Making Meaning Podcast Episode Eleven – Reflections with Ruth Singer

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

I’m an artist & maker exploring personal and collective narratives through textiles. I create for exhibitions, commissions and projects. I also write books, support other creatives through mentoring and consultancy / research work and I love generating my own projects, artist residencies and making things happen. 

All of my work, across all of these different aspects is centred around making with meaning. I am fascinated by the hidden stories in all our lives and in historic objects and places. My work grows from research and contemplation and from collaborating with others.

This end of series episode of Making Meaning is just me. I wanted to reflect on the series, to share my thoughts and feelings about the amazing conversations I’ve had. I also wanted to add a bit more context about my own work and share more about myself and some of the projects I have worked on in the past, present and future. The themes that come up again and again in this series are about connection and collaboration, about the creative impulse and the value of our ideas, about research, about materials and making and about change, movement and belonging. I also introduce some ideas for the new series of Making Meaning, including a live event and longer, even more in-depth conversations.

And of course, there’s more of me asking for you to support the podcast with a contribution towards my crowdfunder to cover the costs of the new series and make it even better.


Play here


Recent work


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Making Meaning Podcast Episode Ten – Emma King

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

I first started working as a museum consultant in 2004. Over the next decade I built up a reputation for delivering high quality work, delivering projects for clients across the UK. I then took a break from consultancy to work as the founding Director of the Holocaust Exhibition & Learning Centre in Huddersfield from 2017-2020. I led a small team to create a completely new heritage business, including writing and curating the north of England’s only exhibition about the Holocaust. I learnt a lot – about leadership, project management, storytelling, entrepreneurship, and above all, about myself. Now I’m bringing that learning back to my consultancy work.

This week’s podcast is with museum consultant Emma King, also one of my most-longstanding friends. We met at Leicester University back in the last millennium both studying for a Museum Studies Masters Degree and she has gone on to have a great career in museums both as a freelancer and employed, always seeking innovative projects where she can delve into research and storytelling with collections and people. Because I also worked in the museum sector for a few years and still work closely with them as often as possible, we have a lot in common in our working practices and our interests. We could (and do) talk for hours but I have edited out (most of) our rambling and focussed on exploring making meaning in a museum context, communication and interpretation, the value of ideas and of co-creation with communities and artists.

There’s more about Emma and her work in the links below.


Play here


Emma King

Emma’s projects


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Museum Purchase

Two of my recent artworks have been purchased by museums this year. I started my professional career working in museums, after doing a Masters Degree in Museum Studies. Museums are still my favourite places to spend time, particularly in textile and social history collections. I left my museum career aged 30 in 2005 to pursue my ambition to make a living out of textiles. Over the subsequent 14 years, I have worked in partnership with museums and heritage collections many times and still get a thrill of excitement when I discover new objects, collections, personal and community stories and buildings. I have created commissions using archive materials for Harefield Hospital Centenary Quilt, made textile collections inspired by my own family history and used antique textiles to tell the stories of how we do and don’t treasure historic clothing in my Garment Ghosts series. Museums and heritage suffuse my work, they are inseparable to who I am as a person and as an artist. Having work in museum collections, to be preserved forever and accessible to researchers and historians and textile enthusiasts is a real honour.

Memorial Sampler: Gawthorpe Textiles Collection

I am particularly delighted that Memorial Sampler has been purchased for the Gawthorpe Textiles Collection. I have spent time at Gawthorpe doing research in their collections several times and exhibiting there in 2018 was a highlight of my professional artist career. The Memorial Sampler is a deeply emotional piece of work, gathering the names of loved ones who have died. I started with a couple of my own and then asked on social media for contributions. I added these to the piece during the exhibition when I worked in the gallery on Meet The Artist days. I also asked for contributions from visitors to the exhibition over the 3 months it was on show, and after the exhibition I slowly stitched in all of those names too, adding up to over 100 personal memories. It has been an honour to be trusted with these precious memories and to be able to bring together all those lost loved ones. It seems fitting that this piece will be preserved in the collections which inspired it.

 

Criminal Quilts, Repeat Offender; The Brampton Museum

Criminal Quilts is a textile and heritage project created by me in partnership with Staffordshire Record Office. The project is centred around the stories of women photographed in Stafford Prison 1877-1916. Our research project gathered together over 500 mugshot photographs of women and I created a series of textiles inspired by the stories. This project grew out of an earlier commission for Shire Hall Gallery which has also been purchased by Staffordshire County Council museum collection.

 

Repeat Offender is a screen-printed textile piece, printed on vintage cloth, created with the support of University of Wolverhampton Textiles and Fashion team. Purchased by Newcastle-under-Lyme Borough Council for the collections of The Brampton Museum, Staffordshire. This piece is part of Criminal Quilts and was purchased for this collection because the woman featured, Agnes Herrity was from Newcastle-under-Lyme. Agnes quickly became one of the stars of the Criminal Quilts project, as she features several times in the prison mugshots.

This quilt is made from screen printed cloth using an image created from this 1897 photograph of Agnes Herrity. She was photographed (on release from prison) five times between 1897 and 1910. She lived in Newcastle-Under-Lyme. Agnes clearly had a hard life, living in slum housing and making a meagre living. She was convicted regularly of drunkenness, theft and assault. I have used screen printing because it uses photographic process which reflects the historic photographs. The use of repeating images refers to Agnes’ repeated prison sentences. Screen printed by hand on modern linen, antique printed cotton, vintage cotton and new cotton hand printed with marbling design taken from the endpapers of one of the prison albums. It is backed with an old shawl, reminiscent of those seen in many of the photographs. 

 

 

Memorial Pincushions

My memorial pincushions are part of my new solo exhibition, Textile Traces, opening at Llantarnam Grange Arts Centre 25th May -7th July 2019. I am running a workshop alongside the exhibition to make your own precious pincushion using antique fabrics, hand stitch and decorated with pins. The workshop is £45 including lunch.

image of 46 decorative pincushions arranged for exhibition

These pincushions are made in remembrance of my aunt, Ann Goodstein, who died in 1992. 46 pincushions represent the 46 years of her short life and celebrate the joy she brought to so many. They celebrate her vibrancy, her love of history. Some include antique textiles, pieces of her own cloth and details which I think she would have appreciated like medieval pins from the River Thames. Her son, Ben, also made one of the pincushions. Pincushions are personal and every day items and were once given as gifts or in remembrance. Many are inspired by pincushions in Gawthorpe Textile Collection. 2015-2018.

Criminal Quilts new exhibition

Criminal Quilts exhibition returns to Staffordshire from 25th May – 7th July at The Brampton Museum and Art Gallery, Newcastle-under-Lyme. The museum is free entry and is open Monday to Saturday – 10am to 5.30pm, Sunday – 2pm to 5.30pm, Bank Holidays 2pm – 5.30pm.

I will be giving a talk and tour at the museum on Wednesday 3rd July at 2pm.

 

This exhibition also includes the original criminal Quilts miniature pieces made for Staffordshire Arts and Museums service plus the new Prison Apron shown below.

 

Criminal Quilts talk at Staffordshire History Day

I’m delighted to be one of the Keynote speakers at this years’ Staffordshire History Day on Saturday 11th May.

I’ll be talking about the research behind my Criminal Quilts project in detail and sharing some of the many intriguing and troubling stories we unearthed during the research.

Thread: Contemporary Textiles Exhibition At Rheged Art Centre

Thread: Contemporary Textiles Exhibition At Rheged Art Centre

This exciting group exhibition of innovative and unusual textile work includes a group of my Precious Object tools.

The exhibition opens on Friday 3rd May and continues until Sunday 30th June. 10am – 5pm and free admission. There is a preview event on Thursday 2nd May, please contact me if you would like an invite to this.

Leicester Society of Artists Annual Exhibition

I am pleased to be showing a group of new work in the annual exhibition of Leicester Society of Artists at New Walk Museum, Leicester. This group was previously shown in my solo exhibition Emotional Repair.

The exhibition opens 9th November – 8th December.

Traces 1 – Blind Embossing on paper

Traces 2 – Monoprint on paper

Traces 3 – Textile

I believe this tray cloth was made by my paternal grandmother who died before I was born.  I have recorded and preserved the stitching using printing techniques before unpicking the colourful embroidery and leaving just the traces of needle marks and thread shadow behind. By reworking my grandmother’s work I hope to give it a new life, a new meaning. The processes I use to make these pieces honour the invisible traces of textile inheritance my grandmother left me. 

These works are for sale from the museum during the exhibition.

Traces 1 – Blind Embossing on paper £300 framed.

Traces 2 – Monoprint on paper £350 framed.

Traces 3 – Textile £500 framed.