Making Meaning Podcast Episode 22 Highlights from Making Meaning Live with Michaela McMillan, Wendy Ward and Kathryn Parsons


Making Meaning Live was a fantastic online event which I created and hosted in July 2022. The event brought together creative people to talk about the meaning behind what they make with a live audience. The next three episodes of the podcast are highlights of the programme – the bits that work without images and video. This episode includes Michaela McMillan, Wendy Ward and Kathryn Parsons and all involve interaction and activities which the participants really got into. There’s more background and images about their sessions below. You can also watch the whole event recordings for free here.

Play here


Other podcast episodes

Listen to Michaela in Episode 21 of Making Meaning Podcast.

Listen to Kathryn in Episode 5 of Making Meaning Podcast


Session descriptions


Michaela McMillan, The Naming Ceremony
My entire making process starts with notes and stories. These have been shared with me at shows, found in books I’ve read, are from issues happening in the world around me and from events that have shaped my life. This session will be an introduction to the beginning stage of putting a collection together. Tying materials to names and stories, thinking about how to tell a visual story through collected recycled objects – naming pieces and giving them a brief history. Everyone attending will be invited to offer their own associations with materials I present, or show their own piece of treasure and share their own connections and names with it.

Michaela creates individual handmade sculptures that are thoughtful and vibrant objects for interiors. Her work is playfully serious, and made from recycled and found objects with decoupage, assemblage and stitch. The pieces are visions of her imagination mixed with historical and contemporary realities, depicting scenarios of animals, people and nature.


Wendy Ward, People’s Wardrobe
The People’s Wardrobe invites you to wear (or have to hand) a well-used, well-loved garment for this participatory event. As a group we will share the stories of our garments by writing love letters to them and describing them in just three words. This is an activity I am running with lots of different groups of people and from these collected responses I want to start building a library of the public’s best-loved garments which might help to answer these questions: Why do we keep and use some garments for much longer than others? What can we learn from these garments to help us better appreciate the rest of our clothes and keep them for longer? ‘Big Fashion’ has made us believe that we are simply consumers of clothes, but more importantly we are users and wearers and we all need to find new creative ways to build more enduring relationships with the clothes we already own.

*note – Wendy would be delighted to hear from you with your Love Letter to your garment.

Wendy Ward is a PhD researcher at Sheffield Hallam University investigating product attachment, craft and broken-ness in fashion. Prior to her PhD she taught sewing to adults and wrote five best-selling sewing books. Wendy has long had an interest in sustainability within fashion, she worked at both extremes of the fashion industry: as a designer in fast fashion and for a small sustainable brand, then went on to explore novel ways to recycle textiles for her MA. Wendy got her love of making from her dad and a pair of his leather gloves helped to inspire her research.

Kathryn Parsons, The Naming of Moths
Moths are utterly fascinating creatures, and last year I started learning fly-tying so I could create miniature moth sculptures. In this session I’ll talk about my work and show you some fly-tying. There will also be an opportunity to join in a mini creative workshop, and make an ephemeral moth collage from natural treasures. It’ll be a gentle amble through stories of materials, techniques, local history and wildlife conservation, while we sit and make together.

I create artworks that weave together tales of place and people, history and nature. My work is research-based and multi-facetted. The materials I use depend on the story to be told – from miniature moths made of feathers found on nature reserves, to tiny porcelain lichens planted in a poet’s garden! I have created site-specific artworks for Derby Museum, Langdyke Countryside Trust and the University of Leicester, and exhibitions for the National Centre for Craft & Design. I also love to run creative workshops, nurturing people and their creativity while inspiring deeper connections with the natural world.


Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

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