminal Quilt have arrived! Thank you contributors. There are another 95 to come – hopefully. If you have one to make, please make sure it is back with me (or to Staffordshire Record Office) by 9th July. Full return details in this document collaborative quilt return form