Introducing Textile Study Space

One of the things I have missed during the pandemic is getting together with others in the same room and sharing textile techniques, ideas, seeing samples and threads, textile treasures and books. In 2022 I’m starting to run a lot more online textile workshops but I wanted to also do something more modest and accessible alongside. I wanted a space where I could share my love of textile techniques in a smaller way. From late January I will host a Textile Study Space on Patreon, a subscription site where I will gather and share fragments of textile. There will be mini tutorials, technique ideas, historical examples, pieces from my work, sketchbooks, samples and also from my historical museum of old and usually damaged textiles collection .

I want this space to be low-key and unpressured, somewhere you can explore textiles at your own pace, pick the things that interest you and explore. There’s no fixed outcome, you don’t have to make anything, it’s just there to inspire. There will be very low minimum price per month of subscription but if you find it valuable and can afford a bit more, the amount you pay will be flexible. I hope that will be nice and democratic, allowing textile enthusiasts who love what I do to be part of my creative world without the cost and commitment of other online programmes.

To find out when Textile Study Space opens, sign up to my mailing list here and I’ll let you know. I hope you will join me, I can’t wait to share some of the textile treasures in my studio.

Launching and Letting Go, my review of 2021.  

I talked a little in my last full podcast episode about what I’d done over the last year and my plans for the future. I said in the podcast that I didn’t want to be one of those people listing all their successes…. there’s being inspiring and there’s being annoying. I prefer the former! I’m not sure anyone (other than my parents) would want to read a list of my achievements in 2021. But then I am not sure that a list of failures and things I didn’t get round to is any help either. Believe me, there are plenty of highs and lows over the year of running my creative business and getting on with my life. 

Last winter I created my own review process to close the year and a structure for creating doable goals for the new year, called Gentle Goal Setting. I’m running this again in January in a new format with a live session exploring why you do what you do and how to apply these values in your gentle goals. That’s alongside my workbook which I’ve revised following feedback from last year and some ongoing support for people who take part throughout January. 

For this year’s review, I thought I would reflect on the gentle goals I set for myself this time last year and see how those goals have helped me. This doesn’t involve any targets or tick lists, it’s just a reflection on how those gentle and inspiring goals worked for me. You can read about last year’s goals below.

My 2021 review to goals

Develop and nurture connections with others

I’ve probably done less of this than I might other have done because of moving, so even in less horrendous pandemic phases I’ve not seen many in person. But I’ve made new friends this year and nurtured professional relationships and networks but also let some fall by the wayside. The work-specific element of this goal group was to create programmes to support other creatives and for that I’m going to give myself a big tick. The thing I planned when I wrote that goal hasn’t actually come to fruition yet but instead I created Maker Membership and it’s been an absolute joy. Things I have established and created myself have definitely worked better for me, rather than trying to adapt and modernise an existing group to which I eventually admitted defeat a few months ago. Management doesn’t work for me. Creating communities really does. So that’s something to remember for my 2022 goals. 

To work with coaches and mentors myself

I recognised last year that I was giving a lot to support others and not filling my own well sufficiently so this year I have made that a priority and invested time and money into supporting my own development. I have tried a membership group, several courses and one-off sessions and a 6 month coaching programme with Sarah Fox, as well as a peer-support group with two other artist-coach/mentors. I’ve got a much clearer idea now of what I need to nourish myself so I can better support others and myself!

To nurture my own creativity and set aside time for studio practice

I set a goal to work on my own stuff. It’s pretty obvious isn’t it? But I haven’t done this anything like as much as I wanted to. Instead I’ve poured my creativity into other projects and made some wonderful things happen. They just aren’t textiles. Or my new book, which was also on my goals list and hasn’t progressed at all this year. Looking back at these goals, if I had given myself the goal of creating new things that I am passionate and excited about (whatever the output) then I would have achieved this goal too. So for next year my goal will be more broad about being creative and doing things that I feel passionate about at the time, not just what I wanted to do in January!

Write more funding applications 

This is a good demonstration of my gentle goals principle. It’s specific but not target-focussed. I didn’t set myself a goal of getting XX amount of funding or even applying to a set number of funds. I just wanted to do some. I’d lost my momentum and wanted to find a way back into it. What helped in the end was collaboration. I worked with a group of other artists to do a funding application. And then another, which has also been rejected too. But I’m going to try again in the new year and hopefully we will succeed. I’ve also been persistent with others and have finally got some progress. The goal was just to try and that has paid off in the end. 

Decluttering my house

This goal I absolutely succeeded with! At the start of the year I was giving myself a couple of years to move but by February things had changed a bit and I decided to try and move as soon as possible. In the end I sold my house in April and finally moved in August, with a lot less stuff than I’d had in January (although you wouldn’t believe it looking at this photo of my stuffed studio!).

My new studio, part unpacked!

Build rest and retreat into my life

On a small scale, I haven’t really managed this. Moving house is far from restful and I’ve had a couple of 3-day holidays in the autumn as my only time off. I’ve not had a creative retreat as I’d hoped either, which is why I’ve not got very far with the goals around making / creating new work. Having said that, moving house, once done, is massively achieving this goal as my home situation is much more conducive to rest. I’m enormously lucky and grateful to have been able to move to a nicer house. Overall I’ve not been too bad at resting, other than in the moving house period. I’ve been better health wise this year than some years so I think I’m doing ok. There’s always room for improvement here and I maybe need to get more specific here for myself.

And finally I set myself a goal of doing more PR and marketing to build my profile and sell more of my work. Again I’ve not done what I thought I wanted to do with this – press releases to magazines, online shop growth and product sales, new product ranges and all kinds of things that I can’t even remember now. If I’d written the goal more gently and less specific, I would have achieved this without a doubt. The podcast has been an amazing profile-builder and connection with audiences. The other work I’ve done has all connected me with others. I haven’t sold much textile because I haven’t tried. But I have sold my other work, my memberships and courses and books and mentoring. And that’s a wonderful thing. 

The pandemic changed my priorities in work and life and continues to change how I want to work and live in the near and distant future. My goals haven’t been a stick to beat myself into working harder, they have been a guiding light for how I want to live my life and run my business.  By reviewing my goals I can see how much my thinking has moved on in the last year and how I can be more gentle with my goals this time around and adapt to the changes life keeps throwing at us. 

Next year’s goals are going to be even more holistic, reflecting the reality that work and life are not two separate states of being, especially as an artist. But I’m not choosing my goals just yet, I’m letting this review and reflection sink in. I’m spending time using my own reflection prompts from Gentle Goal Setting workbook and waiting to see what I really want for 2022. 

Once that’s settled and feeling good, I can then look at the building blocks of making my goals a reality – the planning, the structure. My goals will help me evaluate projects and ideas to see if they really fit in with my wider ambitions and the way of working that suits me and my life. And then I can happily plan, schedule and make lists in my new notebooks, diaries, journals and Trello boards and fulfil all my planning nerd dreams. 

If you would like to work with me on finding your gentle goals by reviewing your year, your needs and creating your own criteria for success, join me in Gentle Goal Setting in January. Find out more here or book now below if you are ready.

I’m running two live sessions: Monday 10th January 5pm-7pm GMT

Monday 17th January 12-2pm GMT

These live Zoom sessions will focus on your creative values and introduce the review and goal setting workbook. 

All participants will also have access to 1:1 support via email or message chat at set times throughout January. 

Gentle Goal Setting Course for creatives

Reviewing the year and gentle planning for creative practice in 2022

It’s hard to see the wood for the trees at the moment. It’s hard to focus on keeping your creative practice thriving when the world is chaos. The last couple of years have been really rough for small businesses and creatives. I truly believe that it’s much easier when you can by find and focus on what matters to you and create goals that are gentle, manageable and nurturing to your creative spirit, whether you run a business or not.

Last year I shared my ways of gently reviewing the past year and making plans for this year. You can read my posts about my own goal setting here and here. I’m doing this again for 2022 and invite you to give yourself the space and time to reflect and plan with gentleness too.

My approach is built around self-compassion and taking your energy into account, not just focussing on finances and big leaps. Tiny steps are enough.

This winter’s Gentle Goal Setting comprises a self-study workbook full of supportive thinking exercises about celebrating your achievements (however small they may seem), looking at your values and what is most important to you. Through working through my exercises, you will be able to create create realistic and meaningful goals for the new year. It’s suitable for for artists / makers / writers / creative businesses / freelancers (and anyone aspiring to be one of those in 2022) who want to take a reflective look back over what you have learned and how you can grow and develop in a gentle and mindful way.

This is Kate’s feedback from last year’s Gentle Goal Setting

I have worked for myself for over twenty years and have been stuck in the trap of setting myself ridiculous goals, having unrealistic expectations of what I can achieve  “when I set my mind to it” and being hard on myself when I don’t tick everything off my list or have unproductive days. Working with Ruth on the Gentle Goals Setting course has really helped me to look at what I’m doing from the point of view of an observer, accept and celebrate how much I actually achieve and realise that setting more realistic goals and factoring in time for longer breaks, more time off and room for days when I just don’t feel like working has actually made me more productive and happier. I now have the workbook and tools to help me re-assess in the future when I am feeling unbalanced and make changes that will nurture me as a creative person and feel happier and healthier with space for things other than work. I can highly recommend it.

Kate Unwin, The Moon and The Furrow, 2021 Gentle Goals Participant

I’m revising Gentle Goal Setting for this year, with new exercises and adaptations following feedback from last years participants. Firstly I am running this in January instead of December so you can get this year out of the way first! The workbook is now suitable for anyone who wants to set goals for their creative practice / business and / or life, not just those running a business. There’s a live session at 5pm GMT Monday 10th January for two hours and a repeat on Monday 17th January at 12pm. These sessions will be recorded so you can catch up afterwards. There will also be a community chat space for you to share with other participants about your own gentle goals work.

The course is open for the whole of January too if you prefer self-study without taking part in the live session. If there’s interest from participants, we will also book in a follow up later in the year to see how we are all getting on with our own goals.

I’m also adding in ongoing 1:1 email support from me during set hours throughout January.

I will guide you through my review process in a live online workshop, then give you a workbook for quiet, slow reflection on your own creative journey. This will take you from reviewing the year to working out some goals about how you want to feel about your business / practice. 

Gift ideas from Ruth Singer’s eclectic online shop

Do you have someone on your list who likes crime? What about concrete ? Maybe some silk ruffles to beautify a Zoom background? I’ve got quite a selection of unusual gifts in my online shop mainly under £50. A lot of my shop has been hibernating since I moved, so if you spot something that says ‘coming soon’ just drop me a line and I’ll see if I can find it for you! I’ll be posting until Monday 19th December so there’s plenty of time for UK shoppers.

There’s these wonderful concrete and cloth decorative bowls by me and Bethany Walker which start at £15 for a single bowl or can be bought in sets of 3 or more.
For fans of craft and crime, my Criminal Quilts book fits the bill. It’s just £16 for a signed copy
A good stocking filler for the creatives would be my Patchwork Patterns Colouring Book which is £8.50 including UK postage
My bargain boxes of older textile artworks to hang on the wall has some amazing pieces at fabulous prices.
A great virtual gift might be my Gentle Goal Setting course for January 2022. This workshop helps you reflect mindfully on the last year and plan goals that are meaningful, manageable and inspiring.
For those who would like an original piece of artwork, I have some of my print patchwork pieces available now too.
Several of these Pearly Pipes are still looking for the right homes at £50 each
And last but not least, my quilt blocks are a tiny £10 each.

New Criminal Quilts work

Back before I moved house & studio I did a bit of making and completed some new work and then they’ve been packed away and I forgot to share them. So this is one of them, to be shown in the new, and final outing of Criminal Quilts exhibition in Feb 2022.

It seems to have taken me a long time to get this one finished. I had hoped to source more of the patchwork pieces and make this larger, but that hasn’t been possible so it is finished. This work is made from old patchwork pieces, Victorian cloth with original papers still inside. Before I bought them, someone had cut them apart, slightly ruining the edges as the fabric was cut as well as the stitching, making them very tricky to stitch back together 

 I’ve reassembled the pieces together, using a contrasting red thread. The paper inserts include prints of prisoner photos, documents and details as well as some of my own designs, along with the original papers where they survived. The original stitching is tiny white stitches joining the flowers, while my interventions are all done in red thread, both tacking the papers in place and joining the patchwork flowers. It’s important to me to show where I’ve worked, separately from the original work, like in textile conservation where all interventions can be reversed if needed. 

These new pieces will replace some sold works and I am also selling some of the older work from the show and retiring a couple of pieces, to keep the exhibition fresh for the new venue.

It is interesting how much work has become smaller again, now I am working in the confines of my small studio with one table, rather than the larger pieces I made when I had access to university workshops in 2018. But I started Criminal Quilts with miniature pieces and I have always loved the small so this a return to my roots in a way. Having said that, one large Criminal Quilts piece is in development too, also for the new show at Llantarnam Grange Arts Centre, South Wales, opening 4th Feb 2022.

If you are inspired by the way I create work with meaning and research, you might like my Maker Membership, a group where I share resources to help you develop your own work. There’s also a social side with online chats and zoom meetings. It’s a really lovely community and it’s open now.

Making Meaning Podcast Episode Eleven – Reflections with Ruth Singer

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

I’m an artist & maker exploring personal and collective narratives through textiles. I create for exhibitions, commissions and projects. I also write books, support other creatives through mentoring and consultancy / research work and I love generating my own projects, artist residencies and making things happen. 

All of my work, across all of these different aspects is centred around making with meaning. I am fascinated by the hidden stories in all our lives and in historic objects and places. My work grows from research and contemplation and from collaborating with others.

This end of series episode of Making Meaning is just me. I wanted to reflect on the series, to share my thoughts and feelings about the amazing conversations I’ve had. I also wanted to add a bit more context about my own work and share more about myself and some of the projects I have worked on in the past, present and future. The themes that come up again and again in this series are about connection and collaboration, about the creative impulse and the value of our ideas, about research, about materials and making and about change, movement and belonging. I also introduce some ideas for the new series of Making Meaning, including a live event and longer, even more in-depth conversations.

And of course, there’s more of me asking for you to support the podcast with a contribution towards my crowdfunder to cover the costs of the new series and make it even better.


Play here


Recent work


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Wellbeing project

It’s taken months and several funding applications to get off the ground, but I am pleased to say I have at last got my wellbeing project for foodbank users in Leicester up and running. I’ve been part of the foodbank / community hub volunteer team since early in lockdown last year, and I’ve had this dream of adding more than just food to what we can offer to support people. I wanted to use my community arts experience to create a programme of activities that support the wellbeing of people who are struggling with poverty, poor housing, insecurity, isolation and many other challenges brought on by or worsened by the pandemic. Volunteering during the pandemic really focussed me on trying to develop arts activities which really impact those who don’t have the privileges and access to the arts that I have.

I’ve now got a small pot of money for some consultation with foodbank users and to try a few different activities to see what people like & want. I’m also working with a local school who will help me create local history guides and walks and add their own touches to the wellbeing packs I plan to give out to those who sign up. Once the weather warms up, I will run some sessions in the foodbank too (it has no heating!) and involve local artists, writers and community practitioners to share their expertise too.

I only have 6 months of funding and I am already doing more than I am being paid for, but I have great ambitions to make this a long-term project and to support more people in the city, not just the foodbank users. I’m working with partners to find additional sources of funding and making use of my extensive funding application experience! It’s been such a great challenge to establish this new way of working and combining my volunteering / community work with paid project development work. I’m really excited to see where this goes and how it works with the community. If you would like to support the foodbank and the work we do, you can donate to our winter crowdfunder here. If you let me know I will ask for your donation to be put aside for the wellbeing work I’m doing.

Making Meaning Podcast Episode Ten – Emma King

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

I first started working as a museum consultant in 2004. Over the next decade I built up a reputation for delivering high quality work, delivering projects for clients across the UK. I then took a break from consultancy to work as the founding Director of the Holocaust Exhibition & Learning Centre in Huddersfield from 2017-2020. I led a small team to create a completely new heritage business, including writing and curating the north of England’s only exhibition about the Holocaust. I learnt a lot – about leadership, project management, storytelling, entrepreneurship, and above all, about myself. Now I’m bringing that learning back to my consultancy work.

This week’s podcast is with museum consultant Emma King, also one of my most-longstanding friends. We met at Leicester University back in the last millennium both studying for a Museum Studies Masters Degree and she has gone on to have a great career in museums both as a freelancer and employed, always seeking innovative projects where she can delve into research and storytelling with collections and people. Because I also worked in the museum sector for a few years and still work closely with them as often as possible, we have a lot in common in our working practices and our interests. We could (and do) talk for hours but I have edited out (most of) our rambling and focussed on exploring making meaning in a museum context, communication and interpretation, the value of ideas and of co-creation with communities and artists.

There’s more about Emma and her work in the links below.


Play here


Emma King

Emma’s projects


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.

Project Books

In my Maker Membership group, sketchbooks come up a lot. Some love them, some are terrified by them and some are just not sure. I thought I would write about my own use of sketchbooks or project books as I prefer to call them. Using books to collect ideas, information, images, notes and samples is something I’ve come to later in my practice but I am so grateful for it now. I love making books about the work I am developing and find them enjoyable and inspiring to make and endlessly useful and fascinating to revisit. 

I don’t like the term sketchbooks as it implies drawing and like many textile makers, drawing is not part of my process. I sometimes do annotated simple drawings but I don’t sketch. I struggled through my A-Level art aged 18 with some additional drawing tuition and have done very little representational drawing since. It’s just not a process I enjoy. I love mark making and creating patterns with pens, pencils and crayons and created a book of patchwork-inspired designs for colouring a few years back. 

My ‘sketchbooks’ are usually created for a specific project. The first one I properly worked on was for a commission called Metamorphosis . The people who commissioned the work were keen to show sketchbooks as well so it was a good exercise for me in creating something I was happy to share. 

I didn’t fill the small sketchbook for this project so it became a more general studio book instead. Studio books are where I keep samples, ideas, notes, fragments and other inspiring things that are otherwise loose in my head or in my studio. I go through phases of keeping these but I never regret it. 

Since that project / studio book, I have created many others. I usually have a very general studio book on the go which has measurements, calculations, lists, sums, designs and working notes for whatever I am working on at the time. I don’t have one at the moment, it has tended to be when I am doing a lot of design work and exhibition planning and that’s not what I am doing these days. 

What I have kept up is the project books. For the Leicester University genetics residency in 2017, I used an A3 book which gave me space for lots of drawing, notes, images and mind maps. 

For the first part of Criminal Quilts, I had notes and sketches and ideas in a lot of different notebooks and studio books and really regretting not keeping it all in one place. When I started the 2017-18 Criminal Quilts residency, I knew I needed to keep a project book which I would share as part of the project. It has been to many workshops, talks, events and open days. Although I started making it as a public resource, it is also my working sketchbook or planning book. I have notes of pieces that I have since made or since abandoned, and things that are parked for the future. It has a lot of notes, lists, scribbles, mind-maps and drawings as well as the collected materials of inspiration. It helped me to have all this in one place while I was doing the residency as so little of the project happened in my studio. I was able to carry it all around with me. Having said that, the huge heavy hardback book I chose, whilst being perfect for display, was a pain to carry around on the train / on foot! I used a wheelie suitcase a lot for that project as my sketchbook was too big for a rucksack. 

For the Libraries Live commission in 2019 I made a quilted book and a series of activity kits for library visitors. Throughout the residency I kept a decorative sketchbook intended as a record of my workshops and to inspire workshop participants. I decided to include the sketchbook as part of my commission as I felt it belonged with the other elements. As this was a commission, it was very different to my own work and has quite an unique identity. These photos are professional shots taken for the project and a nice record of the work for me to look back on. 

My current studio books and project books are quite experimental including collage and print work and some gathering of inspirational materials. Before I packed away my studio to move over the summer I started working on a book of things that were lying around but worked well together. Postcards, samples, fragments, old paper and cloth, images and notes. This is not about a specific project but a process for me of making use and sense of the inspirational things I have around which might otherwise be on the walls or getting in the way in my studio. I refer back to this a lot – I simply enjoy looking at it and letting my ideas flow. 

I have also got one which is purely for experimental collage and print work which I have just re-found after moving. 

For my textile projects I have two ongoing project books, one about quilts which I started when I did my Fragments exhibition in 2017 and another which I don’t have a name for which is about my long-term research about damage and decay. 

Writing this has made me think more about sharing some of my sketchbooks in a digital form which may or may not happen, but either way it has made me excited about getting back to my project books and adding more to them. Do you use sketchbooks or research books to gather your thoughts and inspiration? I’d love to hear about them. 

There’s more about creating and using project books within my Maker Membership site. Membership is open now for anyone who makes and wants to build more depth and meaning to their craft practice, connect with a like-minded community and work with me. It costs £25 a month and you can join for as long as you need to. Find out more here or use the button below to join.

Making Meaning Podcast Episode Nine – Paula Briggs

Graphic image with the text: Making Meaning in a swirl logo. Additional text saying A Podcast by Ruth Singer exploring the meaning behind what we make.

After 10 years of ceramic practice, I am currently part way through a Ceramics MA, and so my practice is changing and developing. I feel a little vulnerable show these images as they are in no way finished ideas, but do show some of my early exploration during a ‘Spode Heritage’ brief. During this project I began to recognise and enjoy the story telling within my new work. Used to working with unglazed porcelain with a focus on colour, texture and form, becoming drawn to transfer ware and imagery was a surprise to me that I continue to explore. A more recent project gave me the opportunity to explore my past use of colour and texture in a very different way, wonderful colour through glaze exploration and floral pattern, again, my enjoyment of the floral pattern coming as something of a surprise to me. I am excited about the possibilities of where these new found material interest lead, and how they will help me in the telling of stories, and I am determined to remain open to new ideas, skills and storytelling possibilities.

I love how open Paula is to learning and developing new work. I first came across her work in 2014 in a powerful exhibition called Torn: Grief in the Making and knew we would have so much in common. Since then our paths have crossed a few times through being in the same groups but we both felt slight outsiders in the commercial / retail craft products world. Like me, Paula is clear that she isn’t interested in repetitive making purely for selling and is focussing on narrative. She contacted me a few months ago to interview me for her MA research and that conversation led to this podcast.


Play here


Paula Briggs

Paula and her recent work


Support the podcast

My Making Meaning podcast of conversations with creatives is coming to the end of 2021 series. I want to make the new 2022 series of Making Meaning even better. If you have enjoyed these episodes, please consider making a donation to my crowdfunder campaign before it closes on Monday 13th December at midday GMT.

So many of you have loved listening to Making Meaning over the last 6 months. It’s been a wonderful project for me too. I planned and recorded most of it while we were still in lockdown as a way of connecting with others and now being able to share these rich and inspiring conversations is a joy.

The podcast has really resonated with you, enabling you to learn more about your own making or creative work and to understand how artists think and work. It’s made connections across creative work and within and outside of my own textiles discipline. I’ve been able to share stories from museum work and other kinds of creative practice as well as craft and they are all so relevant and inspiring to hear. 

I’ve been doing this out of my own pocket for the last year but really need to make it financially viable for 2022. I have to pay hosting fees, editing and marketing costs and then there’s my own time.. and I would love to be able to pay my guests something too as they have so generously given their time. There are a range of rewards including episode and whole series sponsorship.

Maker Membership

My Maker Membership is now open for all makers wanting to explore their motivations and to build meaning and research into their practice and be part of a supportive creative community. We meet once a month and I share resources, tips and research to help you develop your own work. Find out more here.