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Artist Gillian Adair McFarland and I met in 2014 when she moved into our shared studio in Leicester. We immediately found common ground with our work and became great friends. We have collaborated a lot on projects over the last few years and continue to work remotely now Gillian has moved back to Scotland. In this conversation, we talk about the areas of interest where we cross over, starting with stains and marks of time, land and human experience. We also talk a lot about the process of making art, comparing our experiences in very different fields – Gillian more in fine art and me in craft / textiles. We also discuss the idea of value in art-making and the challenges of working in a capitalist world where financial value is placed above other kinds of value. We both collaborate a lot with other artists as well as each other so we also talk about the importance of working with others, including scientists. We talk about the difficulty of focussing on just one idea out of so many and how this works so well in our collaborative work.
We have worked together on art-science projects as well as other collaborations. We have recently finished a new Criminal Quilts collaboration and are just starting a co-creation project with the Hutton Institute, Dundee which you can get involved in. Please sign up to my mailing list to find out about that when it’s ready.
Gillian and her recent work
Archived Cloud, McFarland & Hawes Blown Glass – Harbour Collective Gillian Adair-McFarland, artist, glass, ball, art Untitled Gillian Adair McFarland Charcoal on Weathered Paper 2019 – Harbour Collective
Images below of Gillian, Gayle Price glassblower at University of Leicester and photos from our genetics residency
More images and information about our Genetics Residency can be found on our website McFarland & Singer

Gillian Adair McFarland


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This is an auto-generated transcript, which I have edited a little but may still have mistakes and unclear bits.