Leicester Society of Artists Annual Exhibition

I am pleased to be showing a group of new work in the annual exhibition of Leicester Society of Artists at New Walk Museum, Leicester. This group was previously shown in my solo exhibition Emotional Repair.

The exhibition opens 9th November – 8th December.

Traces 1 – Blind Embossing on paper

Traces 2 – Monoprint on paper

Traces 3 – Textile

I believe this tray cloth was made by my paternal grandmother who died before I was born.  I have recorded and preserved the stitching using printing techniques before unpicking the colourful embroidery and leaving just the traces of needle marks and thread shadow behind. By reworking my grandmother’s work I hope to give it a new life, a new meaning. The processes I use to make these pieces honour the invisible traces of textile inheritance my grandmother left me. 

These works are for sale from the museum during the exhibition.

Traces 1 – Blind Embossing on paper £300 framed.

Traces 2 – Monoprint on paper £350 framed.

Traces 3 – Textile £500 framed.

New Autumn Workshops

I have drastically cut down the amount of public workshops I run since last year and now only run workshops with galleries and museums alongside my exhibitions. This has given me more time to spend on my own work and the chance to write a new book and so much more. My car is feeling neglected as I’ve stopped driving thousands of miles a year too – all good stuff!

The downside is that I feel bad that my loyal fans don’t get much chance to come to workshops with me any more, and I do miss the interaction with lovely people and seeing beautiful things being made. I will be doing a few workshops alongside my touring Criminal Quilts exhibition over the next year or so, including two in September and October at The Brewhouse Arts Centre, Burton-upon-Trent during the exhibition run. These are funded workshops so are very much cheaper than most workshops, so I expect they will book up fast! I am also giving a talk towards the end of the exhibition run.

See below for details. You will need to call the Brewhouse to book: 01283 508100

The workshops are

Embroidered Images, Saturday 29th September 11am-3pm. £15 including materials

Try out embroidering onto digital prints and screen prints of archive photos from Stafford Prison. Using fabrics printed with images from the project, you will learn some new embroidery stitches to embellish and transform a black and white photograph into something completely new. Some hand embroidery experience necessary.

 

Experimental Patchwork, Saturday 13th October, 11am-3pm. £10 including materials

Working with Criminal Quilts artist Ruth Singer, you will have the chance to try some exciting new ways of using paper-piecing in patchwork including working with embroidered paper, collage, digitally-printed cloth and vintage textiles. Hand sewing skills required.

Criminal Herstories Talk

Join artist and researcher Ruth Singer to find out more about the stories of women convicted of crimes and imprisoned in Stafford Gaol 1877-1916. Over the last 12 months, Ruth Singer and a team of volunteers, have been researching the stories of over 500 women photographed on release from the prison, and the social history surrounding their lives. In this talk Ruth will also pick out a couple of local stories of women from the Burton area.

Tuesday, October 23, 2018
12noon-2pm
£3

 

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Criminal Quilts Work in Progress Showcase

Over the last 6 months I have been working with Wolverhampton University Fashion and Textiles Department as creative partners in Criminal Quilts.

I will be showing a small display of new work in progress during the University Degree Show 9th-20th June. Monday to Saturday 10-4.  Find the display on the first floor within Fashion and Textiles

Wolverhampton School of Art
The George Wallis Building (
MK Building)
Molineux Street
City Campus Molineux (North)
WV1 1DT

Full details and opening times here.

 

Criminal Herstories

Criminal Herstories is a local history display for Staffordshire libraries related to Criminal Quilts. The display contains a large book based on a prison photo album, of images and information about the prison photo albums and our research about the women appearing in them. It also includes a patchwork made by project volunteers and a new piece of work by me.

There will be a small launch event at Stafford Library on Thursday 31st May 2018 5-7pm. All welcome. The display is then at Stafford Library until 28th June and is free to access during normal open hours.

I will be giving a FREE talk at Stafford Library Tuesday 5th June 1- 2pm and another at Stone Library (where the display moves to in July) Tuesday 17th July, 2-4pm.

Talks and other event details here.

Display tour dates

Stafford Library 1st-28th June 2018

Stone Library 29th June – 3rd August 2018

Burton-on-Trent Library 14th August – 25th October

Wombourne Library 6th Nov 2018 – 10th Jan 2019

 

 

 

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Biography in Cloth exhibition

One of my Garment Ghost pieces will be shown in an exciting exhibition during FAB – Fringe Arts Bath 26th May – 10th June.

Biography In Cloth is curated by Carole Waller and Joanna Wright. Exhibition open 10am to 6pm daily – 26 May to 10 June. FaB @ Milsom Place, Unit 26 upper level Milsom Place, Milsom St & Broad St,  Bath, BA1 1BZ

 

Garment Ghosts are created from badly damaged and irreparable antique clothing, to which I give new life  by remaking. My first career was in museums and I am intrigued by our reverence for objects and the power of objects both to fascinate us and to embody stories. I am also interested in exploring how we feel about textiles and how we create stories around them.

Tying in with my interest in history and museum practice, I am also interested in exploring and challenging established ideas about preserving and displaying art textiles. I find stained, torn, worn and weary old fabrics full of stories. I am continually drawn back to old cloth and how it is loved and preserved or discarded and how my own artistic practice acts as a counterpoint to museum practice. My work with old cloth is a thoughtful and considered interpretation of conservation and preservation.

With Garment Ghosts, I unpick clothing and textiles beyond repair and the fragmentary cloth is brought back to life through trapping the disintegrating garment between transparent layers, keeping the outline of the piece but also opening up seam allowances and pleats to take the fabric back to its original form. Garment Ghosts aim to make you think about how we preserve and present textiles and who inhabited the garment in its previous life. This piece is made from parts of a late Victorian beaded bodice – the silk lining and the deep lace cuffs and flounce. The remaining, still intact parts of the garment remain in my studio, awaiting another life.