New Edition of Criminal Quilts Book

Two years ago I created Criminal Quilts exhibition and self-published the accompanying book, alongside each other. Looking back, I am not sure how I managed to do both in a few short months as well as my other work. But somehow I did. It’s has taken a couple of years for the first print run of the book to sell out so I have revised and reprinted this year. The new version has a couple of extra pages and some new images as well as (hopefully) no more page reference errors!

The first print run was only ever sold directly by me online, at events and alongside the exhibition in gallery shops. The new version has an ISBN number and is already listed on Amazon and I will be selling wholesale to bookshops too. Self-publishing allows me total control of the book production and sales. Both editions are printed on recycled paper with no plastic coating of the cover, for maximum sustainability. This has cost me more but fits with my values. It is also printed by a small (female-owned) local company, a few minutes from my house so I can walk to the printers to check things. My brilliant graphic designer Sophie has done a great job as always. The downsides of self-publishing are that all the copies have to be stored in my (small, already crowded) house! Please help me make space to move by purchasing a copy (or 10) of this book.

It’s been an amazing couple of years with this book. The best part of being both author and publisher is that I know exactly where this book has been sent. It has travelled all over the world which amazes and delights me. It has been devoured by textile enthusiasts, criminologists, historians, Stafford residents, prison, probation and community work professionals, schools, photographers, universities and academics. It’s been reviewed in an academic publication too as well as in textile press.

The back cover blurb reads:

Criminal Quilts is an art & heritage project created by artist Ruth Singer which explores the stories of women photographed in Stafford Prison 1877-1916. This book covers the research which Ruth and a team of volunteers undertook in the development of the project, including many of the personal stories of women in the archives of Stafford Prison.
It also covers additional research around clothing in the photographs as well as daily life in a Victorian prison.

This book is also a catalogue of the textiles pieces which Ruth has created alongside her research, giving the full background from the initial commission in 2012 to the work created in 2018 for the touring exhibition. This is a revised edition for 2020.

Ruth Singer is an established British textile artist with a background working in the museum sector. Her training and first career continue to influence her artistic practice through her interest in heritage, narrative, material culture and society. Ruth’s work is focussed on research and personal exploration of stories, resulting in subtle, emotive and sensitive work. She creates exhibitions, commissions, community projects and undertakes artist residencies to explore subjects and places in detail. She has presented a number of solo exhibitions as well as Criminal Quilts and was awarded the Fine Art Quilt Masters Prize in 2016, and written several books. She also works as a consultant, artist mentor and tutor.

Criminal Quilts Case Study – Fanny and Ada Riddle

Criminal Quilts is my an exhibition, research project and book.  The textiles I have created are inspired by the stories of women who were photographed on release from Stafford Prison between 1877 and 1916.

I was fascinated when I first saw the photographs from the 1870s where the women have their hands on their chests. This was in case of missing fingers which would be used for identification. This is the first time prisons took photographs of prisoners to identify them if they offended again. They are usually photographed in their own clothes so we get to see what they really looked like. Photographs of working women are very rare so these are very special images of women who wouldn’t normally have photographs taken.

Find out more in the online exhibition of Criminal Quilts including a film and all the exhibition text. My Criminal Quilts book covers the photo albums in detail, includes many more case studies, a background to women in prison in the 19th century and is illustrated with my textile works. It is available in my online shop along with cards, books and artworks.

This is the first in a series of case studies of some of the women recorded in the prison photographs.

Fanny and Ada Riddle

Sisters Fanny and Ada Riddle were born in Rutland to a family of labourers. In 1881 they were both at school but later worked as servants in Handsworth, Birmingham where some of their family also lived. They seem to have lived in Loughborough at one point but by 1895 were living in Birmingham. Both were able to read and write which is very unusual in the records of women prisoners.

This photograph was taken on 1st January 1895 when they were both released from Stafford Prison. Fanny was 21, Ada was 20. Fanny was convicted of obtaining money by false pretences. We think Ada was convicted of the same crime at the same time. Over a few years they were often convicted together for thefts of food, clothing and other small items for which they received sentences of 21 days to 3 calendar months.

Despite their respectable clothing and jobs, life was clearly difficult for them. Our research shows that their mother died in 1888 when they were 15 and 16 years old which may have been when the went out to work. By 1901, they were both in the Wolverhampton Union Workhouse, and Ada had a one year old illegitimate baby son with her, called Victor. Both of them worked as laundresses in the workhouse. Their family are quite easy to trace and both of their older brothers worked as postmen and were married with children. Sadly it seems their family were unable to support them and keep them out of the workhouse. I can’t trace either of them after 1901 but Ada’s son Victor does appear in records as emigrating to America as an unaccompanied child and seems to have family in Canada too. Fanny and Ada’s father remarried and had another young family in Handsworth and one widowed son lived with them too, but there is no sign of Fanny or Ada returning to live with them. They may have been cut off from their family because of their criminal records.

I have made a couple of small commissioned pieces featuring Fanny and Ada by customers who were touched by their story. I am happy to make commissions using other photographs from Stafford Prison or your own family photos.

Criminal Quilts : The Book

Criminal Quilts Book is open for pre-orders now!

Pre-orders are open until 20th July at a discounted price of £10 per copy which includes a signature, free postcard and the chance to include your name as a supporter in the back of the book.

ORDER HERE

The books will be printed at the end of July and posted out from mid-August. You can also collect at Festival of Quilts.

As well as the discount, your pre-order will help me pay for the massive printing costs for this book. I really appreciate you pre-ordering and will include your name (or another as preferred) in the back of the book. Please include your preferred name in the order.

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New Work :: New York

I’m slightly astonished at the amount of new work I am churning out at the moment. I usually work on one project at a time, but suddenly, this autumn, there are lots of exhibition deadlines which is pressured but wonderful. My latest completed work is for a Design Factory showcase in New York at the Textile Art Center.

The show opens on 10th October so please do go along if you are in the area. I won’t be there, I’ll be a the Knitting & Stitching Show in London that week. I’ll be spending the next week or so making new pieces for The Knitting & Stitching Show and for The Salon exhibition in October run by EC Arts, and then I have another exhibition at the end of the year at Llantarnam Grange.

Creative Twinning - Co.Lab Craft Conversation E-vite