Join Ruth Singer to hear more about the textiles in lockdown project with Gawthorpe Textiles Collection, Monday 18th January.
Textiles in Lockdown was a commission from Gawthorpe Textiles Collection to gather stories about textile making during the first UK lockdown in March-June 2020. I worked with them over the late summer to collect stories from over 300 professional and hobby makers about their textile practice during this time and how impactful it had been for their wellbeing, mental health and creative businesses. From these stories I created an ebook and a podcast, both of which are now freely available to enjoy.
Gawthorpe Textiles Collection have invited me back this month to present a live Zoom talk about the project, about my work and creating the ebook and podcast. On Monday 18th January at 7pm I will be sharing my thoughts and answering your questions about the project and about how important textile making is for our wellbeing in this new 2021 lockdown. Tickets are just £5. Please book here, directly with Gawthorpe.
I want my work to be accessible to as many people as possible, so I have started producing mini prints from professional photos of my pieces. These are professionally-printed on high quality archival paper and each print is around 6x8inches (or a little smaller depending on borders) so somewhere between postcard and A5. These three are now in my shop, although two are almost sold out. They are priced at £15/16.
Each month my Patreon Silk members get a print posted directly to them. It does work out slightly cheaper to get this through Patreon and you will also get my monthly digital letter / mini magazine. Original one-off mono-prints are also in my shop too.
My artist statement says that I prefer to use old cloth in my work, enjoying the history embedded within the textile, and I have tried throughout my 15 years of practice to use sustainable textile techniques. It isn’t the whole story as I do also use digital print on new fabrics for specific projects. I wrote a book in 2007 about sustainable textiles and home sewing. It wasn’t that long ago, but things have moved on so fast that I didn’t even cover digital printing as an option for craft stitching, as it wasn’t commercially available on a small scale then. Since then I have used commercial digital print services for school projects, commissions and in Criminal Quilts. Commercial digital print is now available in small quantities on sustainable fabrics and for Criminal Quilts I used fine wool to make the shawl below and for the library commission I used organic cotton. It is a great way to use designs created by participants in workshops and projects, even if their work is on paper not textile. I also used digital print for the Harefield Hospital Centenary Quilt, working with groups to select and print their own images of the building as well as scans of archive documents and photos.
On a much smaller scale, I have also used home printed textiles for smaller pieces including in Criminal Quilts. These small pieces of fabric are printed on my ordinary inkjet printer which works just fine for small projects. I have used ready-prepared fabrics bought online for workshops but for my own work I prefer to use fabrics from my own stash including organic cotton, silk organza and vintage linen. I used to teach workshops on printing textile on a home printer which was exciting but chaotic as one printer between 12 people is not ideal! I’ve now condensed the information into a PDF which is available in my online shop for £5. This also includes a section on creating scanner collages which you can print on textile or paper which is a really fun at home activity if you have a scanner / combined printer / copier.
This is a shortened version of a longer blog post about my use of digital prints which is available to my Patreon Cotton level subscribers for $5 a month. Cotton supporters get 2 blog posts every month while Wool supporters at $10 a month get a digital monthly mini magazine and 5% discount on anything from my online shop. Silk supporters get all the treats as well as a mini print posted directly to you every month, and 10% off shop purchases.
While my Criminal Quilts exhibition is behind bars (in boxes), I have created a free online version of the exhibition. I’ve included lots of high resolution images including details of embroidery, quilting and showing textures and stitches as much as possible. All the exhibition panels, labels and other resources are also on my website for you to explore. There’s also a digital version of the exhibition display book which includes some case studies and historical information. The only thing missing is the surreptitious touching of textiles which you aren’t supposed to do! It also includes work which is now sold and no longer in exhibitions and pieces which haven’t been in all the versions of the touring exhibition. Very soon there will be some brand new work added which is currently in my studio awaiting photographs.
Don’t forget to visit the gift shop after your visit… There are copies of the Criminal Quilts book, greetings cards with my original digital designs and a handful of postcard packs available too.
I have three pieces in the Leicester Society of Artists Annual Exhibition at New Walk Museum, Leicester, until 7th December 2019.
I’ve also been awarded a prize for one of these pieces, Pierced. The Artist Magazine sponsored this prize which was selected by independent judges:
Quilt Blocks are just £10 each though you may want a few to make a striking display.
My Narrative Threads booklet is reduced to £6 including UK postage and there is also the option for overseas posting. Other pieces may not have overseas posting options but please do get in touch as I am more than happy to give you a price for shipping anywhere in the world.
There is a lot more to come over the next few months and major updates will be added in September. To find out when new stock is available, please join my mailing list where the first notifications will be announced. I will also be doing some flash sales on Instagram and Facebook so please make sure you are following me to find out when they happen.
Two of my recent artworks have been purchased by museums this year. I started my professional career working in museums, after doing a Masters Degree in Museum Studies. Museums are still my favourite places to spend time, particularly in textile and social history collections. I left my museum career aged 30 in 2005 to pursue my ambition to make a living out of textiles. Over the subsequent 14 years, I have worked in partnership with museums and heritage collections many times and still get a thrill of excitement when I discover new objects, collections, personal and community stories and buildings. I have created commissions using archive materials for Harefield Hospital Centenary Quilt, made textile collections inspired by my own family history and used antique textiles to tell the stories of how we do and don’t treasure historic clothing in my Garment Ghosts series. Museums and heritage suffuse my work, they are inseparable to who I am as a person and as an artist. Having work in museum collections, to be preserved forever and accessible to researchers and historians and textile enthusiasts is a real honour.
Memorial Sampler: Gawthorpe Textiles Collection
I am particularly delighted that Memorial Sampler has been purchased for the Gawthorpe Textiles Collection. I have spent time at Gawthorpe doing research in their collections several times and exhibiting there in 2018 was a highlight of my professional artist career. The Memorial Sampler is a deeply emotional piece of work, gathering the names of loved ones who have died. I started with a couple of my own and then asked on social media for contributions. I added these to the piece during the exhibition when I worked in the gallery on Meet The Artist days. I also asked for contributions from visitors to the exhibition over the 3 months it was on show, and after the exhibition I slowly stitched in all of those names too, adding up to over 100 personal memories. It has been an honour to be trusted with these precious memories and to be able to bring together all those lost loved ones. It seems fitting that this piece will be preserved in the collections which inspired it.
Criminal Quilts, Repeat Offender; The Brampton Museum
Criminal Quilts is a textile and heritage project created by me in partnership with Staffordshire Record Office. The project is centred around the stories of women photographed in Stafford Prison 1877-1916. Our research project gathered together over 500 mugshot photographs of women and I created a series of textiles inspired by the stories. This project grew out of an earlier commission for Shire Hall Gallery which has also been purchased by Staffordshire County Council museum collection.
Repeat Offender is a screen-printed textile piece, printed on vintage cloth, created with the support of University of Wolverhampton Textiles and Fashion team. Purchased by Newcastle-under-Lyme Borough Council for the collections of The Brampton Museum, Staffordshire. This piece is part of Criminal Quilts and was purchased for this collection because the woman featured, Agnes Herrity was from Newcastle-under-Lyme. Agnes quickly became one of the stars of the Criminal Quilts project, as she features several times in the prison mugshots.
This quilt is made from screen printed cloth using an image created from this 1897 photograph of Agnes Herrity. She was photographed (on release from prison) five times between 1897 and 1910. She lived in Newcastle-Under-Lyme. Agnes clearly had a hard life, living in slum housing and making a meagre living. She was convicted regularly of drunkenness, theft and assault.I have used screen printing because it uses photographic process which reflects the historic photographs. The use of repeating images refers to Agnes’ repeated prison sentences.Screen printed by hand on modern linen, antique printed cotton, vintage cotton and new cotton hand printed with marbling design taken from the endpapers of one of the prison albums. It is backed with an old shawl, reminiscent of those seen in many of the photographs.
In recent months I have completed a couple of commissions.
The large panel is worked onto blue linen with scraps of antique fabrics including 18th century tapestry, 19th century embroidery and 17th century brocade. I’ve added lots of hand embroidery details and several found objects embellished with hand stitch and silk threads. The objects include medieval metal detector finds including belt ends and buckles. I love these little details and the historical stories in the textiles, all of which are meaningful to the customers.
Another commission made last year.
This piece is more focussed around textiles and sewing, with thread winders, tape measure, thimble and some of the customers’ own handmade buttons and reflects their love of colour! This one is mounted on cream wool felt.
Commissions like these cost £350-£500 depending on size, complexity and materials (plus framing, I use bespoke, solid wood frames without glass). Smaller pieces are also an option with just one or two elements.
I’m really chuffed to have articles about my Textile Traces exhibition in both Selvedge and Embroidery magazines July issues.
Selvedge (below left) is a short review article while Embroidery magazine is a 6-page feature (detail below right).
I’ve got a couple of copies of Embroidery to give away to a newsletter subscriber so join my mailing list here ( or on the top right of my website) and follow the instructions in the next newsletter to be in with a chance of winning one – UK only.
The exhibition continues at Llantarnam Grange Art Centre until 20th July. I am looking for galleries to tour the exhibition to in 2020 so please do get in touch if you know somewhere suitable for a large textile show.
I’ve got some new work for sale on Made by Hand including embroideries of my grandad’s gardening tools as well as a saw, a spoon and a couple of lovely plastering trowels. Prices start at just £41.
Other pieces from this collection can also be purchased from my solo exhibition Textile Traces in Cwmbran, South Wales (until 20th July), and in the group Thread: Contemporary Textiles in Penrith, Cumbria (until 30th June). I also make to commission using your own treasured tools or rusty heirlooms, or can source something specially for you. Find out more about the Precious Objects collection here.